Posts Tagged ‘#sound’

I have been busy and quite productive in spite of the world moving as fast as ever as I slow down. next year I will be 70, so everything I do takes a bit longer these days.

I have a few songs, a lot of poetry , some photos and a couple outside projects to show for it.

Here is a new song I can blame on too much time to think in between projects. Some darker themes throughout. More to come if I can find the time, even if the descriptions and personal stories are shorter than I usually aim for. Thanks for your understanding.

11 2 2022

Pot makes me paranoid
Alcohol makes me cry.
If you ask me a question
I’ll want to know the reason why.

If we could do this all over again
It Wouldn’t Be the Same.
I’ve loved you forever 

But it’s driving me insane.

Friends we know are complicated
And rarely ever try.
I told you I will love you,
Until the day I die.  Until the day that I die.

Life becomes precious to those
Who see what lies ahead.
Each day becomes very special
For those who know they’ll soon be dead.

Take the time, the time is now
To look what’s inside your head.
I tell you over and over again
But you ignore what I’ve said.

A common topic shared on this platform as I reach 70 years old.

Another friend of mine has died unexpectedly. He was ten years younger than me. My posts have bragged about the people I have met over the years, and he is one of the special ones. Jay Aronoff truly loved music…. in all it’s forms, but he made it his own. Life had it’s struggles but he always had time for good friends.

Son of former Ohio Senator Stan Aronoff but he chose his own path. I met him when I worked at a local music store chain. I managed the store and he was a guitar instructor. Even when he was not in a lesson, the guitar was strapped around his shoulder and he encouraged impromptu renditions of our favorite prog-rock songs. He was easy to love.

Jay was stunned I had never had a cup of coffee. He persisted until I had my first and only cup of coffee with him. It wasn’t that bad but not as good as the smell of fresh ground coffee in the old grocery stores so I decided to stick with tea!

I did a video of Jay’s band Mara performing live. My wife Ellen and I did all the camera work on two separate nights, and I did the post production video and timing by ear. In memory of Jay Aronoff, here are links to that video filmed in 1988:

I also have some lyrics to share with all who knew Jay, and those who know me:

This is all Unpredictable
The end to a terrible day.
A phone call from another friend;
This would be the last day with Jay.

He was a very special soul
Who bound so many together.
I thought he’d be the one
To remember us forever.

Jay had his demons to face
I’m sure he faced many alone.
None of that matters today
Because from now on, Jay is gone.

This is all UnPredictable
The cruelty cannot be more clear
This would be the last day with Jay.
So I raised another glass of beer.

This is all UnPredictable
The cruelty cannot be more clear
This would be the last day with Jay.
So I raised a glass of beer.

Michael K

I am working on a musical arrangement for lyrics I posted recently. It is not much right now. I have a piano and bass track using my MIDI keyboard, along with my vocal track for the melody line.

Enemies In Your Head by MSK

Here is to a great new year for all of us.

For a quick recap, I have been going through archived recordings I have made over the years. Recently reviving performances with the bands I have played in, I want to give you a few samples of recordings I made with The Chase.

For a period of time we were reforming the band Euphoria and looking for a new vocalist. These recordings were during that transition period working out with different vocalists. Short story for new visitors, I worked at a local instrument store as a salesman when asked by The Chase to fill in for their sound man while he was on vacation for a few weeks. I had never run sound (with the exception of one hotel gig band that was in desperate need for one night.) I filled in, loved it and the band, the sound man could not return and I became their regular sound guy. The band was smart and paid the sound engineer the same as the other members of the band. They knew the house sound was important.

Once running sound, the keyboard player took a break for a few years and I worked really hard to fill in for him. Soon after that I started playing rhythm guitar too………. and yes, in the early years I ran sound, played keyboards, rhythm guitar, back-up vocals and percussion all at the same time from stage. For a period of time I ran sound from the audience and had my instruments next to me. Not as strong a player as the others in the band I tried to “earn my keep” by being a jack of all trades.

I have recorded music since I bought my first four-track reel-to-reel when I was around 13 years old. I am closer now to 70 years old. When working with bands as a sound engineer or member, I record for a lot of reasons. Some were not intended to be hi-quality recordings and often were stereo cassette or DAT machines connected directly to the main outs of the sound board. Usually there was no level test and the band members would not know I was recording at all because it was so basic.

In the next few posts I will share cover songs we played live with three vocalists. In some I am playing Keyboards, rhythm guitar etc., and some I am running sound using various techniques to find quick ways to get a decent live recording. Many of these I have detailed here in my Live Sound Reinforcement Series.

Here are a few samples, starting with Gary Jefferson as the lead vocalist.

Vocalist Gary Jefferson performing The Rooster by Alice In Chains
Vocalist Gary Jefferson performing Middle Man by Living Colour
The Chase performing cover of Cliffs of Dover by Eric Johnson
When we decided to be Personal Touch

As mentioned in the first post of this series, we played original songs in each set. Here is the only recording I am aware of for the song “For Those Who Wait”. We were touring in Corpus Christie Texas and I met with Ric in the afternoon to do a little practice and system fine-tuning. After we were settled he said, ‘hey, whip out the lyrics you are working on. I have a few chords I want to try. We worked for about half an hour going through his chords and arranging them into a song.

In very short time I came up with the melody and we were able to finish the song enough that we performed it later in the tour. I programmed the Yamaha RX7 Drum machine to fit the arrangement. Ann and I sang the lead vocals and Ric did everything else. In the picture above you can see the two silver discs on the lower section of Ric’s guitar. While playing guitar, he would touch one of the silver pads to make a cymbal crash sound from his drum machine and the other one triggered a pre-programmed drum fill pattern for each time he hit the pad. He also kicked bass pedals and triggered string or piano sounds. Pretty amazing when two out of three are just singing to get all that sound.

For “Those Who Wait” by Ric Ahlers and Michael S Kennedy

This is easily the best song I have co-written. Years ago I posted lyrics and said that I wrote this duo for existing country stars at the time. It was my hope to have Dolly Parton and Kenny Rogers do this song. I think it would have blown the charts for the time. But who knows. I think we sounded pretty good.

Given an odd set of circumstances that would give you the choice of listening to your favorite songs and bands on a really weak radio signal (cheap, broken or terrible stereo system) or listen to songs you don’t really like in hi quality sound?

Being an audiophile and passionate about great music this is a tough question for me lol.

Mara – The Making of a Video

I usually did not have to search for new projects.  There were plenty of musicians, bands and performers that did not have a lot of resources – or cash – when starting out.  Working at the local music store chain, I was lucky to know some great players, writers, and musicians of all sorts.  l am attracted to talented people of all kinds.  I often wish listeners of my music would give me the benefit of the doubt that I gave to many of the people I met and came to appreciate.  I realize my songs are not always ‘radio worthy’ or commercially viable, and always hoped someone would look beyond that and realize the songs I offered for what they could be if recorded professionally and marketed on a large scale.  Maybe that day will still come, but back then there were a number of artists that I could help take the next step.

Word got out that I had an understanding of technology and could usually pick things up quickly.  I absorbed owners manuals, dedicated time and when possible drafted other talented people to make projects work.  One of the fun and exciting things I got to do was shoot and edit live musical band performances.  MakeShift Kreations was an early company name I came up with using my initials: M S K.  I believe this was filmed way back in 1988!!!

Using the same video and editing suite from the cable company available for local access channels that I used for my first conceptual video: “Walking Man” I learned how to use multi camera filming and video editing techniques.  In some situations I offered to do videos for friends as this was a new (again, at the time!) medium and was very expensive for most bands.  In Part I, I would like to present the video I made of Mara, a local band with highly talented musicians.  My wife Ellen and I did all the camera, editing and post production work.  These are their original songs performed live over a two-night period. It was a lot of work, but I learned a lot and had a great time.

Please use the following link to see the Mara: Part I video:

https://youtu.be/VwKz1Po4_XM

The Cotton SongGoing With the  Flow                                                                                                                                This is a calming piece based on the string sounds from one of the plug-ins on my recording software program.  Sometimes a new sound or new toy can inspire themes, songs and projects.  This is one of those situations where I am listening to new sounds and noodling on the keyboard to hear the new tones and to see how the patch responds to the keyboard and controllers.  As I was listening to the new sounds, I enjoyed the string sound I was playing with and started recording the noodling I was doing.  I played for about five or six minutes and stopped recording to listen back.

The first section I scrapped and the rest was rather pleasant (sometimes this is a surprise indeed!).  While listening I started hearing harmonies in my head so I started recording on a 2nd track and used the same string sound to add another layer.  After that I stopped.  I like the mood this inspires.  I am not sure why I called it Cotton Song, but I got the feeling of being in the South overlooking plantations.  So it stuck!  I did not change anything and mixed it down to what you hear in this post.  Other versions of noodling or just playing with sounds rarely turn into a solid piece, so I have tons of snippets that have nice themes but to date have never been expanded upon.  One of these days I will listen to other noodling sessions and I might make something out of them.  For this song, have a cup of tea, sit back for a little bit and let your mind and body relax.  Admit it… you could use that right about now!

Black1

Our banner designed by Marty Gillaspy

“Chase The Dream”

When one of the bands I worked with collapsed under the pressures of day to day life, it was quickly resurrected in a new form.  Most of Euphoria members did not want to stop playing so we regrouped with a new guitar player to replace one of the founding members and became The Chase.  We played out with about ten different names for a few months – Scenic Route was another favorite of mine – until we settled on The Chase.  These guys were great.  We had a solid rhythm section, a great lead singer and back up vocals that were tight and an amazing lead guitar player that could feel everything he played. We could play cover songs no other bands would play live.  We also threw in originals from time to time.  The banner was hung one each side of the stage vertically as seen in one of the photos below, and horizontally behind the drum set.  It was pretty eye-catching and a lot of people complimented it.

I am an archivist.  I record everything.  Audio recordings of practice sessions and live performances. Video of many performances and photos of major events.  Before YouTube I posted a number of them on our cable TV Local Access channels using their video editing suite.  I had my fingers in everything.  Some of the projects got finished, but a lot of the raw tapes have only been viewed by me and a select group of people.

I just put together a new video that uses a lot of this vintage raw video and some of the photographs from the time period.  The medium is so old that the quality suffers, but it does a good job of representing the events of the time.  We played in many clubs and outdoor events and I will create future videos to highlight more venues.   For this video I used an original instrumental song that Nick Robinson was working on and our new band, The Chase, made it our own.  There is no video of the song as we only played it out a few times.  Nicky has since re-joined Euphoria when it regrouped a few years ago and is still playing out with some amazing players.

Please check out my latest YouTube post (and other videos while you are there) of his original tune: “Chasing The Dream”.  Enjoy!

Chase The Dream

 

 

In most situations when you want to record a performance, you might not have a lot of time to set up.  The environment might not be perfect, and there are other needs than getting a great recording.   I have tried and been quite successful with a number of techniques.  I will offer a few here for your consideration.

Getting a good mix from the sound board Mono Out or Main Left and Right Outs in a small or medium size venue is very easy to set up, but most likely to be disappointing. The needs of the audience in a live situation can be the exact opposite from the recording engineer’s.  As mentioned in the beginning of this series, LSR is reinforcement.  The sound person will amplify the weaker signals in the House or Mains; vocals – along with a LOT of effects, acoustic guitars, flutes, and even the drums.  They might not need to reinforce the lead or bass guitar as much. So the board mix is heavier on vocals, effects, and keyboard in some cases.  Not a great listen for most people.                                                                                                                                       You can set up a sub-mix if the sound guru gives you access.  If they run Left (Mono) like most venues, you can create your own mix using the Right Mono out.  Using the pan for each channel, keep full signal going to the Left out, and pan toward Center position to send desired amount of signal to the Right out.  You might want to isolate the guitar or bass, add a little toms if they are mike’d, but not heavy in the mix.  You can mix the two outs if you record in stereo and get a great live sound.  This will not give you a perfect stereo field, but most audiences do not remember concerts in stereo.  The sound seems to come from the stage, not left and right cabinets in front of the stage. 

I have also had luck with those portable stereo digital recorders available now for what I think is really cheap for what they do.  You need to set them up correctly and take care of them but they are so easy to set up and you get great sound in various environments.  If you have a SAFE place where you will hear more of the band than the audience (sounds easier than it really is) this is worth a try.