I guess I never really came up with a name for this tune. Sometimes I will write lyrics and give it a working title. I do the same thing with musical pieces I am working on before there are dedicated lyrics assigned to the tune. As I continue to work on a piece, the name often changes when chords are matched with a set of lyrics. On rare occasion it happens at the same time, and that process is a little different – and easier! This is one of those weird situations where I never got to either, and this has always been referred to by the date….. March of 1990.
March in this case also has a double meaning. It is the pull away from the Winter season where I live. The steady movement of new life. The pace of growth that cannot be stopped. The instrumental tries to match that drive and frantic pace of the season. Driving rhythms, collage of melodies, bouncing themes – and then to dynamics and a reflection of what is now past. Then back to driving growth. That is what I think about as I listen to this tune. Even now, heading to Winter, I feel that March pushing forward.
Back to the Atari 1040 ST, I am sequencing all parts for this tune. I believe I added a new tone module from EMU called the Proteus 1. This was an amazing machine and I have not found anything as good and simple to use as the Proteus series. It was really cool for two major reasons in my opinion. 1) the sounds were just awesome for the time and there were lots of sounds on board. 2) the operating software used was just made for MIDI geeks like me. It was very simple and allowed the Proteus 1 to create splits, layers and zones, but it easily allowed you to access all 16 MIDI channels at the same time. I could write a few articles on this alone, but for now it meant you could assign a different sound to any or all of the 16 channels independently. As described in the MIDI series, this was great because you could use channel 1 for piano, channel 2 for organ sounds, channel 3 for strings, channel 4 for brass or orchestra sounds, 5 for flutes, 6 for sound effects, 7 for guitar sounds, 8 for solo instruments, 9 for the bass guitar sound, 10 for the standard drum channel and still have channels left over. Playing out in bands and in the studio with this was just a dream.