Posts Tagged ‘#studio’

MSK Yellowstone

MSK Yellowstone

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Photo by MSK Yosemite

Burning Impressions That Last Forever                                 

“Single Desire” was written in a time when I must have had a lot to say.  The year was 1988. Once love has grabbed you it can burn deep.  No matter how you want things to turn out, sometimes you have no control on the direction they take.  You find yourself helpless at the time and unable to avoid mistakes that seem obvious even to you.  Single Desire tries to describe the condition when adoration is not reciprocal.  When you are not loved in return.  Only one thing matters and nothing you can do will make it happen.

When the other person learns that type of control is in their hands, they have power that can turn lovers insane.  He/She can make the helpless romantic into a tool that can be discarded when no longer useful.  There is no cost to them.  Displays of charm and hints of affection can destroy all resistance and common sense in the admirer.

We need to wait until the fire burns out completely before we can stop following and finally walk away.  The problem is there is usually very little left to walk away with.

I tried to give this song a full arrangement as powerful as the lyrics (or the idea behind them) felt to me.  I knew I could not sing it the way it required so I called my  good friend and band-mate Gary Jefferson as I have many times over the years to do the vocal tracks.  My wife Ellen does the chorus ‘response’ vocal parts.  I used my keyboards and MIDI tone generators to do all the instrumental tracks including the drums, strings, brass and bass guitar parts, and invited my buddy Shawn Anderson to come over and lay down the lead guitar tracks. Harlen Lee, another great friend of mine, came in and added additional guitar parts.  I really like the bass guitar line, and think the strings add movement and dramatic accents to the song.

Please give “Single Desire” a few plays to let it sink in and I hope you enjoy.

Written 8-27-1982 by MSK and I recorded it around 4-1983.

The main melodic themes for this song were inspired by my Yamaha DX7 ‘tine’ sound. That sound (or patch) has been used in many professional recordings since the keyboard was introduced.  The guitars and vocals are real-time of course, and everything else was sequenced.

Ann Ellis from my band The Personal Touch does the vocals on this one.  I would play the main piano part and she would sing the lyrics until we got the timing and the feel the way we wanted it.  From that point I sequenced the main piano part.  Every time I play this song I play it as you hear it in this recording, but I play a different last chord.  No two versions have the same ending, and I never know what the last chord will be.  My wife Ellen and I worked on the backing sounds like the strings, brass and pads to make this a full sounding production.  Once I had the basic piano parts and drums done, I don’t think we ever added a dedicated bass line as the song ended up sounding very full.

My buddy Shawn David Anderson plays lead guitar on this one and really drives home with the power and tone I was hoping for.  The lyrics are one of my favorites.  Not necessarily by themselves, but when reflecting on the emotions and events of the time. True multi-track recording capabilities gave me the option to create complex instrumental layers as opposed to the limited recordings I had been able to achieve from a four-track cassette deck!

I even sent this song to be evaluated by professionals.  Among some of the comments it was suggested that the song was too long and that the intro went too long before the vocal lines were introduced.  I have a version that starts when the vocals kick in, but this is my favorite version.  I hope you agree.

Mara – The Making of a Video

I usually did not have to search for new projects.  There were plenty of musicians, bands and performers that did not have a lot of resources – or cash – when starting out.  Working at the local music store chain, I was lucky to know some great players, writers, and musicians of all sorts.  l am attracted to talented people of all kinds.  I often wish listeners of my music would give me the benefit of the doubt that I gave to many of the people I met and came to appreciate.  I realize my songs are not always ‘radio worthy’ or commercially viable, and always hoped someone would look beyond that and realize the songs I offered for what they could be if recorded professionally and marketed on a large scale.  Maybe that day will still come, but back then there were a number of artists that I could help take the next step.

Word got out that I had an understanding of technology and could usually pick things up quickly.  I absorbed owners manuals, dedicated time and when possible drafted other talented people to make projects work.  One of the fun and exciting things I got to do was shoot and edit live musical band performances.  MakeShift Kreations was an early company name I came up with using my initials: M S K.  I believe this was filmed way back in 1988!!!

Using the same video and editing suite from the cable company available for local access channels that I used for my first conceptual video: “Walking Man” I learned how to use multi camera filming and video editing techniques.  In some situations I offered to do videos for friends as this was a new (again, at the time!) medium and was very expensive for most bands.  In Part I, I would like to present the video I made of Mara, a local band with highly talented musicians.  My wife Ellen and I did all the camera, editing and post production work.  These are their original songs performed live over a two-night period. It was a lot of work, but I learned a lot and had a great time.

Please use the following link to see the Mara: Part I video:

https://youtu.be/VwKz1Po4_XM

The Cotton SongGoing With the  Flow                                                                                                                                This is a calming piece based on the string sounds from one of the plug-ins on my recording software program.  Sometimes a new sound or new toy can inspire themes, songs and projects.  This is one of those situations where I am listening to new sounds and noodling on the keyboard to hear the new tones and to see how the patch responds to the keyboard and controllers.  As I was listening to the new sounds, I enjoyed the string sound I was playing with and started recording the noodling I was doing.  I played for about five or six minutes and stopped recording to listen back.

The first section I scrapped and the rest was rather pleasant (sometimes this is a surprise indeed!).  While listening I started hearing harmonies in my head so I started recording on a 2nd track and used the same string sound to add another layer.  After that I stopped.  I like the mood this inspires.  I am not sure why I called it Cotton Song, but I got the feeling of being in the South overlooking plantations.  So it stuck!  I did not change anything and mixed it down to what you hear in this post.  Other versions of noodling or just playing with sounds rarely turn into a solid piece, so I have tons of snippets that have nice themes but to date have never been expanded upon.  One of these days I will listen to other noodling sessions and I might make something out of them.  For this song, have a cup of tea, sit back for a little bit and let your mind and body relax.  Admit it… you could use that right about now!

I’ve admitted in earlier posts that I observe people a lot, and that I get a number of ideas for songs from watching other people;  friends, family, co-workers, I steal from them all!  I can empathize with people as they face challenges and triumphs in life.  I try to understand what it feels like to be in those situations even though I myself might not be directly affected by them.

I also have some rather obvious political points of view.  I can understand why there are those that do not always agree with my positions but in many cases I can still understand theirs.  In this song I basically insult every group I can think of!  As you are more than likely in at least one of these groups I apologize in advance.  In a lot of ways, this song summarizes the items on my Love – Hate list.  I hate things that should work but do not, and I really hate personal and corporate greed.  The song uses a lot of references to things we would hear on the news, although it was written a long time ago.  Unfortunately most of the issues are the same today!

Recording this song took a LONG time.  We did rough mixes here and there changing this or that, but it did not feel right from beginning to end.  Eventually, I think we rearranged some of the chorus/verse structure and it just fell into place.  For some songs this is the agonizing part;  all the components are there and sound good, but the piece as a whole just does not grab you.  I might have even tried changing tempo on this one to get it right.

If this is not the first song I did using my new Alesis ADAT recorder it was one of the first.  I was also transitioning from the Atari computer to a Windows machine, so not everything went smoothly!  I played electric guitar on this one (I have a few guitars and do not know which one was used for each song but my guess this is either my Ibanez or a Yamaha 6 string) and did all the sequencing and drum tracks as described earlier.  My wife does the vocal main lines.  Using the limiter/compressor chain I described from other songs the vocals are recorded so they stay soft and spooky and a little eerie as the lyrics become more and more cynical.  A bunch of family and friends came in and did the voice add-ons.  You can hear both our daughters, my co-writing brother and a few neighbors help out with the spoken parts.  I ‘sing’ the chorus.

The bass line in this one is particularly cool because it is my Oberheim Matrix 6 synth and it has this patch or sound that continues to play an arpeggio (sequence of predetermined notes) as long as you hold a key down.  So the bass lines are done by holding one note for a while but hearing many notes played.  We even got to play with one of the audio samplers from the music store and used it to trigger the ‘broken word’ parts.   Once we got the arrangement right it was just fun to ‘decorate’ the basic tracks and add a little movement to the mix.   Have fun with this one.

 

 

In most situations when you want to record a performance, you might not have a lot of time to set up.  The environment might not be perfect, and there are other needs than getting a great recording.   I have tried and been quite successful with a number of techniques.  I will offer a few here for your consideration.

Getting a good mix from the sound board Mono Out or Main Left and Right Outs in a small or medium size venue is very easy to set up, but most likely to be disappointing. The needs of the audience in a live situation can be the exact opposite from the recording engineer’s.  As mentioned in the beginning of this series, LSR is reinforcement.  The sound person will amplify the weaker signals in the House or Mains; vocals – along with a LOT of effects, acoustic guitars, flutes, and even the drums.  They might not need to reinforce the lead or bass guitar as much. So the board mix is heavier on vocals, effects, and keyboard in some cases.  Not a great listen for most people.                                                                                                                                       You can set up a sub-mix if the sound guru gives you access.  If they run Left (Mono) like most venues, you can create your own mix using the Right Mono out.  Using the pan for each channel, keep full signal going to the Left out, and pan toward Center position to send desired amount of signal to the Right out.  You might want to isolate the guitar or bass, add a little toms if they are mike’d, but not heavy in the mix.  You can mix the two outs if you record in stereo and get a great live sound.  This will not give you a perfect stereo field, but most audiences do not remember concerts in stereo.  The sound seems to come from the stage, not left and right cabinets in front of the stage. 

I have also had luck with those portable stereo digital recorders available now for what I think is really cheap for what they do.  You need to set them up correctly and take care of them but they are so easy to set up and you get great sound in various environments.  If you have a SAFE place where you will hear more of the band than the audience (sounds easier than it really is) this is worth a try.

The following is version two of the song I posted titled: “Some People”.  See the following link to review the post: https://midimike.com/2016/04/12/co-write-a-song-with-me/.

I do want to thank the brave participants and hope I reflected your thoughts for each verse.  I added as needed and took out as little as possible to fit the melody, but much of your thoughts are intact.  The first two verses and one other verse are in the original release.  If you have not sent in your submissions there is still time, and I will add them in a final version.  Everyone knows “Some People” LOL!

To re-cap, I posted the song and video for Some People asking fellow bloggers to write verses for a new version of the song based on the format of the original lyrics.  Each submission blogger is credited for their writings above each verse as co-authors!  Who knows, maybe another video is in order and authors could submit pictures for their verses.

 

bino32 says:

Some people are happy
A smile or two to spread
Some people, they feel blue
With cold steel pressed against their heads
Trembling like me?
Or dancing like you?

 

Charles G. says:

Some say it’s not their place
Others misuse the day
The faithful will say grace
Some have too much to say
A wonderful spot
To watch it revolve

 

None Other Then Hannah says:

Some beings are kind,
Generous to others.
While many are glued,
Haunt victims to the ache.
Countless overcome,
And show way of escape.

 

Ancient Skies says:

Some people are just people

not me but you –

longing for a reason to

not to be blue –

hey my brother hang in,

you can sing again –

 

it’s all about the tune you see –

but this life just ain’t free.

Some people are just people,

not me but you.

So sing that tune

to chase the blues.

 

tracihalpin says:

Some people are real
Some people pretend
Some people don’t feel
Which one are you?

 

atribeuntangled says:

Some people say they spread the love,

believe like them and rise above.

But if you stray and use your mind

you fall so fast and ties unbind.

As we moved the song “My Heart is Silent” forward, I wanted to give you an update in the process.  New chord structure keeping some of the vibe from the first version and new vocals and you can see how quickly songs can change from the original concept.  The last version had a female vocalist and this time we hear from a friend of Mack.  His name is Carlos and he has a smooth ballad vocal style. Again, this is the first vocal attempt to give us an idea how the song feels with a male vocalist and more of a structured feel to the verses. 

 We decided to go with a spoken intro for the first verse.  I like the way it opens the song and allows us to build the vocals as the song progresses.  Oddly enough, a lot of the lyrics went back to the original as the song structure fit the words a bit easier.  We also considered doing a male-female duet.  No final decision yet and we are still thinking about back-up vocals to enhance some of the lines from each verse to drive the end of the song as it builds up.   

 I added MIDI string parts after the piano intro.  The drum parts and bass guitar are also all MIDI generated coming from the computer.  I added a low-key rhythm guitar part during the chorus and later verses.  Once we have the vocal parts finalized we may add other instruments as the song progresses toward the end.   

 So what do you think?  Male vocalist, female or duet?   

 What other instruments do you ‘hear’ in the final version?  Saxophone?   Brass? Orchestral?  Lead guitar? 

 Do you like the spoken opening verse rather than jumping straight into the melody? 

 Here is the latest rough mix of “My Heart Is Silent”. 

A Song in the Making Part III

A Song in the Making Part II

A Song in the Making

As Part II of this series I will post the rough version of the heart of the musical components starting with the Piano and basic arrangement of the new song, “My Heart Is Silent”.  © 2016. Click here to read Part I. 

For the Piano we are using an 88 wood weighted keyboard controller.  It is an older Yamaha KX88.  As you will remember from the MIDI series posted earlier (LINK) the KX88 makes no sound at all.  While it has the play and feel of a real piano, it sits on a keyboard stand and I use the MIDI OUT to connect through a router I have straight to the computer.  In future posts I will go into more detail on how the sounds are generated and what I am using to get each sound. We recorded a few passes and because this is MIDI, I had the ability to move pieces around as we focused in on the arrangement.

The piano player listened to a glorified ‘click track’ I created with a MIDI drum controller from my Alesis Control Pad.   It has 8 assignable trigger pads and a cymbal trigger that can be set to trigger sounds from any MIDI device, but again I am going straight to the computer and using internal sounds for the drum parts.  This way we can record the piano part with the correct tempo even though there are no other instruments recorded yet.  This also makes editing easier if everything fits within the measures.  When we rearranged the sections I  ‘cut and paste’ parts from one place to another just the way you would with a Word document.  This makes life much easier for the recording engineer (yours truly).  If this was recorded with a microphone and without the click track it would be awkward to work with.

The KX88 also has sustain and volume controller pedals attached, so to the piano player it acts and feels quite natural.  Mack E. is my partner in creating this new song.  He read the lyrics I wrote to “My Heart Is Silent” and asked if he could take them home and work on the music.  This is a theme he has had in his personal arsenal for a while.  He played a bit with the tune and came up with a melody for the lyrics.  We worked on the arrangement until we were happy with it and here is the rough version of the piano chords.  We will add other instruments and vocals later but for now we have a good foundation for the song so we can build support instruments to fill out the song.

 

There were a string of original tunes in the early 1980’s.  Some you have heard here already.   These were very profound times in a lot of ways.  Real work worlds.  Kids.  Relationships.  Marriage. Responsibilities.  Debt.

This song was not written in one or two sessions.  It took quite a long time to make this fit together.  I Often find snippets in other writings and combine with others to make a full song.  This is one that I may have done that with as there are so many different topics and observations.  Part of my challenge in writing songs people can relate to is being able to state the obvious in a clever, funny or different way.   So I would think of these ‘one liners’ and write them down.   Some were my normal trite stuff, but a few were well said and became part of these lyrics.

I like to play a few different ‘voicings’ or positions on the 12 string and take advantage of open strings or cool octaves when I can.  (it also reduces the hand-cramps you get when holding down all those strings!!)  In some chord changes you can play the same chord in different positions back-to-back and it sounds like you are playing different chords.  The guitar part is sparse and melodic.   It sets the mood during the intro.  Allowing the intro chords to ring out with a slow rhythm lets the 12 string shine all the more.  The lyrics paint a pretty good picture of life experiences I had during that time.

Don’t think you can’t help out my  friend.  Because we try, we control the end!