Archive for the ‘MUSIC’ Category

I have a rough version of a new song called “What You Want”. Well, it is called that now because I put lyrics to it from an earlier Lyric Post.

This is a tune using an old Yamaha drum machine I recently became caretaker of. I set up a nice but simple drum pattern using my Alesis MIDI drum pad and recording again in Studio One 5 by Presonus. I am using the internal sounds in Studio One 5 to play the bass guitar parts, triggered by an M-Audio MIDI keyboard I got with the drum machine and some other cool toys.

After the beat was down and feeling a bit more fun to play with, I added the two guitar parts using my Ibanez electric guitar. I recorded two tracks but instead of hooking up my amplifier and all my pedals, I plugged straight into the mixingboard so it would go direct-out to my computer input.

I used one of the many plug-ins included with Studio One 5 to add effects to the guitar. The built in guitar tuner plug-in is also really handy and I like the way it operates. So no need to connect to a tuner after each practice take. Each guitar track used the same plug-in but set to different guitar effects.

I am working on adding vocals but for now here is “What You Want”.

Music for my new song “What You Want”

Sonar Track Panel Wave and MIDI files that generate sounds from computer programs called plug-ins

I mentioned experimenting with an on-line jamming program. It became the clipboard for a few guitar sections I created while waiting for one thing or another to work. I titled each as verse, bridge, chorus, etc. I had to give it a project name to save the clipboard and I came up with “Not Now”.

I used those short pieces and assembled them into a song arrangement. Once the chords and arrangement were in place I naturally started thinking of lyrics (as I have a tendency to do). The file was named Not Now so I kept it as my Cakewalk (BandLab) project name. So it becomes the theme of the lyrics. In one hour they were written. Getting them to match the odd rhythms and sparse instrumentation became a challenge. It took me a few days to come up with the melody and then practice it enough to get the rough tracks down. To all just joining; I get things down to rough tracks and then write another song, poetry, lyric or instrumental. When I was young I hoped some band would do my songs correctly in a studio. I am not young now.

Here is a rough mix of “Not Now”. I used a Martin Acoustic/Electric guitar for the guitar track. Using my MIDI keyboard I pulled up a plug-in for drum sounds. I imported the original noodling guitar parts I did from the clipboard but they were not recorded to a metronome or drum pattern. I listened and figured out the tempo of the segments and set Cakewalk to match. That way I could listen to the short guitar segments as I created the basic drum parts and arranged all the segments in order. I pulled up a bass guitar sound and played the MIDI keyboard to generate the bass line.

Next, I Muted the original guitar tracks and recorded a new track to replace it. The song seemed to cry out for strings but that is usually just me. I like good sounding strings in various styles of music.

Lyrics were posted here: https://midimike.com/2020/06/01/not-now/

I use two monitors as there is a lot of information to keep ‘track’ of even for a small project.
This is the Piano Roll view. Each color represents different instruments. The lower group triggers drum sounds.

I gave a link to BandLab above. Full disclaimer this is not a commercial and I do not get paid for anything I do here. However….. if you are interested I used to pay hundreds of dollars every year or so to keep this great recording program updated. They now offer the program and all updates for FREE. No kidding.

I hope you enjoy “Not Now”. Each time I listen to it I like it more. Again, this is just me as each new song I write becomes my newest favorite.

If just for a little while.

The Chase

I just posted another vintage video to YouTube. This is a live recording of Euphoria in my early days with the band. We are playing live at Hollies in Springfield OH. for some of this post. This was a transition period as members of Euphoria took time off and a new band formed later to be called The Chase. I did use some video from the events but compared to hi definition available today, it just looks dated, because it is! Enjoy at night at home and some great live music:https://www.youtube.com/watch?v=MAW_cJVFFog

Euphoria and The Chase Live

I posted songs from the first half of our live set when I was playing with The Chase earlier. Today I would like to share with you select songs from the second half of our set. The recording is decent – though this is ancient as it was recorded on a cassette tape!!!

Anyway, people all over the world are having tough times. Stuck indoors is the least of our concerns. Sit back, stay at home and listen to a live band performing classic rock songs from Jethro Tull to Santana and Creed.

As a note of mild interest; I have no pictures of the vocalist in this particular recording. I have video, but compared to the hi-res available today, the videos just don’t look very good. Sean (Shoeless Shawn) Bandy is the lead vocalist this evening.

Have a drink and a great evening in and stay safe!

My former band, The Chase performing live

Thanks for the visit!

It’s a hand grenade of high frequencies
Placed right between your eyes.
Easy to guess now where it came from;
Years of rock and roll caught you by surprise.

So much harder just to sit and talk these days
In a thin blue funk of purple haze.
Forcing the rhyme within tired rhythms
Simple technologies each a new craze.

You’re in it. You’re on it.
But can’t admit that you want it.
You buy it. You waste it.
Much more than a phase. It’s the New Craze.

It used to take talent and a lot of hours
People loved you for who you are.
Now it’s the beautiful, the extreme
Making a grab for your last dollar.

You need a law degree, and some Marketing
Even web design or sound engineer.
Craft miraculous songs but it won’t matter
Without looks and cash there is no career.

You’re in it. You’re on it.
But can’t admit that you want it.
You buy it. You waste it.
It’s just the New Craze.

I have been playing around with some themes, grooves, melodies lately. I have written a number of instrumentals over the years that are destined to have no lyrics. Sometimes the pieces are simple riffs and other times they can be full blown productions. I have a few I would like to share with you in the near future. Here is one I am still working on but I like where it is going.

This one I call “Another Dimension”

“Another Dimension”

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The songs in this session are simple two-channel recordings.  These are not multi-tracks of isolated instruments to be mixed down later.  This is down and dirty history.  I enjoyed recording and listening to each of the gigs.  The rest of the band were ok with it, but they were really into the performance and live audience vibe.  As a result, I did not get much assistance or cooperation with my projects.  We never did a sound check for recording levels.  We did not set up differently or use additional gear.  I usually taped separate mixes from their sound board or by using a combination of mono mix and single hi-quality microphone up on stage.  See my LSR series for recording configurations.

Unlike the other players I have jammed with, I had not been playing in bands since I was a teenager.  I did not start playing in front of a ‘real’ audience until I was probably 31 or older.  I started playing keyboards (technically different than playing a piano or organ) when I was 30.  Before that I wrote songs and played my 12 string guitar for parties and such but that was about it.

Lacking confidence and years to sharpen my skills, I tried to make up for it in other ways.  I practiced a lot                     compared to the other players.

I helped in tech – light – sound – marketing.  The recordings were for me, LOL!

This is a live recording of a medley we came up with.  None of us really liked disco, but no rocket science to keeping guys in the club is to keep the girls on the dance floor!  We smashed together popular dance songs and other select songs toward the end of the 2nd set.  Enjoy.

 

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Here is another song my brother David recorded at a studio years ago as part of his Studio Way project.  My brother wrote the lyrics and is the vocalist on these tracks.  Terry Boehm played keyboards.  Tom Collier wrote the music and played guitar.  This one is called, “Focus On Your Feet”.  A fun toe-tapping song that sticks in your head!

The songs were being finalized in the studio as each came up to record.  The rhythm tracks were recorded first, with lead instruments and vocals added later that day.  A lot of people ‘freeze up’ their first time in a studio with the tape rolling (yes, this was back in the days when they used tape!) so recording can be very stressful – but with a bit of focus you can come out with great memories.

It never ceases to amaze me how inspired and creative I feel when I change the strings on my guitar(s).  Simple chords sound gorgeous.  The whole body of the guitar resonates with depth.  This makes experimenting and exploring new areas delightful.  It is important to keep tools of the trade not just working properly but living up to their potential.

I watch vocalists go into the recording booth and put on really nice headphones to get a direct audio feed from the soundboard.  Maybe this is not their first time, but when they start singing – and can truly hear what their voice sounds like they get this big grin that turns into a surprised smile.  Hearing through the studio system vocalists can make nuanced changes as they sing ……. and hear the difference.  This gives them more control and immediate results.  They become confident enough to experiment and innovate.  I hope it feels similar to playing my 12 string guitar with brand new strings.

Pictured are of some of my guitars, the drummer from Euphoria/The Chase – Mike Gill, and Steve Steinmann of Iridium.

What tools do you use that benefit from regular care?

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So many experiences are composed of related stories and within each story a number of players or artists.  The telling or remembering of some stories becomes difficult before the first words are shared.  What stories do you include?  Which ones do you leave for another time, even though the knowing will make this tale more complete?  Which characters will be the focus today when so many were needed to play their part.

Too many things to share.  If that were the biggest problem we would all become happy and prosperous.  Often, your spouse is also your soul-mate.  Sometimes your boss is your friend.  Do we present the boss or the friend when the story is told?

No Worries.

I do not advertise or promote my recording studio.  Every project has been from word of mouth or referrals/introductions that happen when good people want to introduce you to other good people.  Here is a quick summary of a recent project I was fortunate to be involved with.  Through my wife, my studio and talents were offered to record and back-up a song written by Bill Kreutzjans of the band Smokin Zeus to comfort someone after the primary – election process had finally ended.  He will play acoustic guitar and sing his song, but wanted a fuller sound and maybe some harmonies.

Before he came over to record I got ready.  I listened to a recording of the song and took out the copy of the lyrics.  First; I checked the tempo of the song.  Then I “mapped out” as I call it, a detailed arrangement of the song.  Not just how many verses, bridges, and choruses but also how counting full measures, partial measures, key or tempo changes, and getting an idea of the dynamics that evolve as the song plays out.  I pull up my computer and recording software (I use Sonar, but there are many others).  I created a basic drum pattern to use as a fancy metronome.  Bill laid down his tracks listening to the drum tracks and as most artists do in a studio, he fine-tuned his sound and melody.  Very quickly we had a great foundation recorded.

This was one of those dream songs where everything dropped into place.  We all had ideas of what we wanted to add.  The equipment worked well and everything went smoothly as the song kept building.  I played each section of the song back (sometimes over and over) and used a MIDI keyboard to “record” the bass guitar parts.  Then I used the MIDI keyboard to again trigger sounds from the computer software and plug-ins, but this time I picked a natural string sound to fill around the acoustic guitar.

Good enough progress for a few hours stolen in the day, so we save and back-up files and plan to meet soon to finish.  Send rough mix mp3 so all can listen to tracks we have so far.

In the days before we meet to finalize and mix the tracks, I clean up the drums and add accents to help the song build.  The drum sounds are also provided by the software and I can trigger the individual sounds or use pre-recorded and/or user-created loops.  These ingredients can be blended, added together and shoved in the oven until you get a great loaf of bread.  I add the vocal harmonies based on previous discussions.  Now I spend some time with the mastering tools I have and process tracks using E.Q., compression,  (where needed.  I am not big on heavy compression) volume leveling, etc., and then fun stuff like reverb and stereo placement to make each part noticeable and clear.  Send rough mix mp3 so all can listen to tracks.

At this point I am playing the song over and over because I like it.  I think it sounds cool and we meet to mix and master.  I always try to get an idea how the author/performer wants the components or project to sound like.  It is a difficult language, but if I get a feel for what they want – or an example of things like it – I can usually find the ‘tone’ of the mix they are familiar with.  We pick preferences as we go and the mix continues to bake.  We blend track levels with effects and record the master mix to a stereo track      ( ….. this topic will be a series of articles in the future ).   

For all of you; “No Worries”            © Bill Kreutzjans 10/2016