Posts Tagged ‘#recording’

MSK Yellowstone

MSK Yellowstone

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Photo by MSK Yosemite

Burning Impressions That Last Forever                                 

“Single Desire” was written in a time when I must have had a lot to say.  The year was 1988. Once love has grabbed you it can burn deep.  No matter how you want things to turn out, sometimes you have no control on the direction they take.  You find yourself helpless at the time and unable to avoid mistakes that seem obvious even to you.  Single Desire tries to describe the condition when adoration is not reciprocal.  When you are not loved in return.  Only one thing matters and nothing you can do will make it happen.

When the other person learns that type of control is in their hands, they have power that can turn lovers insane.  He/She can make the helpless romantic into a tool that can be discarded when no longer useful.  There is no cost to them.  Displays of charm and hints of affection can destroy all resistance and common sense in the admirer.

We need to wait until the fire burns out completely before we can stop following and finally walk away.  The problem is there is usually very little left to walk away with.

I tried to give this song a full arrangement as powerful as the lyrics (or the idea behind them) felt to me.  I knew I could not sing it the way it required so I called my  good friend and band-mate Gary Jefferson as I have many times over the years to do the vocal tracks.  My wife Ellen does the chorus ‘response’ vocal parts.  I used my keyboards and MIDI tone generators to do all the instrumental tracks including the drums, strings, brass and bass guitar parts, and invited my buddy Shawn Anderson to come over and lay down the lead guitar tracks. Harlen Lee, another great friend of mine, came in and added additional guitar parts.  I really like the bass guitar line, and think the strings add movement and dramatic accents to the song.

Please give “Single Desire” a few plays to let it sink in and I hope you enjoy.

Written 8-27-1982 by MSK and I recorded it around 4-1983.

The main melodic themes for this song were inspired by my Yamaha DX7 ‘tine’ sound. That sound (or patch) has been used in many professional recordings since the keyboard was introduced.  The guitars and vocals are real-time of course, and everything else was sequenced.

Ann Ellis from my band The Personal Touch does the vocals on this one.  I would play the main piano part and she would sing the lyrics until we got the timing and the feel the way we wanted it.  From that point I sequenced the main piano part.  Every time I play this song I play it as you hear it in this recording, but I play a different last chord.  No two versions have the same ending, and I never know what the last chord will be.  My wife Ellen and I worked on the backing sounds like the strings, brass and pads to make this a full sounding production.  Once I had the basic piano parts and drums done, I don’t think we ever added a dedicated bass line as the song ended up sounding very full.

My buddy Shawn David Anderson plays lead guitar on this one and really drives home with the power and tone I was hoping for.  The lyrics are one of my favorites.  Not necessarily by themselves, but when reflecting on the emotions and events of the time. True multi-track recording capabilities gave me the option to create complex instrumental layers as opposed to the limited recordings I had been able to achieve from a four-track cassette deck!

I even sent this song to be evaluated by professionals.  Among some of the comments it was suggested that the song was too long and that the intro went too long before the vocal lines were introduced.  I have a version that starts when the vocals kick in, but this is my favorite version.  I hope you agree.

Mara – The Making of a Video

I usually did not have to search for new projects.  There were plenty of musicians, bands and performers that did not have a lot of resources – or cash – when starting out.  Working at the local music store chain, I was lucky to know some great players, writers, and musicians of all sorts.  l am attracted to talented people of all kinds.  I often wish listeners of my music would give me the benefit of the doubt that I gave to many of the people I met and came to appreciate.  I realize my songs are not always ‘radio worthy’ or commercially viable, and always hoped someone would look beyond that and realize the songs I offered for what they could be if recorded professionally and marketed on a large scale.  Maybe that day will still come, but back then there were a number of artists that I could help take the next step.

Word got out that I had an understanding of technology and could usually pick things up quickly.  I absorbed owners manuals, dedicated time and when possible drafted other talented people to make projects work.  One of the fun and exciting things I got to do was shoot and edit live musical band performances.  MakeShift Kreations was an early company name I came up with using my initials: M S K.  I believe this was filmed way back in 1988!!!

Using the same video and editing suite from the cable company available for local access channels that I used for my first conceptual video: “Walking Man” I learned how to use multi camera filming and video editing techniques.  In some situations I offered to do videos for friends as this was a new (again, at the time!) medium and was very expensive for most bands.  In Part I, I would like to present the video I made of Mara, a local band with highly talented musicians.  My wife Ellen and I did all the camera, editing and post production work.  These are their original songs performed live over a two-night period. It was a lot of work, but I learned a lot and had a great time.

Please use the following link to see the Mara: Part I video:

https://youtu.be/VwKz1Po4_XM

The Cotton SongGoing With the  Flow                                                                                                                                This is a calming piece based on the string sounds from one of the plug-ins on my recording software program.  Sometimes a new sound or new toy can inspire themes, songs and projects.  This is one of those situations where I am listening to new sounds and noodling on the keyboard to hear the new tones and to see how the patch responds to the keyboard and controllers.  As I was listening to the new sounds, I enjoyed the string sound I was playing with and started recording the noodling I was doing.  I played for about five or six minutes and stopped recording to listen back.

The first section I scrapped and the rest was rather pleasant (sometimes this is a surprise indeed!).  While listening I started hearing harmonies in my head so I started recording on a 2nd track and used the same string sound to add another layer.  After that I stopped.  I like the mood this inspires.  I am not sure why I called it Cotton Song, but I got the feeling of being in the South overlooking plantations.  So it stuck!  I did not change anything and mixed it down to what you hear in this post.  Other versions of noodling or just playing with sounds rarely turn into a solid piece, so I have tons of snippets that have nice themes but to date have never been expanded upon.  One of these days I will listen to other noodling sessions and I might make something out of them.  For this song, have a cup of tea, sit back for a little bit and let your mind and body relax.  Admit it… you could use that right about now!

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Our banner designed by Marty Gillaspy

“Chase The Dream”

When one of the bands I worked with collapsed under the pressures of day to day life, it was quickly resurrected in a new form.  Most of Euphoria members did not want to stop playing so we regrouped with a new guitar player to replace one of the founding members and became The Chase.  We played out with about ten different names for a few months – Scenic Route was another favorite of mine – until we settled on The Chase.  These guys were great.  We had a solid rhythm section, a great lead singer and back up vocals that were tight and an amazing lead guitar player that could feel everything he played. We could play cover songs no other bands would play live.  We also threw in originals from time to time.  The banner was hung one each side of the stage vertically as seen in one of the photos below, and horizontally behind the drum set.  It was pretty eye-catching and a lot of people complimented it.

I am an archivist.  I record everything.  Audio recordings of practice sessions and live performances. Video of many performances and photos of major events.  Before YouTube I posted a number of them on our cable TV Local Access channels using their video editing suite.  I had my fingers in everything.  Some of the projects got finished, but a lot of the raw tapes have only been viewed by me and a select group of people.

I just put together a new video that uses a lot of this vintage raw video and some of the photographs from the time period.  The medium is so old that the quality suffers, but it does a good job of representing the events of the time.  We played in many clubs and outdoor events and I will create future videos to highlight more venues.   For this video I used an original instrumental song that Nick Robinson was working on and our new band, The Chase, made it our own.  There is no video of the song as we only played it out a few times.  Nicky has since re-joined Euphoria when it regrouped a few years ago and is still playing out with some amazing players.

Please check out my latest YouTube post (and other videos while you are there) of his original tune: “Chasing The Dream”.  Enjoy!

Chase The Dream

I’ve admitted in earlier posts that I observe people a lot, and that I get a number of ideas for songs from watching other people;  friends, family, co-workers, I steal from them all!  I can empathize with people as they face challenges and triumphs in life.  I try to understand what it feels like to be in those situations even though I myself might not be directly affected by them.

I also have some rather obvious political points of view.  I can understand why there are those that do not always agree with my positions but in many cases I can still understand theirs.  In this song I basically insult every group I can think of!  As you are more than likely in at least one of these groups I apologize in advance.  In a lot of ways, this song summarizes the items on my Love – Hate list.  I hate things that should work but do not, and I really hate personal and corporate greed.  The song uses a lot of references to things we would hear on the news, although it was written a long time ago.  Unfortunately most of the issues are the same today!

Recording this song took a LONG time.  We did rough mixes here and there changing this or that, but it did not feel right from beginning to end.  Eventually, I think we rearranged some of the chorus/verse structure and it just fell into place.  For some songs this is the agonizing part;  all the components are there and sound good, but the piece as a whole just does not grab you.  I might have even tried changing tempo on this one to get it right.

If this is not the first song I did using my new Alesis ADAT recorder it was one of the first.  I was also transitioning from the Atari computer to a Windows machine, so not everything went smoothly!  I played electric guitar on this one (I have a few guitars and do not know which one was used for each song but my guess this is either my Ibanez or a Yamaha 6 string) and did all the sequencing and drum tracks as described earlier.  My wife does the vocal main lines.  Using the limiter/compressor chain I described from other songs the vocals are recorded so they stay soft and spooky and a little eerie as the lyrics become more and more cynical.  A bunch of family and friends came in and did the voice add-ons.  You can hear both our daughters, my co-writing brother and a few neighbors help out with the spoken parts.  I ‘sing’ the chorus.

The bass line in this one is particularly cool because it is my Oberheim Matrix 6 synth and it has this patch or sound that continues to play an arpeggio (sequence of predetermined notes) as long as you hold a key down.  So the bass lines are done by holding one note for a while but hearing many notes played.  We even got to play with one of the audio samplers from the music store and used it to trigger the ‘broken word’ parts.   Once we got the arrangement right it was just fun to ‘decorate’ the basic tracks and add a little movement to the mix.   Have fun with this one.

 

 

In most situations when you want to record a performance, you might not have a lot of time to set up.  The environment might not be perfect, and there are other needs than getting a great recording.   I have tried and been quite successful with a number of techniques.  I will offer a few here for your consideration.

Getting a good mix from the sound board Mono Out or Main Left and Right Outs in a small or medium size venue is very easy to set up, but most likely to be disappointing. The needs of the audience in a live situation can be the exact opposite from the recording engineer’s.  As mentioned in the beginning of this series, LSR is reinforcement.  The sound person will amplify the weaker signals in the House or Mains; vocals – along with a LOT of effects, acoustic guitars, flutes, and even the drums.  They might not need to reinforce the lead or bass guitar as much. So the board mix is heavier on vocals, effects, and keyboard in some cases.  Not a great listen for most people.                                                                                                                                       You can set up a sub-mix if the sound guru gives you access.  If they run Left (Mono) like most venues, you can create your own mix using the Right Mono out.  Using the pan for each channel, keep full signal going to the Left out, and pan toward Center position to send desired amount of signal to the Right out.  You might want to isolate the guitar or bass, add a little toms if they are mike’d, but not heavy in the mix.  You can mix the two outs if you record in stereo and get a great live sound.  This will not give you a perfect stereo field, but most audiences do not remember concerts in stereo.  The sound seems to come from the stage, not left and right cabinets in front of the stage. 

I have also had luck with those portable stereo digital recorders available now for what I think is really cheap for what they do.  You need to set them up correctly and take care of them but they are so easy to set up and you get great sound in various environments.  If you have a SAFE place where you will hear more of the band than the audience (sounds easier than it really is) this is worth a try.

Yesterday I heard that I lost another great friend and musical partner.  My sister called me last night to tell me there had been an accident and she did not have a lot of details, but a great friend of mine died yesterday.  I mentioned Ric Ahlers in my blog posts before.  He was the guitar player/vocalist in the first real band I was in called The Personal Touch.  He co-authored with me one of my favorite songs I called “For Those Who Wait“.  (With music it was titled: “Our Bodies Move“).

Ric was my brother-in-law and was looking for a keyboard player to start a duo to play locally and out on the road.  Though I had only dabbled with piano and was mostly a rhythm guitar singer-songwriter, he gently persuaded me to join him.  Then for about three months he patiently guided me as I learned not only how to play keyboards (not just piano, but all the other sounds keyboard players are responsible for), but also a bunch of popular cover tunes for the first time.  He was way ahead of me as far as knowledge and talent (I try to take my own advice and play with musicians that are better than me!) and had played out before.   We also played our original songs as part of our normal set list.  He had more confidence in me than I did, but I guess that is a familiar story to my blog readers.

We started as a duo and played local clubs.  We had a full sound as we both sang (as well as we could) and I played my 12 string guitar and the keyboards and later programmed drum machines.  He played lead guitar and also controlled a drum machine with an accompaniment triggered by his  bass pedals that played bass and added filler strings and piano chords.  We could play anything from classic standards to Jimi Hendrix tunes and fit into a very small space.

He sat while playing guitar and kicking his bass pedals.  He stood over 6 foot 10!  Some people would come up to shake his hand after a tune and jump back as he stood up to talk to them!!

He was as tall sitting as I was standing and it really surprised people and caught them off guard.  I would have to warn him about low ceiling fans at hotels and lobbies!  We added Ann Ellis as a vocalist and traveled around the county as a trio in his van.  THOSE WERE THE DAYS!

Life is not always easy but Ric was always a gentle giant.  With a heart just as big, he climbed back up if he got knocked down, and carried you on his shoulders if you could not keep going.  He is also family and we will all miss him and are stunned by the sudden loss of a great man in many ways.

There is a joke, not much of a joke really, but a saying that describes a point of view we too often have in the United States:

Question:

What do you call it when you speak two languages?

Answer:

Bi-lingual.

Question:

What do you call it when you speak several languages?

Answer:

Multi-lingual.

Question:

What do you call it if you speak one language?

Answer:

American.

As you can see it is not really funny and not really a joke, but I use this often to remind myself how different our decisions and thoughts can be depending on perspective or point of view.  I was delighted with the response to my recent poem entitled “Hearts of Stone“.  (…..Actually, I initially titled it “Where You Live”.  As mentioned before I am not good at naming my own songs.  My daughter Alisa – and partner in the success of this blog – correctly suggested I change the title).  I wanted to give you a bit of history to this poem as it was actually inspired by follower comments.  All of which I read and respond to – not as quickly as I like but I try to get to them all as I truly appreciate the time and thoughts from so many people.

I have often mentioned that I am thankful for access and exposure to thoughts and feedback around the globe.  It helps open my eyes to things I would not normally consider.  Creative people all over the world are represented here and it is amazing what an impact you have had on me and my writings.  A while back I posted a question about what was your first concert.  While many responses were very cool, some responded they were not allowed to have huge concerts in their country.  This struck me deeply.  First; as a callous question from an arrogant blogger who takes life for granted.  We often complain about politics or taxes and a million other things in the US and other countries but we have a choice.  We may not get our way but we can voice our opinion and discuss our thoughts openly.  This is not true everywhere.  Secondly: it drove this arrogant blogger to think about how many things we take for granted every day.  So I tried to look around my little piece of the world from another point of view.

The first line is kind of an inside joke and would easily be understood by people that live in places line my town.  We often have cloudy – hazy skies most of the time and it gets so bad that the traffic reports have to remind us what that big bright thing in the sky is on sunny days!  Often at night we do not see stars and frequently miss the experiences of full moons or eclipses.  The rest of the poem tries to reflect the things humans might notice looking at their world.  Some are glorious and beautiful and worth celebrating while other things are tragic and unimaginable to ‘outsiders’.

I have read the words in this poem many times since posting the poem on MIDIMike and a melody keeps creeping into my subconscious when I repeat them.  In the same line as the global inspiration for the lyrics, the melody and arrangement is not my ‘normal’ style.  I may be the only one that likes it, but I cannot get rid of it.  I will be finished putting this poem to music soon, but to be forewarned it is not a replica of my past works and musical pieces.  It is my thanks to all of you.  It is a sharing.  It is an apology for not keeping my mind open to others.  It is a simple reflection from deep inside.  It is an invitation to continuing communications that will bring different cultures and peoples together.  If we cannot communicate we are doomed.

I will post as a song as soon as I have a decent recording of what has been spiraling inside my head.

Click Here to read the original poem.

The following is version two of the song I posted titled: “Some People”.  See the following link to review the post: https://midimike.com/2016/04/12/co-write-a-song-with-me/.

I do want to thank the brave participants and hope I reflected your thoughts for each verse.  I added as needed and took out as little as possible to fit the melody, but much of your thoughts are intact.  The first two verses and one other verse are in the original release.  If you have not sent in your submissions there is still time, and I will add them in a final version.  Everyone knows “Some People” LOL!

To re-cap, I posted the song and video for Some People asking fellow bloggers to write verses for a new version of the song based on the format of the original lyrics.  Each submission blogger is credited for their writings above each verse as co-authors!  Who knows, maybe another video is in order and authors could submit pictures for their verses.

 

bino32 says:

Some people are happy
A smile or two to spread
Some people, they feel blue
With cold steel pressed against their heads
Trembling like me?
Or dancing like you?

 

Charles G. says:

Some say it’s not their place
Others misuse the day
The faithful will say grace
Some have too much to say
A wonderful spot
To watch it revolve

 

None Other Then Hannah says:

Some beings are kind,
Generous to others.
While many are glued,
Haunt victims to the ache.
Countless overcome,
And show way of escape.

 

Ancient Skies says:

Some people are just people

not me but you –

longing for a reason to

not to be blue –

hey my brother hang in,

you can sing again –

 

it’s all about the tune you see –

but this life just ain’t free.

Some people are just people,

not me but you.

So sing that tune

to chase the blues.

 

tracihalpin says:

Some people are real
Some people pretend
Some people don’t feel
Which one are you?

 

atribeuntangled says:

Some people say they spread the love,

believe like them and rise above.

But if you stray and use your mind

you fall so fast and ties unbind.