Posts Tagged ‘#audio’

Another addition for my Cover Tune Tuesdays project. For those of you just jumping in, I am not covering songs from well-known artists you have already heard. I wanted to play some of the songs written by people I have known over the years. I can pretty much guarantee none of us thought we would be famous authors – mostly because none of us tried to be. Like many others, we decided not to put in the eternal time, money and thankless effort necessary to ‘make it big’ in the music scene.

This is a song written by Tom Gorman, Lori Niemi and Tom Robinson. It was written in 1980 and has been recorded and performed by many people in the core group of songwriters I have mentioned previously in my posts.

This time I recorded the song using my Martin 6 string guitar. I usually use my 12 string but since my bi-lateral carpal tunnel surgery last year and plain getting old, it is hard for me to do difficult songs any more.

I used my Ovation 12 string for the 2nd guitar parts so I have not abandoned it completely. I use Sonar Cakewalk – now by BandLab as my recording software. The haunting melodic sounds are from a program called Dimension Pro. I sang and did a little harmony here and there but that is the essence of the mix.

Jackals cover performed by MSK


I would like to share some versions of this song with you and will post 2 other previous recordings. It is a good historical view. People change, equipment changes and the mood inspired by the song change over time.

          "Jackals"                                                           (C) 1980
Straight hollow blocks of buildings haunted with lives
Scanning you with hidden silence
They house the hungry Jackals who go prowling through the angled
Paths of night.
 
Watch out for the hungry Jackals, they’ll dull you with lies
Making like they’re you’re best friends, while they’re sharpening
Their knives.

 
Stalking unwary victims they sidle up
Cutting you with cultured voices
And punctuating death throws with a fluttering of gestures and a
Sociable smile.
 
Watch out for those hungry jackals they stalk in disguise
They clutch your hands with such courtesy but there’s murder
In their eyes.
 
 
Running that dreadful gauntlet every day
Mixed in with the gentle people
A Jackal sticks his paw as a cohort jabs a claw out as you
Hit the ground.
 
Watch out for those hungry jackals disguised as they are
They’ll send you out to save the world but you won’t get very far.

 
Watch out for the hungry Jackals, they’ll dull you with lies:
Making like they’re your best friends…….
Gary Jefferson on vocals
Bob Enderle on vocals

As part of My Cover Tune Tuesdays, I wanted to do an acoustic version of one of my favorite Grateful Dead songs. The story I heard about this song is that Stella Blue refers to an old cheap guitar Jerry Garcia played when he was much younger. I tried to look up references but nothing conclusive so I stopped. I am not a reporter, after all.

In either case, this song has been an inspiration for me in many ways. As I get older, though, the message is much closer to home. I hope I will be able to dust off the strings for years to come, but I still find each moment I have to make and play music precious. Without it I would be insane, lost or dead (but not grateful)!

So I got out the Martin 6 string acoustic/electric guitar I got from my older brother and changed the strings. It was not enough to dust them off! Then I pulled out my Ovation 12 string acoustic/electric guitar and dusted off those strings. The Martin I ran a guitar cable to the Universal Audio Solo 610 mic pre-amp. After recording the main guitar track in Sonar by Cakewalk/Bandlab I used the Ovation 12 String guitar for a light/filler guitar track. I used a AKG C214 microphone plugged into the Solo 610 for recording the Ovation. Vocals used the same microphone and pre-amp set-up so it was a quick session.

All the years combine
They melt into a dream
A broken angel sings
From a guitar.
In the end there's just a song
Comes crying up the night
Through all the broken dreams
And vanished years.

Stella Blue         Stella Blue
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine. 

When all the cards are down
There's nothing left to see
There's just the pavement left
And broken dreams.
In the end there's still that song
Comes crying like the wind
Down every lonely street
That's ever been.

Stella Blue         Stella Blue 
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine.

It all rolls into one
And nothing comes for free
There's nothing you can hold
For very long.
And when you hear that song
Come crying like the wind
It seems like all this life 
Was just a dream.

To Stella Blue         Stella Blue

Songwriters: Jerome J. Garcia / Robert C. Hunter
Stella Blue lyrics © Universal Music Publishing Group

Given an odd set of circumstances that would give you the choice of listening to your favorite songs and bands on a really weak radio signal (cheap, broken or terrible stereo system) or listen to songs you don’t really like in hi quality sound?

Being an audiophile and passionate about great music this is a tough question for me lol.

© MSK 10-2017

This song has taken a while to finalize the arrangement.  It is only part of the song it started out as.  Diced, sliced, edited and rewritten, I hope this first mix sounds like it belongs!  Sometimes you are guided.

I will play other sections in the future.

Please enjoy “Deep Inside”

Deep Inside me, Deep inside the eye of the storm

Deep Inside you.  Deep Inside the eye of the storm.

Deep Inside me, Deep Inside.

 

Sometimes you are guided

And sometimes you are not.

The road is long; it never ends

No matter what you thought.

 

The place you are standing

Was never meant to be.

Lost when your memories

Created what you see.

 

Pound after pound

Life gets laid upon you hard.

Sound after sound

As the dealer plays his cards.

 

Sometimes you are guided

And sometimes you are not.

The road is long; it never ends

No matter what you thought.

 

Deep Inside me, Deep Inside the eye of the storm

Deep Inside you.  Deep Inside.

 

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The songs in this session are simple two-channel recordings.  These are not multi-tracks of isolated instruments to be mixed down later.  This is down and dirty history.  I enjoyed recording and listening to each of the gigs.  The rest of the band were ok with it, but they were really into the performance and live audience vibe.  As a result, I did not get much assistance or cooperation with my projects.  We never did a sound check for recording levels.  We did not set up differently or use additional gear.  I usually taped separate mixes from their sound board or by using a combination of mono mix and single hi-quality microphone up on stage.  See my LSR series for recording configurations.

Unlike the other players I have jammed with, I had not been playing in bands since I was a teenager.  I did not start playing in front of a ‘real’ audience until I was probably 31 or older.  I started playing keyboards (technically different than playing a piano or organ) when I was 30.  Before that I wrote songs and played my 12 string guitar for parties and such but that was about it.

Lacking confidence and years to sharpen my skills, I tried to make up for it in other ways.  I practiced a lot                     compared to the other players.

I helped in tech – light – sound – marketing.  The recordings were for me, LOL!

This is a live recording of a medley we came up with.  None of us really liked disco, but no rocket science to keeping guys in the club is to keep the girls on the dance floor!  We smashed together popular dance songs and other select songs toward the end of the 2nd set.  Enjoy.

 

 

 

Here is another live recording from my band, The Chase.  Those were good times.  This is a cover tune from The Beatles – “She’s So Heavy”.  I remember when I first heard this song on the radio.  It absolutely blew me away.  What fun to play this one out live.

 

 

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Here is another song my brother David recorded at a studio years ago as part of his Studio Way project.  My brother wrote the lyrics and is the vocalist on these tracks.  Terry Boehm played keyboards.  Tom Collier wrote the music and played guitar.  This one is called, “Focus On Your Feet”.  A fun toe-tapping song that sticks in your head!

The songs were being finalized in the studio as each came up to record.  The rhythm tracks were recorded first, with lead instruments and vocals added later that day.  A lot of people ‘freeze up’ their first time in a studio with the tape rolling (yes, this was back in the days when they used tape!) so recording can be very stressful – but with a bit of focus you can come out with great memories.

 

I have live recordings of almost every band I have in.  I record a lot of practice sessions but mostly live performances in front of audiences.  Many recordings are less than ideal situations and often I experiment with unusual techniques searching for a method that will get great results in almost any stage setting.  I threatened to share some of these with you and this is a good a time as any to start!  Some will sound better than others, and some performances will be better, but all should give you a little blast from my past!  Please check out my Live Sound Reinforcement series for the big picture, or if you are interested in learning about LSR.

This one is “Run Like Hell”  From Pink Floyd.

Greg Stern

MSK Studio

Part of the challenge in writing songs is how difficult it might be to convey a particular feeling or message to studio musicians.  All players should be heading in the same direction, playing the same tune, moving at the same tempo and so on.  Creating soundscapes must be a lot like painting.  Drawing the lines and forms are one thing, but which color is best?  There are so many available yet each one conveys a unique mood or feeling.  Sounds can be like that.  We asked a guitar player/friend of ours to come up with guitar tracks for a project I was working on.   This was for a cable TV project looking for sound tracks for an automotive enthusiast series.  We wanted to give the guitar parts a bit of mood setting so we asked him to create tracks that would generate the feeling of …

an engine or racing car, crunchy, powerful

drive – movement – acceleration, fast, fluid

Using basically no more than the above “instructions” he gathered toys and used the word imagery to shape the sound and the playing style for these tracks.  We used the same list to come up with the basic tracks for the song.  This song is an adaptation of a song I wrote a long time ago and we called it The Big D Jam.  I originally composed this song using the Arp Odyssey synthesizer.  I programmed a pretty cool sounding bass patch and came up with the bass line and skeleton of the song.  This song in its original version was performed when I was with The Personal Touch years ago.  If it was a rockin’ crowd we would let Ric Ahlers jam a bit on the solo parts.  I put some simple lyrics to it and it was a really fun song to play out.  Recently I pulled it out of the song closet and re-wrote the chorus.  I also used new software plug-ins from my computer for all the sounds.  This was amazing for me because I have all this fancy gear with cool sounds and I am not using them at all.  In this post, I wanted to give you an idea how the song progressed. The new sounds are just amazingly clear and natural.  I will post in the near future the complete mix with vocals and effects.  When the sounds and the performance match the request or target, the song seems like it was made to order.

Some of you may notice right away that this song is a little different.  The beat is not the same as many other songs.  I enjoy playing in different time signatures.  Not too weird, but I like different beats and even tempo changes if done right.  This song is played in 3/4 time rather than the more traditional 4/4 time. It gives it more of a waltz kind of feel to the measures.  This is a straight forward recording with me and my Ovation 12 string guitar.  There is a hint of a long reverb.

Castles     To me, this is a rather sad song.  I have seen many relationships that should last forever crumble in front of me.  People that were dedicated and adored each other turned to bitter enemies.  Mutual friends and family stuck with unpleasant decisions.  Broken hearts and lives.  Sometimes there are innocent and guilty, but not as often as you would think.  The rooms themselves seem to whisper a sad tale.  Even the pictures are affected by the loneliness and help tell the tragic but all too familiar tale.  Using common excuses as cliche’s the chorus sums it up fairly well while the verses bounce from past to present.

This is not about the relationships that start out with lies or Jekyll/Hyde waiting for you.  This is more about someone wanting to mold you.  Over powering or just with  persistence.  These extreme situations would quickly spin out of control.  Some that begin with love turn vicious.  And as a reminder these are people that professed they loved each other not long ago.  I don’t know how that is possible, frankly.   Best wishes to you if you have ever had to deal with this situation.