Posts Tagged ‘#guitar’

I think we started recording Project Two in May of 1996. Project One was mixed by the end of March so we had a good feeling for the next project. I will eventually dig up archives for details as I am now relying on brief notes and scribbles of information. I do not have lyric sheets for these songs but I know most of the lyrics by heart.

As you know I am really bad with names. I know Annette Rogers was the lead vocalist and I believe she wrote most of the lyrics. My notes also mention Robert Downing with the band.

This was a band I wished I had kept in touch with. At the time in my life there were so many projects and I had my own music and bands I was involved with. All this and I worked a regular full-time job!

I have a brief video of the band setting up – somewhere. Who knows, maybe I will dig it up along with my track sheets and band info.

By the middle of September we had all the recording done and mixed Project Two. We did ten songs in all and I will share a few more with you today.

jjaR at MSK Studio – Butterside Down
jjaR at MSK Studio – Paralized
jjaR at MSK Studio – My Heart Tricks My Head
jjaR at MSK Studio – Overboard
Annette Rogers from jjaR at MSK Studios

Early in 1996 I was introduced to a Cincinnati band called “jjaR”. I met them while they were playing at a popular club called Top Cats. I was really impressed with the band and their original songs. Annette Rogers was the lead vocalist and she commanded the room with her emotional portrayal of each song. The band was intense and dynamic.

March 13th, 1996 we started recording in my home studio. They were troopers. I have a small space for recording with no isolation rooms for drums, vocals, etc. The band wanted a clean demo. They did not want a lot of processing and effects in the mix. A band after my own heart!

jjaR at MSK Studio in 1996

We did two separate sessions. The first session was mixed on March 26th, 1996. I was recording on the Alesis ADAT (Alesis Digital Audio Tape) machine for the first project. We only had 8 tracks to work with back then and no computer editing or effects. They were pros. They set up, got settled in and played their songs with obvious passion.

One of their tracks appeared in a collection of bands our local radio station WEBN (102.7FM) published on CD. They were featured on the second annual CD release. Deary Me Presents – Cincinnati Scene II included “Food Chain Of Love” on the 3rd track of the compilation CD. You can still find a copy or two on on-line.

Here are a few tunes from Project 1 for your enjoyment.

jjaR at MSK Studio – Food Chain Of Love
jjaR at MSK Studio – Super Size
jjaR at MSK Studio – Aliens
jjaR at MSK Studio – Misunderstood

MSK 1

Last weekend I dropped in on some friends playing out. With camera in hand I caught a few minutes of “What’s Left” performing live. It reminded me how glad I am that I don’t play out any more. Performing for a live audience is fun and addictive but being my own roadie was killing me quickly! I always joked that we would play anywhere for free……. we just charge to move the equipment in and out!

This was just for fun and I appreciate the guys letting me point my camera at them for a while. I like their logo in the back.

Crash Landing Live at West Fest

Building upon my earlier posts of a night out with Crash Landing, I continue with the first part of the second set.

CRASH LANDING live in 2002

In future posts I will detail mixing/recording process and Live Sound Reinforcement techniques. For now, enjoy a few songs from my old cover band.

This is an early recording of a Cincinnati band “Chakras”. I recorded them back when I used the ADAT digital tape recorder. It does not have the ‘bling’ of modern recordings but I think you will enjoy the performance.

https://www.facebook.com/chakrasrock

CRASH LANDING

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

Here is the 2nd installment of my live recording of Crash Landing back in 2002. I played with them for a number of years. First as a sound guy. I knew the singer Gary Jefferson and he pulled me into the group. Gary and I go back a few years. He knows everyone and has played all over town. I have helped him with outside projects and you can hear his vocals on a lot of my original songs. Great people are hard to come by, but they will be there for you when you need.

I wish I had more video to share. I have a call out to other band members and friends to send me copies of anything they have. I have created videos for years but never really did much during this time. Again, I wish I had. Here is the next section of an evening with Crash Landing. This is still the first set and we are getting warmed up. Settling into the sound. That is the toughest thing about one-night-gigs; everything sounds so strange for the first 3 or four songs at the minimum. Depending on the sound guy/gal, this could take up to an entire first set to get comfortable.

I don’t have records of who was running sound this night. With this band I USED to run sound from the audience, then became a band member and ran sound and played/sang from out in the crowd using our own equipment! In many ways that was very cool. After a while we hired sound companies and I just don’t know who was at the board.

I hope you enjoy a night out – to hear a live band – without leaving your home. It’s like you are at the show, but you can still have one more drink and not have to drive home!

Here is the you-tube link for part two: https://www.youtube.com/watch?v=5vHdxs6z-Qg

Recently I went to see some of my old band-mates playing out. I have always been the ‘senior’ member of the bands I have been fortunate to be associated with. NOT that I was with the band from the beginning but that I am usually the oldest member of the bands. Usually by ten years or so. As a result a few of my friends from old bands are still playing out in the city. It is always a pleasure to see what they are up to and catch up on life.

My drummer in Crash Landing was playing with one of his current bands and we got a chance to talk. His son is also taking up the drums and thought it would be cool if he could share some of the old recordings with him. He asked me if I could get him copies of what I have.

For you new to this blog I record a lot. Practice sessions, private parties, small gigs, writing songs in the late evening. I started with reel-to-reel tape machines since the 1970’s or so. The recordings sound and look as old as I feel, but they preserve the events and people involved.

I am a Singer Song-Writer. I write my lyrics and melody, decide the chord arrangement and structure of the song. That is what got me started singing. Then percussion. Then guitar and recording and working at music stores and learning sound reinforcement and recording techniques and….. In some ways playing with a cover band was torture. The bands members were really talented and experienced. I kept thinking they could do great things with my originals or create new amazing songs.

The thing about cover bands is that the good ones can do anything. Think about it. They can sound like so many other bands from one song to the next. They make the instruments and effects sound like the original. The solos are dead on and more often than not; improved. No over dubs: no guest artists. All this while they cannot hear themselves, people are yelling and drinking right in front of them and the sound guy is either drunk or deaf in both ears.

The audio recording was from a live performance. According to the DAT case it was 11-16-2002. This was a small club and I decided to record on my Panasonic two-track digital DAT machine. I was not mixing at this time so the recording success was limited. I grabbed a stereo feed from two subs and hoped for the best. I have a number of examples of live recording techniques in my LSR Series linked at the top if you have an interest.

I will get into more details on this particular recording and show other examples of recording results in later posts. For now, let me just say that the recordings are from one night. This is what we sounded like if you were in the audience. There are no cuts and if you put this series back to back when all are posted it will be the entire evening minus a few technical disasters. Here is the YOUTUBE link: https://www.youtube.com/watch?v=B3NTGTnemF8

CRASH LANDING live 2002

The band members did not know I was recording. I just set it up in ten minutes and left it alone. Unfortunately, I did not shoot videos of Crash Landing. I wish I had for kicks and giggles.

Another addition for my Cover Tune Tuesdays project. For those of you just jumping in, I am not covering songs from well-known artists you have already heard. I wanted to play some of the songs written by people I have known over the years. I can pretty much guarantee none of us thought we would be famous authors – mostly because none of us tried to be. Like many others, we decided not to put in the eternal time, money and thankless effort necessary to ‘make it big’ in the music scene.

This is a song written by Tom Gorman, Lori Niemi and Tom Robinson. It was written in 1980 and has been recorded and performed by many people in the core group of songwriters I have mentioned previously in my posts.

This time I recorded the song using my Martin 6 string guitar. I usually use my 12 string but since my bi-lateral carpal tunnel surgery last year and plain getting old, it is hard for me to do difficult songs any more.

I used my Ovation 12 string for the 2nd guitar parts so I have not abandoned it completely. I use Sonar Cakewalk – now by BandLab as my recording software. The haunting melodic sounds are from a program called Dimension Pro. I sang and did a little harmony here and there but that is the essence of the mix.

Jackals cover performed by MSK


I would like to share some versions of this song with you and will post 2 other previous recordings. It is a good historical view. People change, equipment changes and the mood inspired by the song change over time.

          "Jackals"                                                           (C) 1980
Straight hollow blocks of buildings haunted with lives
Scanning you with hidden silence
They house the hungry Jackals who go prowling through the angled
Paths of night.
 
Watch out for the hungry Jackals, they’ll dull you with lies
Making like they’re you’re best friends, while they’re sharpening
Their knives.

 
Stalking unwary victims they sidle up
Cutting you with cultured voices
And punctuating death throws with a fluttering of gestures and a
Sociable smile.
 
Watch out for those hungry jackals they stalk in disguise
They clutch your hands with such courtesy but there’s murder
In their eyes.
 
 
Running that dreadful gauntlet every day
Mixed in with the gentle people
A Jackal sticks his paw as a cohort jabs a claw out as you
Hit the ground.
 
Watch out for those hungry jackals disguised as they are
They’ll send you out to save the world but you won’t get very far.

 
Watch out for the hungry Jackals, they’ll dull you with lies:
Making like they’re your best friends…….
Gary Jefferson on vocals
Bob Enderle on vocals

As part of My Cover Tune Tuesdays, I wanted to do an acoustic version of one of my favorite Grateful Dead songs. The story I heard about this song is that Stella Blue refers to an old cheap guitar Jerry Garcia played when he was much younger. I tried to look up references but nothing conclusive so I stopped. I am not a reporter, after all.

In either case, this song has been an inspiration for me in many ways. As I get older, though, the message is much closer to home. I hope I will be able to dust off the strings for years to come, but I still find each moment I have to make and play music precious. Without it I would be insane, lost or dead (but not grateful)!

So I got out the Martin 6 string acoustic/electric guitar I got from my older brother and changed the strings. It was not enough to dust them off! Then I pulled out my Ovation 12 string acoustic/electric guitar and dusted off those strings. The Martin I ran a guitar cable to the Universal Audio Solo 610 mic pre-amp. After recording the main guitar track in Sonar by Cakewalk/Bandlab I used the Ovation 12 String guitar for a light/filler guitar track. I used a AKG C214 microphone plugged into the Solo 610 for recording the Ovation. Vocals used the same microphone and pre-amp set-up so it was a quick session.

All the years combine
They melt into a dream
A broken angel sings
From a guitar.
In the end there's just a song
Comes crying up the night
Through all the broken dreams
And vanished years.

Stella Blue         Stella Blue
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine. 

When all the cards are down
There's nothing left to see
There's just the pavement left
And broken dreams.
In the end there's still that song
Comes crying like the wind
Down every lonely street
That's ever been.

Stella Blue         Stella Blue 
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine.

It all rolls into one
And nothing comes for free
There's nothing you can hold
For very long.
And when you hear that song
Come crying like the wind
It seems like all this life 
Was just a dream.

To Stella Blue         Stella Blue

Songwriters: Jerome J. Garcia / Robert C. Hunter
Stella Blue lyrics © Universal Music Publishing Group