Archive for the ‘Cover Tune Tuesdays’ Category

CRASH LANDING

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

Here is the 2nd installment of my live recording of Crash Landing back in 2002. I played with them for a number of years. First as a sound guy. I knew the singer Gary Jefferson and he pulled me into the group. Gary and I go back a few years. He knows everyone and has played all over town. I have helped him with outside projects and you can hear his vocals on a lot of my original songs. Great people are hard to come by, but they will be there for you when you need.

I wish I had more video to share. I have a call out to other band members and friends to send me copies of anything they have. I have created videos for years but never really did much during this time. Again, I wish I had. Here is the next section of an evening with Crash Landing. This is still the first set and we are getting warmed up. Settling into the sound. That is the toughest thing about one-night-gigs; everything sounds so strange for the first 3 or four songs at the minimum. Depending on the sound guy/gal, this could take up to an entire first set to get comfortable.

I don’t have records of who was running sound this night. With this band I USED to run sound from the audience, then became a band member and ran sound and played/sang from out in the crowd using our own equipment! In many ways that was very cool. After a while we hired sound companies and I just don’t know who was at the board.

I hope you enjoy a night out – to hear a live band – without leaving your home. It’s like you are at the show, but you can still have one more drink and not have to drive home!

Here is the you-tube link for part two: https://www.youtube.com/watch?v=5vHdxs6z-Qg

Recently I went to see some of my old band-mates playing out. I have always been the ‘senior’ member of the bands I have been fortunate to be associated with. NOT that I was with the band from the beginning but that I am usually the oldest member of the bands. Usually by ten years or so. As a result a few of my friends from old bands are still playing out in the city. It is always a pleasure to see what they are up to and catch up on life.

My drummer in Crash Landing was playing with one of his current bands and we got a chance to talk. His son is also taking up the drums and thought it would be cool if he could share some of the old recordings with him. He asked me if I could get him copies of what I have.

For you new to this blog I record a lot. Practice sessions, private parties, small gigs, writing songs in the late evening. I started with reel-to-reel tape machines since the 1970’s or so. The recordings sound and look as old as I feel, but they preserve the events and people involved.

I am a Singer Song-Writer. I write my lyrics and melody, decide the chord arrangement and structure of the song. That is what got me started singing. Then percussion. Then guitar and recording and working at music stores and learning sound reinforcement and recording techniques and….. In some ways playing with a cover band was torture. The bands members were really talented and experienced. I kept thinking they could do great things with my originals or create new amazing songs.

The thing about cover bands is that the good ones can do anything. Think about it. They can sound like so many other bands from one song to the next. They make the instruments and effects sound like the original. The solos are dead on and more often than not; improved. No over dubs: no guest artists. All this while they cannot hear themselves, people are yelling and drinking right in front of them and the sound guy is either drunk or deaf in both ears.

The audio recording was from a live performance. According to the DAT case it was 11-16-2002. This was a small club and I decided to record on my Panasonic two-track digital DAT machine. I was not mixing at this time so the recording success was limited. I grabbed a stereo feed from two subs and hoped for the best. I have a number of examples of live recording techniques in my LSR Series linked at the top if you have an interest.

I will get into more details on this particular recording and show other examples of recording results in later posts. For now, let me just say that the recordings are from one night. This is what we sounded like if you were in the audience. There are no cuts and if you put this series back to back when all are posted it will be the entire evening minus a few technical disasters. Here is the YOUTUBE link: https://www.youtube.com/watch?v=B3NTGTnemF8

CRASH LANDING live 2002

The band members did not know I was recording. I just set it up in ten minutes and left it alone. Unfortunately, I did not shoot videos of Crash Landing. I wish I had for kicks and giggles.

This Tuesday I wanted to feature a song by a good friend of mine. “Denham Street” was written by Bob Enderle. Bob Enderle died too many years ago. He wrote a number of songs that I really like. I am not a fan of most popular music. I don’t need to hear one more song about boy loves and loses girl, or how the singer wants to party and have sex all night.

Denham Street and many other songs he wrote are about social injustices we so easily overlook and ignore. This song points out how unfair, uncaring and mean our social policies are. He makes the song sound sweet while the dark lyrics dig into our consciousness.

I did a simple recording of this song. I started with some drum tracks and I played my 12 string Ovation guitar for the main instrument track. I added strings to reinforce the guitar. Once I sang the melody I thought it would be a good song for harmony. I added the harmony vocals and listened to the rough mix a few times.

After a few times through the song I turned off the drum track and liked it better without them. I worked on it for days. I wanted to ‘do the song justice’ and make it fit the image I have from Bob’s version. Sweet tragedy.

Here are the lyrics and my version of Denham Street. I hope you enjoy.


            “Denham Street”                                                     Bob Enderle
 
Car alarms squeal on Denham Street     
Like coyotes howling at the moon.
Tattered grey men look for some place to eat
Teen age mothers search for her womb.
Street lights shattered near the playground;
Darkness hides an old routine.
Cracks in the family, crack in the hall.
 
There’s an overpass over Dehnam Street
Supporting Highway 95.
There are no exits for Denham Street
But it’s only a twenty minute drive.
To the shops with plywood windows
Through the alleys of despair
Just another wrong turn and you’re almost there.
 
To every city there is a Denham Street
And to everyone who grows up there
There are few exits from Denham Street
Fewer thoughts behind an empty stare.
Social programs lack the funding
Social consciousness has died.    
Solutions on the shelf have never been tried.     

Another addition for my Cover Tune Tuesdays project. For those of you just jumping in, I am not covering songs from well-known artists you have already heard. I wanted to play some of the songs written by people I have known over the years. I can pretty much guarantee none of us thought we would be famous authors – mostly because none of us tried to be. Like many others, we decided not to put in the eternal time, money and thankless effort necessary to ‘make it big’ in the music scene.

This is a song written by Tom Gorman, Lori Niemi and Tom Robinson. It was written in 1980 and has been recorded and performed by many people in the core group of songwriters I have mentioned previously in my posts.

This time I recorded the song using my Martin 6 string guitar. I usually use my 12 string but since my bi-lateral carpal tunnel surgery last year and plain getting old, it is hard for me to do difficult songs any more.

I used my Ovation 12 string for the 2nd guitar parts so I have not abandoned it completely. I use Sonar Cakewalk – now by BandLab as my recording software. The haunting melodic sounds are from a program called Dimension Pro. I sang and did a little harmony here and there but that is the essence of the mix.

Jackals cover performed by MSK


I would like to share some versions of this song with you and will post 2 other previous recordings. It is a good historical view. People change, equipment changes and the mood inspired by the song change over time.

          "Jackals"                                                           (C) 1980
Straight hollow blocks of buildings haunted with lives
Scanning you with hidden silence
They house the hungry Jackals who go prowling through the angled
Paths of night.
 
Watch out for the hungry Jackals, they’ll dull you with lies
Making like they’re you’re best friends, while they’re sharpening
Their knives.

 
Stalking unwary victims they sidle up
Cutting you with cultured voices
And punctuating death throws with a fluttering of gestures and a
Sociable smile.
 
Watch out for those hungry jackals they stalk in disguise
They clutch your hands with such courtesy but there’s murder
In their eyes.
 
 
Running that dreadful gauntlet every day
Mixed in with the gentle people
A Jackal sticks his paw as a cohort jabs a claw out as you
Hit the ground.
 
Watch out for those hungry jackals disguised as they are
They’ll send you out to save the world but you won’t get very far.

 
Watch out for the hungry Jackals, they’ll dull you with lies:
Making like they’re your best friends…….
Gary Jefferson on vocals
Bob Enderle on vocals

As part of My Cover Tune Tuesdays, I wanted to do an acoustic version of one of my favorite Grateful Dead songs. The story I heard about this song is that Stella Blue refers to an old cheap guitar Jerry Garcia played when he was much younger. I tried to look up references but nothing conclusive so I stopped. I am not a reporter, after all.

In either case, this song has been an inspiration for me in many ways. As I get older, though, the message is much closer to home. I hope I will be able to dust off the strings for years to come, but I still find each moment I have to make and play music precious. Without it I would be insane, lost or dead (but not grateful)!

So I got out the Martin 6 string acoustic/electric guitar I got from my older brother and changed the strings. It was not enough to dust them off! Then I pulled out my Ovation 12 string acoustic/electric guitar and dusted off those strings. The Martin I ran a guitar cable to the Universal Audio Solo 610 mic pre-amp. After recording the main guitar track in Sonar by Cakewalk/Bandlab I used the Ovation 12 String guitar for a light/filler guitar track. I used a AKG C214 microphone plugged into the Solo 610 for recording the Ovation. Vocals used the same microphone and pre-amp set-up so it was a quick session.

All the years combine
They melt into a dream
A broken angel sings
From a guitar.
In the end there's just a song
Comes crying up the night
Through all the broken dreams
And vanished years.

Stella Blue         Stella Blue
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine. 

When all the cards are down
There's nothing left to see
There's just the pavement left
And broken dreams.
In the end there's still that song
Comes crying like the wind
Down every lonely street
That's ever been.

Stella Blue         Stella Blue 
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine.

It all rolls into one
And nothing comes for free
There's nothing you can hold
For very long.
And when you hear that song
Come crying like the wind
It seems like all this life 
Was just a dream.

To Stella Blue         Stella Blue

Songwriters: Jerome J. Garcia / Robert C. Hunter
Stella Blue lyrics © Universal Music Publishing Group

“Night” was written in 1980 by a good friend of mine. I have mentioned him before in earlier posts as TR. (Tom Robinson). This is a great song from the past. I loved playing this in our group or as a duo with TR. I love the rhythm and intro motif.

The subject of the lyrics are familiar to me. Driving at night. Getting away. Pondering life and eventual death in the dead of the night are right up my alley!

I recorded the guitar track and wrote the MIDI drum parts to fit the groove and the opening motif. Then I re-recorded the guitar and added bass guitar from computer modules. Then it was time to add vocals and do the mix. I hope you enjoy this gem.

“Night” (C) 1980 Tom Rominson

Night is a ride you just get in a car and go cruisin on. On past the light of the city lights to the cool dark air. Night is a plunge into twinkling depths that can still your mind. Washing your wounds in nature’s rain, her fountains everywhere.

So let the magic continue while you search for an answer within you. And see that swiftly you fly. ‘ ‘Cause we always knew you had to die sometime.

Taking a life is a crime and you know you’re the victim everyday. They gave you a name and a story, not they’re showing you the way. Day is a desert of calendar deadlines, your life an empty phrase. London Bridges falling down, and the rent you got to pay.

But they can’t poison your fantasy in this refuge from insanity. You’ll be here till you kill the lie. And we all know you’re gonna die sometime.

Night is a ride you just get in the car and go cruisin’ on. On past the light of the city lights to the cool dark air. Night is a plunge into twinkling depths that can still your mind. Washing your wounds in nature’s rain, her fountains everywhere.

And when the story is over you will sleep in fields of clover. But your dreams will keep the night-time sky. ‘Cause we always knew you had to die sometime.

“Night” by Tom Robinson

Original by MSK

Over the last few years I have focused on recording and releasing songs I have written. Among these songs are a few co-authored works where portions of the music, lyrics or arrangement were inspired by friends in a core group of writers.

On my new Cover Tune Tuesdays series, I wanted to record songs that were written by people in that core group. (A lot of these songs also benefited from a little help from our friends, LOL) The first in this series is a song written by my brother David. He has been referenced here a number of times. This is a song of his called “The Magic Goes Away

I played his Martin six string guitar for this one. It is a delight to play and sounds great. I sing my harmony parts so the melody will be in the ear of the author! I added drum loops and used the computer for the bass guitar and strings sounds.

“The Magic Goes Away”

Though the feeling’s here to stay. The Magic Goes Away. As the method in our madness is exposed. Still there’s newness in the air. A warmth, a certain flair. And the knowledge that our hearts will not be closed.

We can’t say that it won’t end. It’s not in us to pretend. But at last the masquerades have all been played. There’s a quiet, hopeful sound. In the way that our hearts pound. It’s you and I, at last we’re on our way.

Though the feeling’s here to stay. The Magic Goes Away. As if we’d loved each other once before. Come and hold me once again. My lover, and my friend. As old magic gets replaced by something more.

It’s that newness in the air. A warmth, a certain flair. And the knowledge that our hearts will not be closed.

by Charles David Kennedy

In Euphoria at this time, I am the keyboard player and I do some back-up vocals and percussion.  

I get to set up in the recording control room and listen to the studio speakers for monitors. I can look through the glass and see the other players; drums in isolation booth, guitar amp and bass rig in separate areas with go-bo’s and sound partitions avoiding spill-over.  Vocalist was in place in booth, but we are doing scratch vocals now for the most part to keep the musicians on track.  The studio is using reel-to-reels back then, but they are great machines and the board is more than I had gotten my hands on at the time.  To let you know I was the performer here.  I was not the engineer and I kept my mouth shut.  [OK, maybe that was a hidden lesson if we think about it!] 

To set up the story a little, when Euphoria plays live and the guitar player breaks a string (in our band this happens all the time and even our BASS GUITAR player breaks strings regularly!) we have to stop the song.  The guitar players will grab another guitar or change if needed…… 

And no matter where we were when we had to stop playing the song, we started from the same place and continued the song to the end.  So when we came into the studio, we knew what songs we wanted to record and in what order, but we also knew which part of each song should be on the demo.   We did not want to record a bunch of full songs all the way through.  When we were ready to record, the vocalist would call out what song and Verse 1 and 2….  Chorus 2…….,  Verse 3, Solo – then Verse…..  Whatever it was that we wanted to record.  We did not play all the way through and then have the tape ‘cut’ to those areas;  it is all we recorded.  We caught the sound guy off guard.  He must have initially thought we were going to go way over time.  As it happened, we did all the cover tune sections we wanted and had time over to play with an original tune the guitar player was working on. 

Oh, yeah, there is still a lesson for the recording engineer in all this.  He told me during a number of conversations (I asked about stuff after all, but I tried not to back-seat-drive the recordings) that he had struggled for two years on getting the drum booth tight.  He had changed the drum heads multiple times.  He bought more and more expensive microphones.  He used the latest gates and processing gear.  He moved everything up, down and sideways.  He changed soundproofing a million times.   

Here is what he said to me that day, “All this time I thought I didn’t have the right drum booth and gear.  It wasn’t until tonight that I figured out that I just did not have the right drummer!”.   

Unfortunately the other band members would not let me tell the drummer that for a long time in fear his head would get really big and explode!  

Journey – Separate Ways

Black Crowes – Hard to Handle

Yes – Long Distance

Yes – Changes

The Who – Can You See the Real Me?

Shooting Star – Last Chance

Queensryche – Jet City Woman