Posts Tagged ‘#midimike’

More pictures from my recent adventure to a local city park.

Ault Park Cincinnati, Ohio MSK – 201
Ault Park Cincinnati, Ohio MSK – 202
Ault Park Cincinnati, Ohio MSK – 203
Ault Park Cincinnati, Ohio MSK – 205
Ault Park Cincinnati, Ohio MSK – 208
Ault Park Cincinnati, Ohio MSK – 215
Ault Park Cincinnati, Ohio MSK – 223

Enjoying a little more late summer before it is gone!

I think we started recording Project Two in May of 1996. Project One was mixed by the end of March so we had a good feeling for the next project. I will eventually dig up archives for details as I am now relying on brief notes and scribbles of information. I do not have lyric sheets for these songs but I know most of the lyrics by heart.

As you know I am really bad with names. I know Annette Rogers was the lead vocalist and I believe she wrote most of the lyrics. My notes also mention Robert Downing with the band.

This was a band I wished I had kept in touch with. At the time in my life there were so many projects and I had my own music and bands I was involved with. All this and I worked a regular full-time job!

I have a brief video of the band setting up – somewhere. Who knows, maybe I will dig it up along with my track sheets and band info.

By the middle of September we had all the recording done and mixed Project Two. We did ten songs in all and I will share a few more with you today.

jjaR at MSK Studio – Butterside Down
jjaR at MSK Studio – Paralized
jjaR at MSK Studio – My Heart Tricks My Head
jjaR at MSK Studio – Overboard
Annette Rogers from jjaR at MSK Studios

Early in 1996 I was introduced to a Cincinnati band called “jjaR”. I met them while they were playing at a popular club called Top Cats. I was really impressed with the band and their original songs. Annette Rogers was the lead vocalist and she commanded the room with her emotional portrayal of each song. The band was intense and dynamic.

March 13th, 1996 we started recording in my home studio. They were troopers. I have a small space for recording with no isolation rooms for drums, vocals, etc. The band wanted a clean demo. They did not want a lot of processing and effects in the mix. A band after my own heart!

jjaR at MSK Studio in 1996

We did two separate sessions. The first session was mixed on March 26th, 1996. I was recording on the Alesis ADAT (Alesis Digital Audio Tape) machine for the first project. We only had 8 tracks to work with back then and no computer editing or effects. They were pros. They set up, got settled in and played their songs with obvious passion.

One of their tracks appeared in a collection of bands our local radio station WEBN (102.7FM) published on CD. They were featured on the second annual CD release. Deary Me Presents – Cincinnati Scene II included “Food Chain Of Love” on the 3rd track of the compilation CD. You can still find a copy or two on on-line.

Here are a few tunes from Project 1 for your enjoyment.

jjaR at MSK Studio – Food Chain Of Love
jjaR at MSK Studio – Super Size
jjaR at MSK Studio – Aliens
jjaR at MSK Studio – Misunderstood

MSK 1

Last weekend I dropped in on some friends playing out. With camera in hand I caught a few minutes of “What’s Left” performing live. It reminded me how glad I am that I don’t play out any more. Performing for a live audience is fun and addictive but being my own roadie was killing me quickly! I always joked that we would play anywhere for free……. we just charge to move the equipment in and out!

This was just for fun and I appreciate the guys letting me point my camera at them for a while. I like their logo in the back.

On the 30th anniversary of our performance with NRSB at Bogart’s in Cincinnati, I want to share a vintage video of that once and only performance. All original songs by members of this incredible band. I am so glad this was captured by hand-held camera out in the audience! Thanks DR.

Part I

Part II https://www.youtube.com/watch?v=DCv8NrHglpk&list=PL6nW06rbKPIo97mbrFsrAWed2OUaDvMkF&index=12&t=0s

We were just a bit ahead of our time.

CRASH LANDING

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

Believe it or not, MTV started off as a media outlet for – VIDEOS!  It was not what it is today.  Music videos were still relatively new and there were not that many out there but they started being produced in numbers once MTV provided an outlet for them. The Chicken or the Egg thing all over again.  I did not own any video equipment, but I was familiar with photography and music, so it was a natural interest for me.  Back then, cable companies were starting to set up monopolies in various cities throughout the US and we were in the Warner Amex territory.  As part of their agreement with the city to provide cable and other services, Warner Amex made some of their equipment and channels available to local citizens. They provided training and allowed non-profit citizens to go through camera and editing training and once completed you could schedule use of their equipment to create content for viewing on their Public Access channels.

I was one of the first (my card was # 000090!!) to sign up for the training classes.  I would borrow their equipment and film bands and live performances, family growing, along with a number of other projects.

My first project was to make a video that introduced the idea and benefits of the Public Access program, (we hoped if we had a complimentary message it would be good for PR and relationships with the people that administered the program, (we were right). and a music video idea we had been working on.  This is by definition low-budget and is dated by equipment and resources available today. But it was a learning experiment and was a lot of fun.  To do a lot of what we did it took a bunch of planning and trial and error.  I had been playing keyboards for a very short time and there are a bunch of mistakes, I was new with the video editing and production, but not this was not bad for the first release.  Usually, I am also the cameraman, but filming my own band required additional operators.  I edited the video from the collection of raw tapes and a live performance of the song.

This video features my younger brother as the narrator and the music is from the duo I was in at the time called, “The Personal Touch.”  The intro theme is a musical piece called “The Big D Jam”.  The video is based on a song the guitar player wrote called “Transaxle“.   We took vague ideas and filmed them all.  Then edited them into something semi-cohesive!  There are a bunch of funny stories that went into the making of Walking Man but I will spare you for now.  The end credits use a song of mine introduced earlier called “The Pleasure Tax“.

As with many of these blasts from the past, there are lots of good memories and a number of painful ones.  Looking at this video again so many years after, I see my youngest brother Chris in his healthy days doing the narrative part introducing the musical video before health problems including throat cancer took their toll.  This is when we thought we would last forever….. there was no end in sight.  We do not last for ever.  For him, the end was so close to the beginning.   We all have our vices, but with legal ones like tobacco and alcohol killing people every day, we all know someone that has been affected by the results. Here is the real message we should be sending; These drugs may not kill you.  You will not lose ten years of your life.  You will survive – and grow old – and suffer – for decades, with a disease that is eating you from the inside out. I am glad I was there to help him a little as he faced the end.  I would have given anything to find another path for him, but he knew where he was going.  It did not stop him and neither could I.

*Please see previous post if you are interested in the story behind why I wrote this song. *

Lost Love”   86 bpm  © MSK 6-2004

We’d been together just a little while

Each day melted into the other.

Daylight through the evenings we danced,

Completely consumed by one another.

As life went on our love got stronger.

My friends thought that it would never last.

I know all things come to an end.

Just didn’t think it would be so fast.

It’s been a long number of years now gone

How many more I don’t really know.

Everyday I try to say good bye,

but For some reason I just can’t let you go.

And he said, ‘son, if ignorance is bliss,

You must be a very happy man’.

Memories of your Lost Love might never go away,

But everyone else you love can.

Father and son, we were never far apart

Through ups and downs, good and the bad

We stood so proud; laughing together.

I’d wait forever but you won’t be back.

When my sister died I found myself crying.

Weeks upon weeks and still to this day

I realize I’m thinking about her

As I’m wiping my tears away.

Son, if ignorance is bliss,

You must be a very happy man.

Memories of your Lost Love might never go away,

But everyone else you know can.

Share what you have, help those in need

Focus on the people around you.

Ask us for help, talk to your friends

You’ll feel so much better when you do.

It’s been a long number of years now gone

How many more I don’t really know.

Everyday I try to say good bye,

But for some reason I just can’t let you go.

https://itunes.apple.com/us/album/dark-energy/id962943592

Death is nothing new.  My father died of cancer when I was – well, to be honest, I do not really know. mid-twenties? early thirties?  How can a person be talented enough to write beautiful music and still be so lame when it comes to anything important?  I am not sure, but my family has had to deal with me for a long time.  My parents were divorced for years and I did not know him that well.  At the same time, I felt like I had known him forever.  He was never there through the most difficult times In my life and yet at the same time he never left.  Reading about loss of a loved one on other blogs it is clear many people do not feel that way.  The loss is real, it is crippling, it never ends and there is no comfort for the emptiness, no magic words.

I KNOW that wasteland.  Years later my younger sister died from a freak drowning accident.  I was prepared for the death of my dad (and grandparents, friends and distant family members before him).  I shared his love of life and his regrets during that brief time.   For my sister I had no defense.  I did not dwell on death, but if I considered it, it was almost a guarantee she would outlive me.  Surrounded by close family and friends I just started crying.  Talking, greeting, consoling, hugging, but through it all I cried.  I could not share her love of life or future dreams.  I could not speak to her of death; she was gone.  I thought we had so much more time left.  For days if I saw her picture or heard her name; I cried. Even this far forward I had to mentally prepare to write this intro.

Not long ago, my younger brother had to pay his pleasure tax.  Years of drinking and smoking caught up  and throat cancer started eating away at him.  The funniest and kindest guy you would ever know, he did not want to burden anyone with his problems.  I did the best I could to let him know he was not alone and did not have to go through that by himself.  We spent a lot of time together in those last few months.  As his medical power of attorney, I followed his direction.  I understood his desires and knew his demons.  Some things are still too painful to think about so I don’t.  But I do remember what a great human being he was.  We cried many times together and apart.  These days I smile thinking about him, and how great humanity can be.

Love is another type of loss but for all my education and experience over the years I could not tell you which loss is more devastating.  Family you live with and know all the cool things you learned and shared together.  A loved one you will never be able to learn and share future things with.  Loss of the past or loss of the future.  The wasteland seems to keep spreading out forever.  You will never get through it and nothing can replace it.

In the middle of the wasteland jumping all the way up to the moon seems more likely than getting through to the other side.  But it is the sense of loss that keeps us there.   My father is still with me, telling me “remember the past, but look forward, son.   Don’t blind yourself to the path out, seek it”. Hopefully, you will see that your loved ones are still with you.

This is a fairly recent song.  I happened to be going through my files to build a catalog of songs I have, songs in the works and ones I have co-written for a project.  Looking through papers here and there, rifling through files saved from one form of media to another, I found a set of lyrics entitled “Lost Love”.  I looked at it for a while and started reading the lyrics.  I did not recognize any of it, but it was my handwriting and as you will soon see, it is very personal.  I read them and thought,   I need to do something with this.

I have instruments in almost every room in my house.  A week earlier I had been playing a chord progression that was simple but captured a certain feeling or mood that I liked.  I ran upstairs and got the lyrics I mentioned.  I played the guitar with the lyrics in front of me and started to sound out where the lyrics fit in the progression.

Thinking the music and lyrics fell together beautifully, I went to my studio to lay down a rough version of the song.  I used one microphone and recorded the guitar and melody line.   This is “Lost Love“.

https://itunes.apple.com/us/album/dark-energy/id962943592

Most of the connectors used for outputs will be 1/4″ male jacks.  These can be for ‘grounded’ (three-wire) or two-wire cables.  To make this part confusing, the cables can be made or changed with adapters to almost any connector type.  For long distances we prefer grounded or three conductor-wire cables as the third wire is used to take common signals from the other two wires, and ‘dump them to ground’.  Common signals would be interference and noise as the plus and negative wires are carrying the signal from the board.  The result is good signal with low noise introduced.  Guitar and keyboard cables typically go shorter distances and typically have a higher or stronger output signal than a microphone for example.  The cables in the snake will use three wire grounded shielded cables even if they are 1/4″ male connectors.

So we might expect to have an XLR connector for the Main Outs to the Main House power amps, but this is not a guarantee.  If 1/4″ jacks are provided it is recommended to use grounded three wire cables.

Most cables will provide a male connector on one end and a similar but female connector on the other end.  Male connectors are often used to connect to In-Puts and Female connectors are often used to connect to the Out-Put.  The male connector of the microphone cable connects to the mixing board In-Put and on the other end the female connector will connect to the microphone out.  Generally speaking there is little advantage plugging an in to an in or an out to another out.   I like to state the obvious LOL!

The mixing board will give us a Main Left and Right out, and probably a Mono Main Out.  These will be connected to the Main or House power amps.  During an event, the amps are usually turned all the way up and the House volume is ultimately controlled by the Main L-R faders on the mixing board.  This is why it is important to turn the Master Volume Faders on the mixing board all the way down whenever connecting or disconnecting equipment or making dramatic changes.

Depending on the board size and configuration you may also have a 1/4″ Direct-Out for many if not all input channels. (this is REALLY cool for recording and a lot of other creative uses…)   These can be really handy for independent channel recording, triggers, audio effects and alternate mixes to name a few.  Basically connect these to external recorder, processor or triggering gear as needed.  I will give some examples as the series expands to other main topics.  You will also have a number of Sends that are used for a variety of tasks and have different names, but with a few configuration details are for the most part the same thing.  Effect Sends, Monitor Sends, Auxiliary Sends, Sub Sends are splitters; they split the signal – keeping the one going to the House or recorder – and allowing you to send a lot or a little of that signal to the Send of your choice using the Send knob. As in the Monitor amps and House amps, the volume knob will ultimately be used to send the proper signal level to the external (and internal) devices or effects.  If you ‘send’ this to a digital delay, it may also have its own input and out put level knobs.

You may also have a two-track input and/or out put.  This is for playing stereo audio devices and for a straight stereo record out option.  Handy to listen to practice tapes, intermission music, PA system tests and other performance related media.