Posts Tagged ‘#audio’

Bill K No Worries DSC_0065.jpg

So many experiences are composed of related stories and within each story a number of players or artists.  The telling or remembering of some stories becomes difficult before the first words are shared.  What stories do you include?  Which ones do you leave for another time, even though the knowing will make this tale more complete?  Which characters will be the focus today when so many were needed to play their part.

Too many things to share.  If that were the biggest problem we would all become happy and prosperous.  Often, your spouse is also your soul-mate.  Sometimes your boss is your friend.  Do we present the boss or the friend when the story is told?

No Worries.

I do not advertise or promote my recording studio.  Every project has been from word of mouth or referrals/introductions that happen when good people want to introduce you to other good people.  Here is a quick summary of a recent project I was fortunate to be involved with.  Through my wife, my studio and talents were offered to record and back-up a song written by Bill Kreutzjans of the band Smokin Zeus to comfort someone after the primary – election process had finally ended.  He will play acoustic guitar and sing his song, but wanted a fuller sound and maybe some harmonies.

Before he came over to record I got ready.  I listened to a recording of the song and took out the copy of the lyrics.  First; I checked the tempo of the song.  Then I “mapped out” as I call it, a detailed arrangement of the song.  Not just how many verses, bridges, and choruses but also how counting full measures, partial measures, key or tempo changes, and getting an idea of the dynamics that evolve as the song plays out.  I pull up my computer and recording software (I use Sonar, but there are many others).  I created a basic drum pattern to use as a fancy metronome.  Bill laid down his tracks listening to the drum tracks and as most artists do in a studio, he fine-tuned his sound and melody.  Very quickly we had a great foundation recorded.

This was one of those dream songs where everything dropped into place.  We all had ideas of what we wanted to add.  The equipment worked well and everything went smoothly as the song kept building.  I played each section of the song back (sometimes over and over) and used a MIDI keyboard to “record” the bass guitar parts.  Then I used the MIDI keyboard to again trigger sounds from the computer software and plug-ins, but this time I picked a natural string sound to fill around the acoustic guitar.

Good enough progress for a few hours stolen in the day, so we save and back-up files and plan to meet soon to finish.  Send rough mix mp3 so all can listen to tracks we have so far.

In the days before we meet to finalize and mix the tracks, I clean up the drums and add accents to help the song build.  The drum sounds are also provided by the software and I can trigger the individual sounds or use pre-recorded and/or user-created loops.  These ingredients can be blended, added together and shoved in the oven until you get a great loaf of bread.  I add the vocal harmonies based on previous discussions.  Now I spend some time with the mastering tools I have and process tracks using E.Q., compression,  (where needed.  I am not big on heavy compression) volume leveling, etc., and then fun stuff like reverb and stereo placement to make each part noticeable and clear.  Send rough mix mp3 so all can listen to tracks.

At this point I am playing the song over and over because I like it.  I think it sounds cool and we meet to mix and master.  I always try to get an idea how the author/performer wants the components or project to sound like.  It is a difficult language, but if I get a feel for what they want – or an example of things like it – I can usually find the ‘tone’ of the mix they are familiar with.  We pick preferences as we go and the mix continues to bake.  We blend track levels with effects and record the master mix to a stereo track      ( ….. this topic will be a series of articles in the future ).   

For all of you; “No Worries”            © Bill Kreutzjans 10/2016

 

Fact or Perception

As an update and a gentle lead-in to the title of this post, I recently put in a job application at the Sam Ash Music Store in Cincinnati.  I worked for years at a local instrument music chain a while ago (not records or CD type of music store…) and I also worked at an electronics music store called ICB Audio.  I thought that and my decades of management, sales and customer service experience would make me a good candidate.  I started working at Sam Ash about two weeks ago.  For me, it is like being a kid in a toy store……. because I AM!

So, do I feel like the employment situation is getting better because I now have a job?  In reality, unemployment rate is very low, and has been for a while now.  There are people still looking for work, but there are also companies that are looking but cannot find qualified workers in their field and/or location.

Do we feel that food insecurity is a myth because we do not see it in our neighborhood or town?

Everyone we know is well fed and has no difficulty getting their next meal.

Do we refuse to believe specific facts or national statistics because they do not apply to us?

I am glad to be working again doing something I love.  I will probably spend more money than I make as I have done in music stores in the past, but I will hopefully meet a lot of new talented people driven by their passion to make music for all to enjoy.

It is tough when you are unemployed.  For those of you still looking I wish you well in 2017!

Black1

Our banner designed by Marty Gillaspy

“Chase The Dream”

When one of the bands I worked with collapsed under the pressures of day to day life, it was quickly resurrected in a new form.  Most of Euphoria members did not want to stop playing so we regrouped with a new guitar player to replace one of the founding members and became The Chase.  We played out with about ten different names for a few months – Scenic Route was another favorite of mine – until we settled on The Chase.  These guys were great.  We had a solid rhythm section, a great lead singer and back up vocals that were tight and an amazing lead guitar player that could feel everything he played. We could play cover songs no other bands would play live.  We also threw in originals from time to time.  The banner was hung one each side of the stage vertically as seen in one of the photos below, and horizontally behind the drum set.  It was pretty eye-catching and a lot of people complimented it.

I am an archivist.  I record everything.  Audio recordings of practice sessions and live performances. Video of many performances and photos of major events.  Before YouTube I posted a number of them on our cable TV Local Access channels using their video editing suite.  I had my fingers in everything.  Some of the projects got finished, but a lot of the raw tapes have only been viewed by me and a select group of people.

I just put together a new video that uses a lot of this vintage raw video and some of the photographs from the time period.  The medium is so old that the quality suffers, but it does a good job of representing the events of the time.  We played in many clubs and outdoor events and I will create future videos to highlight more venues.   For this video I used an original instrumental song that Nick Robinson was working on and our new band, The Chase, made it our own.  There is no video of the song as we only played it out a few times.  Nicky has since re-joined Euphoria when it regrouped a few years ago and is still playing out with some amazing players.

Please check out my latest YouTube post (and other videos while you are there) of his original tune: “Chasing The Dream”.  Enjoy!

Chase The Dream

I’ve admitted in earlier posts that I observe people a lot, and that I get a number of ideas for songs from watching other people;  friends, family, co-workers, I steal from them all!  I can empathize with people as they face challenges and triumphs in life.  I try to understand what it feels like to be in those situations even though I myself might not be directly affected by them.

I also have some rather obvious political points of view.  I can understand why there are those that do not always agree with my positions but in many cases I can still understand theirs.  In this song I basically insult every group I can think of!  As you are more than likely in at least one of these groups I apologize in advance.  In a lot of ways, this song summarizes the items on my Love – Hate list.  I hate things that should work but do not, and I really hate personal and corporate greed.  The song uses a lot of references to things we would hear on the news, although it was written a long time ago.  Unfortunately most of the issues are the same today!

Recording this song took a LONG time.  We did rough mixes here and there changing this or that, but it did not feel right from beginning to end.  Eventually, I think we rearranged some of the chorus/verse structure and it just fell into place.  For some songs this is the agonizing part;  all the components are there and sound good, but the piece as a whole just does not grab you.  I might have even tried changing tempo on this one to get it right.

If this is not the first song I did using my new Alesis ADAT recorder it was one of the first.  I was also transitioning from the Atari computer to a Windows machine, so not everything went smoothly!  I played electric guitar on this one (I have a few guitars and do not know which one was used for each song but my guess this is either my Ibanez or a Yamaha 6 string) and did all the sequencing and drum tracks as described earlier.  My wife does the vocal main lines.  Using the limiter/compressor chain I described from other songs the vocals are recorded so they stay soft and spooky and a little eerie as the lyrics become more and more cynical.  A bunch of family and friends came in and did the voice add-ons.  You can hear both our daughters, my co-writing brother and a few neighbors help out with the spoken parts.  I ‘sing’ the chorus.

The bass line in this one is particularly cool because it is my Oberheim Matrix 6 synth and it has this patch or sound that continues to play an arpeggio (sequence of predetermined notes) as long as you hold a key down.  So the bass lines are done by holding one note for a while but hearing many notes played.  We even got to play with one of the audio samplers from the music store and used it to trigger the ‘broken word’ parts.   Once we got the arrangement right it was just fun to ‘decorate’ the basic tracks and add a little movement to the mix.   Have fun with this one.

 

 

In most situations when you want to record a performance, you might not have a lot of time to set up.  The environment might not be perfect, and there are other needs than getting a great recording.   I have tried and been quite successful with a number of techniques.  I will offer a few here for your consideration.

Getting a good mix from the sound board Mono Out or Main Left and Right Outs in a small or medium size venue is very easy to set up, but most likely to be disappointing. The needs of the audience in a live situation can be the exact opposite from the recording engineer’s.  As mentioned in the beginning of this series, LSR is reinforcement.  The sound person will amplify the weaker signals in the House or Mains; vocals – along with a LOT of effects, acoustic guitars, flutes, and even the drums.  They might not need to reinforce the lead or bass guitar as much. So the board mix is heavier on vocals, effects, and keyboard in some cases.  Not a great listen for most people.                                                                                                                                       You can set up a sub-mix if the sound guru gives you access.  If they run Left (Mono) like most venues, you can create your own mix using the Right Mono out.  Using the pan for each channel, keep full signal going to the Left out, and pan toward Center position to send desired amount of signal to the Right out.  You might want to isolate the guitar or bass, add a little toms if they are mike’d, but not heavy in the mix.  You can mix the two outs if you record in stereo and get a great live sound.  This will not give you a perfect stereo field, but most audiences do not remember concerts in stereo.  The sound seems to come from the stage, not left and right cabinets in front of the stage. 

I have also had luck with those portable stereo digital recorders available now for what I think is really cheap for what they do.  You need to set them up correctly and take care of them but they are so easy to set up and you get great sound in various environments.  If you have a SAFE place where you will hear more of the band than the audience (sounds easier than it really is) this is worth a try.

Yesterday I heard that I lost another great friend and musical partner.  My sister called me last night to tell me there had been an accident and she did not have a lot of details, but a great friend of mine died yesterday.  I mentioned Ric Ahlers in my blog posts before.  He was the guitar player/vocalist in the first real band I was in called The Personal Touch.  He co-authored with me one of my favorite songs I called “For Those Who Wait“.  (With music it was titled: “Our Bodies Move“).

Ric was my brother-in-law and was looking for a keyboard player to start a duo to play locally and out on the road.  Though I had only dabbled with piano and was mostly a rhythm guitar singer-songwriter, he gently persuaded me to join him.  Then for about three months he patiently guided me as I learned not only how to play keyboards (not just piano, but all the other sounds keyboard players are responsible for), but also a bunch of popular cover tunes for the first time.  He was way ahead of me as far as knowledge and talent (I try to take my own advice and play with musicians that are better than me!) and had played out before.   We also played our original songs as part of our normal set list.  He had more confidence in me than I did, but I guess that is a familiar story to my blog readers.

We started as a duo and played local clubs.  We had a full sound as we both sang (as well as we could) and I played my 12 string guitar and the keyboards and later programmed drum machines.  He played lead guitar and also controlled a drum machine with an accompaniment triggered by his  bass pedals that played bass and added filler strings and piano chords.  We could play anything from classic standards to Jimi Hendrix tunes and fit into a very small space.

He sat while playing guitar and kicking his bass pedals.  He stood over 6 foot 10!  Some people would come up to shake his hand after a tune and jump back as he stood up to talk to them!!

He was as tall sitting as I was standing and it really surprised people and caught them off guard.  I would have to warn him about low ceiling fans at hotels and lobbies!  We added Ann Ellis as a vocalist and traveled around the county as a trio in his van.  THOSE WERE THE DAYS!

Life is not always easy but Ric was always a gentle giant.  With a heart just as big, he climbed back up if he got knocked down, and carried you on his shoulders if you could not keep going.  He is also family and we will all miss him and are stunned by the sudden loss of a great man in many ways.

There is a joke, not much of a joke really, but a saying that describes a point of view we too often have in the United States:

Question:

What do you call it when you speak two languages?

Answer:

Bi-lingual.

Question:

What do you call it when you speak several languages?

Answer:

Multi-lingual.

Question:

What do you call it if you speak one language?

Answer:

American.

As you can see it is not really funny and not really a joke, but I use this often to remind myself how different our decisions and thoughts can be depending on perspective or point of view.  I was delighted with the response to my recent poem entitled “Hearts of Stone“.  (…..Actually, I initially titled it “Where You Live”.  As mentioned before I am not good at naming my own songs.  My daughter Alisa – and partner in the success of this blog – correctly suggested I change the title).  I wanted to give you a bit of history to this poem as it was actually inspired by follower comments.  All of which I read and respond to – not as quickly as I like but I try to get to them all as I truly appreciate the time and thoughts from so many people.

I have often mentioned that I am thankful for access and exposure to thoughts and feedback around the globe.  It helps open my eyes to things I would not normally consider.  Creative people all over the world are represented here and it is amazing what an impact you have had on me and my writings.  A while back I posted a question about what was your first concert.  While many responses were very cool, some responded they were not allowed to have huge concerts in their country.  This struck me deeply.  First; as a callous question from an arrogant blogger who takes life for granted.  We often complain about politics or taxes and a million other things in the US and other countries but we have a choice.  We may not get our way but we can voice our opinion and discuss our thoughts openly.  This is not true everywhere.  Secondly: it drove this arrogant blogger to think about how many things we take for granted every day.  So I tried to look around my little piece of the world from another point of view.

The first line is kind of an inside joke and would easily be understood by people that live in places line my town.  We often have cloudy – hazy skies most of the time and it gets so bad that the traffic reports have to remind us what that big bright thing in the sky is on sunny days!  Often at night we do not see stars and frequently miss the experiences of full moons or eclipses.  The rest of the poem tries to reflect the things humans might notice looking at their world.  Some are glorious and beautiful and worth celebrating while other things are tragic and unimaginable to ‘outsiders’.

I have read the words in this poem many times since posting the poem on MIDIMike and a melody keeps creeping into my subconscious when I repeat them.  In the same line as the global inspiration for the lyrics, the melody and arrangement is not my ‘normal’ style.  I may be the only one that likes it, but I cannot get rid of it.  I will be finished putting this poem to music soon, but to be forewarned it is not a replica of my past works and musical pieces.  It is my thanks to all of you.  It is a sharing.  It is an apology for not keeping my mind open to others.  It is a simple reflection from deep inside.  It is an invitation to continuing communications that will bring different cultures and peoples together.  If we cannot communicate we are doomed.

I will post as a song as soon as I have a decent recording of what has been spiraling inside my head.

Click Here to read the original poem.

There have been many memorable events in my life to date and many more to come.  It might not be apparent at the time the impact any one of them would have at the time.  I have never been diagnosed or treated professionally but I find myself dealing with depression from time to time.  It is impossible to know what triggers those feelings and more difficult to see your way out. On one of those times I could not break the cycle.  I had no motivation or inspiration.  In fact, I did not care at all.  About anything.  I had been through similar situations before so for weeks I kept telling myself it would pass in its own time.  I would get through this one as well.  But that was the only positive thought I had.  Life not worth living.  Nothing made me happy or sad. I forced myself through motions and obligations by shear routine.   I seemed like this would go on forever.  It felt unbearable even though most of my friends had no idea what I was dealing with.

I had tickets to see an amazing show under any circumstances, so I went to see Cirque du Soleil.  It is funny how this affected me.  I watched human beings do what seemed impossible even if you could think of the skills in the first place.  Art and amazing physical prowess seamlessly blended together to tell a story with few words.  Strength and perfection only achieved with years and years of unrelenting practice and sacrifice.  It again showed me the potential of mankind.  Dedication, creativity, trust, respect were all required to make this amazing performance happen.  I realized watching each scene that we are incredible beings when we try. That night I started trying again.  I saw the end of the funk that was created by myself – for myself.  I could see again the beauty of life and the result of hard work when things seem impossible.

History sometimes repeats itself. Funny to think of this after my recent event at a concert to see my musical mentor and hero – Peter Gabriel, performing on tour with Sting.  It is so refreshing to know there are others in the world that struggle to be good.  That work every day to promote peace love and all that corny stuff I could not live without.  In their music and through their lives they can impact so many.  I thought I would never be able to see Gabriel perform.  I have come close, but things did not work out. They almost did not work out this time either.  Of all the artists/people in the world, his music, words and projects affect me like no other person on this earth.  I am who I am with his unknowing help and guidance.  I struggle to be better knowing it is possible.

I grew up listening to Genesis and following his solo career.  I am not obsessed and do not own everything he has.  I do not know every detail of his personal life or career.  But I do think I ‘know the man’.  I understand him as a man and not an idol.  We are growing old together.

Sting was also amazing and sang a number of Peter’s songs, and performing his own tunes and some from the days of The Police.  For me, it was precious, unforgettable and one of the greatest musical experiences I have had.

The following is version two of the song I posted titled: “Some People”.  See the following link to review the post: https://midimike.com/2016/04/12/co-write-a-song-with-me/.

I do want to thank the brave participants and hope I reflected your thoughts for each verse.  I added as needed and took out as little as possible to fit the melody, but much of your thoughts are intact.  The first two verses and one other verse are in the original release.  If you have not sent in your submissions there is still time, and I will add them in a final version.  Everyone knows “Some People” LOL!

To re-cap, I posted the song and video for Some People asking fellow bloggers to write verses for a new version of the song based on the format of the original lyrics.  Each submission blogger is credited for their writings above each verse as co-authors!  Who knows, maybe another video is in order and authors could submit pictures for their verses.

 

bino32 says:

Some people are happy
A smile or two to spread
Some people, they feel blue
With cold steel pressed against their heads
Trembling like me?
Or dancing like you?

 

Charles G. says:

Some say it’s not their place
Others misuse the day
The faithful will say grace
Some have too much to say
A wonderful spot
To watch it revolve

 

None Other Then Hannah says:

Some beings are kind,
Generous to others.
While many are glued,
Haunt victims to the ache.
Countless overcome,
And show way of escape.

 

Ancient Skies says:

Some people are just people

not me but you –

longing for a reason to

not to be blue –

hey my brother hang in,

you can sing again –

 

it’s all about the tune you see –

but this life just ain’t free.

Some people are just people,

not me but you.

So sing that tune

to chase the blues.

 

tracihalpin says:

Some people are real
Some people pretend
Some people don’t feel
Which one are you?

 

atribeuntangled says:

Some people say they spread the love,

believe like them and rise above.

But if you stray and use your mind

you fall so fast and ties unbind.

As we moved the song “My Heart is Silent” forward, I wanted to give you an update in the process.  New chord structure keeping some of the vibe from the first version and new vocals and you can see how quickly songs can change from the original concept.  The last version had a female vocalist and this time we hear from a friend of Mack.  His name is Carlos and he has a smooth ballad vocal style. Again, this is the first vocal attempt to give us an idea how the song feels with a male vocalist and more of a structured feel to the verses. 

 We decided to go with a spoken intro for the first verse.  I like the way it opens the song and allows us to build the vocals as the song progresses.  Oddly enough, a lot of the lyrics went back to the original as the song structure fit the words a bit easier.  We also considered doing a male-female duet.  No final decision yet and we are still thinking about back-up vocals to enhance some of the lines from each verse to drive the end of the song as it builds up.   

 I added MIDI string parts after the piano intro.  The drum parts and bass guitar are also all MIDI generated coming from the computer.  I added a low-key rhythm guitar part during the chorus and later verses.  Once we have the vocal parts finalized we may add other instruments as the song progresses toward the end.   

 So what do you think?  Male vocalist, female or duet?   

 What other instruments do you ‘hear’ in the final version?  Saxophone?   Brass? Orchestral?  Lead guitar? 

 Do you like the spoken opening verse rather than jumping straight into the melody? 

 Here is the latest rough mix of “My Heart Is Silent”. 

A Song in the Making Part III

A Song in the Making Part II

A Song in the Making