Posts Tagged ‘#performers’

It is true.

The definition of insanity IS doing the same thing over and over and expecting different results.

Doing something over and over while improving and perfecting is the definition of musicianship (or artistry in general).

Give your local artist a hug. They are the sane ones.

Practice does not make perfect: Perfect practice makes perfect.

Personal Touch as a duo with me and Ric Ahlers. Yes, he is that tall!

As a duo and later as a trio adding vocalist Ann Ellis, we tried to play popular current songs along with songs we wanted to play. As the Personal Touch we tried to play cover songs with an original flair. Often having Ann sing songs by male artists. She obviously had the best voice of the three of us so she often got the more challenging songs.

My first touring band was a trio called Personal Touch

I know I haven’t been posting things for a while, but actually I have been pretty busy. During the Covid lock down I was fortunate to get my writing partners and band mates from The Merchants of Death on-line for Internet jamming. In a while I will post some tunes we recorded live from different cities.

I have also been working with a great friend of mine to re-mix and master a 16 track live recording of the band Euphoria. Those familiar with my blog know that I also played in Euphoria, but I am not in the band at this time. Clint Garcia is the keyboard guru for the band, and when he took a break for a few years, I filled in for him.

When not jamming or mixing I often return to my archive. My recording obsession started around 1970 or so and I have been working for a while reviving very old recordings. I am currently working on my cassette collection. I found the original live recording of Personal Touch performing including what I think is the best song I have ever written. See the lyric post here: https://midimike.com/2015/03/05/per-request-lyric-to-our-bodies-move/ While I have always struggled with naming my songs, this is either called “For Those Who Wait” or “Our Bodies Move”, depending on what I was doing at the time.

We perform a bunch of familiar cover tunes and throw in originals somewhere in each set. I have a few songs from the live Personal Touch recording I will post over the following weeks. This was recorded as I mentioned using a stereo cassette deck running straight off the mixing board. We have no sound tech, so I do the mix from the stage. We ran our sound in stereo even playing live, so I just took the main outs and recorded. Back then I used my home stereo speakers for the monitors and we all fit in a single van to travel. Ahhhhh. The good old times!

Ric Ahlers was my brother-in-law and talked me into buying and learning a synthesizer and an electric piano so we could form a duo. Ric played guitar, sang, and also controlled bass pedals and a drum machine. ( I detailed in an earlier post that he has triggers attached to his guitar so he can make a cymbal crash or a drum roll). I played my 12 string Ovation guitar for some songs, sang and played keyboards for the rest. I also programmed a 2nd drum machine to play a number of songs and could be used to add tom fills or crashes on the spot. Ann Ellis joined the band as our vocalist and soon we hit the road.

Vintage cassette recording of my band Personal Touch performing live

It is a lot of work but we met great people and had a good time playing our songs and doing cover tunes with a personal touch. I think there is a date in here somewhere, so I will try to find it and give you an idea how long ago this was. Enjoy.

Thank you so much to everyone who participated so far in my “Who Do You Love” post.  There were some very interesting lessons as I collected and listened to the recommended songs  that have influenced us over the years.  I say us intentionally.  You are the best group of people I have never worked with!!  LOL.  I mean that in a kind way.  It is easier for some people to develop good relationships with some one they work with or “serve” with.  The bonds can last a life time.  We do not have that work platform, but the friendships made here are also very strong.

I was equally surprised by two things:  1) I knew a lot of these songs and bands and 2) I didn’t     know a lot of these bands and songs!!  It took me a long time to go through them all.  But there are some gems in here.  Many are the best of their category – NOT necessarily the most popular or the one with the most airplay.  I encourage you to look deeper into comments as I will not list them all here again, but I want to point out a number of them that caught my ear.   A lot of your suggestions were passionate and you can tell there is a lot of history and emotional connections in the lists. Here are just a few – but again not a complete list of the gems you suggested. Please continue to post your musical influences.  I have thoroughly enjoyed and benefited from your suggestions.  I hope others get a kick out of these too!  IN NO ORDER WHATSOEVER

Active Child – what a range the vocalist has.  Unusual set of musical toys, and lyrical   themes and vocal textures blend into a unique soundscape.  They create a house and invite you in.  Well worth the visit.

Switchfoot –  “Hello Hurricane”, This is a clean sounding song. Well recorded and mixed. Driving beats and vocal power that can be smooth and open.  Good blends in harmonies.  Good energy and I like the ay the song builds at a slow pace.

Jon Foreman – The Wonderlands.   Here is another great blending artist.  Nice harmonies and the background music surprises with different arrangements and instrumentation.  Very good dynamics.  Addictive style that is pleasant and easy to relate to.

Bat for Lashes – Laura is a great example of this artist’s prowess.  She quickly sets up the mood and the tone and then lays the lyrics on you with vocals that seem to have more control than humanly possible and enough emotion to cause global warming.

For raw power with a message it is hard to beat La Dispute.  Combining a number of styles into a passionate assortment of lyric driven songs.  A speaking style not trying to be rap that works very well for this group.  Great driving music for a long trip.

I have to mention this because it was cool from an historical point:

https://ahigherrevelation.wordpress.com/2013/05/23/triple-js-20-years-of-hottest-100-countdown-what-did-i-vote-for/

I was really fascinated to check out Barclay James Harvest.  These guys are right up my ancient alley and I have never heard of them.  I know this might not be the most popular suggestion the community has suggested, but they cover all the progressive territory of other bands I am familiar with.  Some of the video clips from around 1979 are out there and worth an evening or two.

I had heard Ed Sheeran before, but wasn’t that familiar with his works.  Nice variety, works on a good image – that is a good guy image and it comes of very well for him. He tries to add variety and the songs are great.  It was definitely worth my time digging more into his songs and videos.  Great voice.  Solid music and production.

Kate Nash – Nicest Thing.  I can see why this is a favorite.  The style is intentionally out there and it has the sneaky ability to pull you in instead.  When you can make comfortable and eerie blend perfectly you have a great emotional landscape play in.   She calls this her territory and of course the lyrics pull you right into the main theme. Good call.

City & Color – As Much As I Ever Could is another great example of a band that has it all. The vocals are outstanding and his control is impressive.  Lyrics are fine and fit the ballad style of this song.  Band dynamics are worked out by what seems to be magic. Harmonies kick in and punch it for added tension and for me the keyboards are a great touch.

Dave Koz’s tunes are cool jams and the performers are all top notch.  You don’t have to be a genius to get into their grooves as well.  Slick mix production.  If it is time to sit back and enjoy, take in a few of these live performances and watch the players do some cool stuff.

Ian Carr’s Nucleus – Roots: https://www.youtube.com/watch?v=b-Cu5TJm0GI This is a great progressive jazz.  Maybe an acquired taste for some but worth checking out for the chops and creative jamming.
Frankie Beverly’s Raw Soul – I Need You: https://youtu.be/U7uJ_zddoSs This is another great jam band with solid grooves and guys that know their axe.  Percussion to die for and the organ player is pretty top notch.  Great live musical fun.

The Hep Stars got by me completely somehow.  You can hear a lot of influences that were dominant at the time.  Good vocal blend and the recordings are actually pretty good. They captured the times and the look and ran with it.  For a blast from the past this is a good history lesson.

 The Raconteurs are a great groove band with a heavy guitar sound.  The vocals and the harmonies are well worth the price of admission. For a lively rocking jam, this is a great place to start soaking up some new tunes.   https://www.youtube.com/watch?v=Vu9hj_kMm48

This video stands on its own, but the vocals have to be heard to be believed from The Temper Trap.  Great name too.  https://www.youtube.com/watch?v=yMuuc_pqx2s is a great song with a vision.

 Lana Del Rey is one of those artists you have to sample more than one song to get a feel of the true talent.  Maybe listening a few times would help, but once you cross over she has a powerful musical presence.  Try https://www.youtube.com/watch?v=o_1aF54DO60 for the unfamiliar.

Manic Street Preachers have a great Brit rock/POP sound. https://www.youtube.com/watch?v=nusymqINrSc is a fun video to start with.  Good clean style, great vocals and they are not afraid of dynamics.  They also love a song with a theme or message, so good for a fun musical cruise.

Acoustic Alchemy are worth noting for a band that has chops and a smooth modern jazz style.  https://www.youtube.com/watch?v=EVtQHpwv9sE is a good example of their live performances.  Fun jams and precision licks from a talented group and for a nice addition try a “Shelter Island Drive”.

Notables: 

Ashestoangels

Sufjan Stevens https://www.youtube.com/watch?v=asCLMdrWuA0 for eye candy.

From The National, try https://www.youtube.com/watch?v=A-Tod1_tZdU to set the tone for the evening.  A vocal and visual treat.

Amaia Montero – Quiero Ser and I have no idea what she is singing, but I can understand why it was recommended’

Thank you again.  I really enjoyed this project and thank all that participated and to all the thought put into it, even if you did not post your list!

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You may think this funny, but my first real concert was a Grateful Dead concert.  I was seventeen or eighteen at the time.  I had seen bands perform at parks or other small events, but this was my first concert.  The thing I remember most to this day were the huge balloons that the audience and band members would smack back and forth the entire evening.  I was not that familiar with their music but I had heard references (“It’s not for lack of bread, like the Grateful Dead; dying”, from the musical play Hair, which I also saw!) but had not really heard much of their music before.

The second thing that I noticed was how communal the audience was.  It is unlike other concerts.  Everyone was friendly and happy to be there.  It was a different group of people.  They enjoyed the music, enjoyed the event and everyone got along.  I wish more of the concerts I have seen had audiences that resembled The Grateful Dead fans.

What was your first concert? What do you remember about it?

MIDIMike’s Reviews Are Coming Soon!

As a result of requests from fellow bloggers and ReverbNation members, we are just a few weeks away from launching the new ​MIDIMike’s Reviews Site.  This site will be dedicated to reviewing original music and creative writing submissions every week.  I assembled a​n amazing​ team of reviewers to work with me and they are ​also ​excited to help with this new project.

I have been writing and performing for decades, but recently I struggled to get my material professionally reviewed for my on-line presskit.  I have seen a number of artists struggle to acquire this simple but necessary stepping stone.  Several of you have asked me for opinions on your material and I want to make that advice available to everyone.  I want to be able to give back to all of you for the support and encouragement you’ve given me over this last year.

MIDIMike’s Reviews will  be free and honest.  I will be posting the reviews on my http://www.midimike.com site (which has thousands of views per month) and on the upcoming review site.  You are also welcome to use the review for your own website/blog/presskit when referencing MIDIMike’s Reviews as the source.  The individual review posts are not guaranteed for all submissions, but every submission will receive feedback from us.  I enjoy raw talent, but the submissions should be presented ​as professionally​ as possible.  Your creative works will be handled with the utmost care and you retain full ownership.  HOWEVER: You must guarantee you are the sole author and have full permissions to publish these works.

If you are interested in having your material reviewed, please e-mail: midimikesreviews@gmail.com

Music – You may submit a song or an album for review.  Please send a link to the material in full and any additional presskit material or websites (if available).

Poetry – Please e-mail the poem or poems in full to the e-mail address with any websites/social media (if applicable).

All levels of experience accepted. (If you have any questions, you can also e-mail them to us at midimikesreviews@gmail.com)

Please keep in mind; I do what I can, but sometimes life gets in the way. Please be patient with us while we get this up and running.  I tried to avoid as much legal jargon as possible but there are exceptions, exclusions and I have the final say on what reviews will be posted and for the content of the reviews.

On a more pleasant note, I get to hear a lot of great music from new bands and artists before they become wildly famous and read great poetry before it’s professionally published! Thank you for making the first half of 2015 a blast, and it is just getting started!

​MIDIMike​

I finally completed my response to Who Do You Love? Thank you all for your suggestions. I really enjoyed getting to know each of you a little bit better through your favorite tunes.

It was really hard to narrow this list down to a reasonable size. I have been influenced by many musical artists in my early childhood.  Even if I split them into separate decades there would be quite a list.  I would like to mention a number of artists – ones that might not be in the well-known categories.

I will get started by saying that Peter Gabriel including his days with Genesis is probably the first on my list of influences.  You can pretty much pick any of his stuff up and enjoy even if it is not your normal style.

Eric Burden and The AnimalsSan Franciscan Nights

Jimi Hendrix and The Experience – Little Wing, especially if you do not like Hendrix

Crosby Still and Nash – Almost Cut My Hair, I feel I owe this to someone

Aphrodite’s Child – The Four Horseman – this one just rocks but not sure what it means.

Simon and Garfunkel – At the Zoo.  I often feel like I am living in that zoo.

Bjork- Human Behavior.  I am going to cheat and mention her earlier works later, but she continues to put out a ton of diverse and outward looking music.  I do not like everything she does, but many of her songs are on my must have with me on the deserted island play list.

Black Sabbath – Fairies Wear Boots – again, you just had to be there LOL

Curved Air – Second Album, a bit low quality by today’s standards but this is some great prog-rock and the vocalist is pretty good.  Try Back Street Love, Piece of Mind for the darker side of the group and Puppets and wrap it up with Young Mother for a sampling of pro-rock history.

King Crimson has been a big influence for many years.  I could get you to the early years, but try anything since Adrian Belew joined.  There are too many to list but Three of a Perfect Pair, Elephant Talk, Frame by Frame,  Walking on Air, One Time, and Dinosaur are hard for me not to list.

The Beatles – A Fool On the Hill, ’cause I have to.

En Vogue – Free Your Mind, this is a test to see if your mind is free

Gentle Giant – So Sincere, Working All Day, Three Friends, Funny Ways or one of my favorite tunes of all time – Nothing at All.

Missing Persons – Give, this song and video have been playing in the background in my head every day of my life…… non-stop…… and I enjoy it every time I hear it.

Chaka Khan – I Feel for You, or Tell Me Something Good her vocals have just the purest power and emotion. Give me the chills.

James Brown – I Feel Good, for so many reasons, this is a great tune

Beach Boys – Good Vibrations, sorry, I just had to do that

Jefferson Airplane – Today, one of my favorite depressing love ballads of all time

Paul Revere and the Raiders  – Kicks, we still hear this theme being played every day.

Procol Harem – try Whiskey Train and the live version of A Salty Dog

Steppenwolf – Rock Me and Carpet Ride are pretty popular and rockin

Tear for Fears – Love to Rule the World, c’mon, doesn’t everybody?

Tom Waits – The Piano has Been Drinking, Nighthawks at the Diner and I think one called Step Right Up are killer tunes for the cynical crowd and a good laugh.

Zombies – Time of the Season is a classic song I often wonder how it got any air play at all.

The Sugarcubes – A Leash Called Love and Chihuahua should get you started in the morning.  I also recommend Gold as a great first dive.  Yes, this is the band Bjork was involved in prior to going solo.  For one more if I dare, try the spooky tune called I’m Hungry.  I have spent many long drives with this song.

As many have said, you could go on and on and so could I.  This was more difficult than I though and I have no doubt that I will think of a ton more later!  I have not mentioned a number of other styles of music as you would be cross-eyed by the time you got to the end.  Thank you all again for giving me new ideas and artists to enjoy.  A number of them I have no doubt will end up influencing me as much as the ones from my library.

I was nominated for the Creative Blogger Award by https://toniumbarger.wordpress.com (Thanks so much for the kind words)

Here are the 5 Random Facts About Me: 

1) Before working at the music store, I worked for a Toyota dealership and sold – wait for it —– Used Cars!!!!  I even sold a used car to my future wife.  I knew and still know nothing about cars other than how to drive them.  I was quite successful and my strategy was not to overwhelm customers with specs and technical jargon.  I just found out what they needed and suggested a couple cars they would like.  I loved the work but hated the tactics and methods used by the managers, finance department and just about everything except the money.  It was not worth it to me so I quit selling used cars and started working at the music store for a lot less money. I also sold a car to my future wife.

2) In my last count including technical schools and college I have attended eighteen schools.  I did this count so long ago I can’t remember all the schools now! This is why I’m bad at names and good at getting to know someone very quickly.   I have a difficulties remembering names and places.  I knew family, but unless you were around for a long time, I simply didn’t try to remember names of kids at school, or teachers, or buildings, or neighbors.  But I was good at making friends and connecting with customers.  I can tell you every piece of equipment my music store customers owned, where they played (not by name… but location), and know what style of music they were into but could not remember their names. It is a real challenge in the sales and music industries!  If I could remember names and network, I would be dangerous!    

3) I have studied Martial Arts for years.  My choice to pursue Tae Kwon Do came from the name (I was told it loosely translated to open hand – open fist, meaning no weapons).  The other thing that I liked is they start teaching defense postures rather than attack moves.  If you were challenged and the ‘attacker did not play fair’ we were also trained how to incapacitate them or simply take them out if needed.   One of my songs has a line – ‘I am a pacifist that just loves a good fight’!  I have never had to use it against an attacker but the training and philosophy have lasted a very long time.

4) In reality, with all my posts on musical theory,  I do not read sheet music!  I know how it works and if I had to I could, but I learn and play by ear.  (I have to work at it but I get there)  If I need to use the sheet music to learn a piece, once I have learned it enough to play, I never use the sheet notation again.

5)  Speaking of cars, I guarantee I can teach any licensed driver how to drive a car with a standard transmission in less than ten minutes……..

Instead of tagging a few of you, because I really do enjoy so many of your blogs on a daily basis, I’m encouraging you to share a few random facts about yourself with me – Anything you want to share is welcome. I love getting to know you all and I’m thankful every day to be a part of such an open, welcoming and diverse community.                                                  

This was one of those amazing events that happen in your life. You get thrown together with really cool and creative people and work on a project. There are so many stories here it is a good thing that I need to break it up into a number of segments. I have already credited a lot of the experiences I had as a result of working at the music stores. This was another one of those. The employees were musicians by definition and we also had band and instrument teachers working there. Everyone played but quite a number of us wrote our own material as well. At the store I managed, we were a diverse group with a wide definition of styles. I did not own it, but it was MY store. I had an agreement with the owner that he not visit my location while I was there. I would run it my way and do the best I can as if it is my store. He agreed and for years I did exactly that. I took care of the people that worked and shopped there. I gave people real advice and information. We developed long-term loyal customers. It was a great team and we had a common goal – do good and we keep the owner out of our building! Great motivation.

A local radio station WOXY in Oxford, OH sponsored a Local Licks radio segment I think every Thursday night for a few months. I had submitted a few of my songs and one of them got played one week. Nice feeling to hear your stuff on the radio. I submitted a few more original tunes and suggested one of the other employees to enter some of his songs. He had more of an urban beat box groove thing going and he did all his own recordings. He did not think anything would come of it as his stuff is even more eclectic than mine! So he gave me a cassette tape – yes, a cassette tape! – and told me to pick the best songs and send them in under his name. I took his tape home and consumed it for hours. Then I made my decision and picked three songs to submit.  This is one of those funny things too. I sent in a song I thought had a great hook a nice arrangement and was really catchy in the genre he was in. I entered my next favorite that really pushed the drum/percussion thing he had going. I thought they had a good chance.

For the third song I threw in something that in all honesty was my attempt at ‘comedic relief’. I figured if I threw something out there that was really bizarre and off beat, they would think the other two songs were great by comparison. Not that the song was not great, but not a match for this heavy-leaning college radio station (… “the future of rock and roll” …..) The third song of his featured a banjo player and an off beat kind of groove. The Local Licks segments lead up to a radio version of battle of the bands. Songs played on Local Licks weekly segments would be entered into an elimination round on the last week the program aired. The finalists would have their songs played one more time as the winners were announced and then the bands would perform for just under an hour in a well known club in Cincinnati for prizes and glory.

As we listened to the local radio station during the elimination round there was a funny feel to the ‘winners’ moving ahead. There was an unusual flavor where songs you thought would be a shoe-in were dropped, and unusual tunes were advancing. Some songs were down right off the wall. There must have been a shift in judging but there were songs with unusual instruments in them getting to the finalists position. There was a song by a band called Tuba Blues. Another one I can’t remember had another unusual lead instrument and to think of it, as you remember one of my friend’s songs featured a banjo player!. Sure enough……. his song kept advancing. We were floored when they picked my friend’s third song! That night on the radio they announced the four finalists that would compete in a live battle of the bands event at Bogarts. Without pulling out records I think the event would be in about three or four weeks time from the announcement.

None of us at the store expected any of us to go that far, let alone to finalist. But none of us could believe that was the song that won! It was a fluke that I entered the song and that the judge apparently was looking for unusual instruments in rock and roll bands that year. Who da thunk? Once we met at work and talked it over it became obvious my friend had one problem; he was a soloist and there was no band! HA! The guitar teacher had a band called It. Ellen and I would join on keyboards and guitar and vocals and another employee and great friend over the years would join in on keys, guitar, vocals and a mean shaker! Each of us put in original songs to perform as a band and we rehearsed for a solid two weeks to try to get ready for this show. We knew numbers-wise we did not have a real chance of winning, but we were determined to make a show and event out of it.

……. All the while in the depths of a cave far from civilization, a Master of Ceremony was writing a series of short speeches that would be an added theatrical presentation between songs. Only the day of the performance did we see how this fit together and we had no idea what he was going to say – with the exception of a few word keys that would trigger a response from the band members, and occasionally the audience in return.

Fortunately we were all musicians currently involved in original songs and live performance. We had pretty good gear and we knew how to use it. We knew how to learn songs and how we can add to them or subtract as needed. Practice went well and started to be fun. The writer of the winning song chose the band name, and we made T-Shirts for all band members with the band name and studio logo; Willie the Ferret Studios. We worked out vocal parts as we had a number of vocalists and lots of harmonies and added speech. The lead guitar player was killer. His drummer was awesome and the bass player in their band IT, was solid and blindingly fast. With that foundation we just had to do our thing and it would all blend in fine. So we were ready enough but nervous as hell. A lot of things could go wrong here.

We get there and listen to the bands that were playing before us and there is a pretty good crowd at this point. We have our equipment squeezed up next to the stage entrance so we can rush in as soon as this band is done and moves their gear out. We set up fast. My keyboard controller does something funny and it takes me a while to fix it. No problem – tune guitar and ready to go. We look around and there are only a few microphones so we ask for more as we have a number of vocalists. They tell us no, that is what everyone gets. So as you see us a little unorganized and running from one side of the stage to another, it is changing instruments and trying to find a way for all vocalists to sing – or speak their part.  After a while it was just funny and we worked it out quickly for the most part and had fun with it.

The audience is not sure and a little uncomfortable with the speeches at first, but after a couple times and solid music everyone got the idea and joined in. The band has to settle down a little and the monitors and the mix takes a while to get used to. It is hard to hear some of the keyboard and vocal parts in some parts but that is to be expected. The writer of our winning song does not perform until the last song, so he helps with the Main House mix in the club. We were a little more involved than the regular rock band so he was able to plan ahead. I wish the lighting guy had help too. They seem a little lost at times but over all still a cool event.

I spent a lot of time in smaller clubs with crowded stages and audience sizes varying from handfuls to standing room only capacity. The challenges come from each of them and have different resolutions. In some ways, I think the large clubs and outdoor events are the easiest to set up and run sound for. If it is a big stage or large arena, you turn everything up so it is in the main mix or no one will hear it. The smaller clubs you don’t necessarily put a microphone on every instrument. You cannot out-power a guitar player with a stack of cabinets. You might not be able to set up independent or multiple Monitor Mixes (stage mix for performers) and many times you have to share monitors (the cabinets or speakers themselves in this case…) between performers with various needs. Add keyboard player(s) or a horn section and it quickly over burdens the PA or sound system.

Setting up the stage with a few solutions in mind can help in each of these situations. In smaller clubs you might not have many options for the arrangement of musicians on stage. Some restraints may be obvious at first. Some will catch you off guard. Knowing what you are up against though can trigger steps to prevent problems.

These are basic but can avoid a lot of small-headache issues:

Place snake closest to center of stage if that is closest to where instruments/vocalists are positioned. Shorter cables are better if they allow performers needed mobility.

Make sure you know where the AC power outlets are. It is a drag to set everything up and not be able to plug in your power amps. (I also recommend bringing long heavy-duty extension cords for versatility)

Try to plug all stage instruments and PA gear along with the mixing board and external sound gear to the same AC breaker box.

Try to plug all lighting or other powered systems to a separate AC breaker box. (If it does not connect to the mixing board to make noise; plug it into another breaker box)

Use balanced (three wire cables) whenever possible. (I have been caught by 1/4″ audio jacks without locks getting knocked out in the middle of a gig more than once and hate anything that does not lock into position. rant now over)

Keep stage volume as low as possible (this is a couple posts all by itself!)

Consider cross-firing stage instrument amps like guitars and bass – rather than pointing at audience.

Make sure sound board is in the best sounding location and also close enough to the stage to connect snake and all gear – especially if you have to route the snake around the outside of the event area for safety or other reasons.

Cables are the first thing to go wrong even when properly handled and maintained. Bring a lot of SPARES.

Turn all power amps (including ones that are built into the speakers OFF or all the way DOWN when connecting or disconnecting gear. (there are shortcuts and general exception practices we will detail later).

Turn all recording gear OFF or down all the way until all devices and channels are connected and tested.

Make sure speaker cables (Mains and Monitors) are long enough to reach the power amps. I bring two long length sets of speaker cables and two short length sets (no matter how many total speakers I have, I will have two full sets….). If one side of the stage is where the power amps are, I use the short cable and the other one might require the longer cable. Sometimes you need both long cables. If I need a spare, I have two!

Drum risers could need low end cuts and even gates to reduce unwanted tones and resonances.

Color Code anything you can. Cables, Mic stands, Monitors, In-Put Channel labels or External gear/boxes. Make it easy to identify in low light. Green microphone goes with green cable goes to green snake plugs into green channel….. I also add a number to make larger sessions manageable. Vocal green 1, 2, 3…. Drum blue 1, 2, 3….. Brass white 1, 2, 3……

Not rocket science, just some thoughts. But if you get in the habit of considering these and other tips each time before you start hauling in equipment into a new venue, your set-ups will become quick and routine, even if the environment is new. If you keep all your gear in one place there are short cut power-up and power-down sequences I will detail soon.