#mixingboard | MidiMike

Posts Tagged ‘#mixingboard’

Mixing in Dolby Atmos

Posted: October 27, 2023 in My Tunes
Tags: #Atmos, #dolby, #DolbyAtmos, #michaelskennedy, #midimike, #midimike.com, #mixingboard, #music, #musician, #Presonus, #recordingstudio, #Soundengineer, #StudioOne+

Data for spatial panning for each track

Thank you for the response to my mix of “The Dream” using Dolby Atmos. Not to geek out on you again, but this is something cool that you have probably already experienced and can relate to. Many of you are familiar with the amazing sound system upgrades in theaters and home audio during the last few years. Dolby has always been a big name in noise reduction and surround sound for movies and the like, but they have upped their game to take advantage of new tech and to deliver needed changes for next-gen venues or virtual reality applications going forward.

To make the explanation simple, we are all used to stereo sound with two speakers on opposite walls or using ear buds and headphones. A few decades ago the industry tried a quad system for the first try at a surround sound playback. Novel, but it went nowhere for a long time.

Your home surround sound or home theater system has been using multiple speakers for a while and added a sub woofer for the very low sounds – (sounds might not be the right word here. You feel the sub frequencies more than you hear it. This gives you the earthquake-like vibrations for sound effects).

Movies and other applications are using Dolby’s Atmos to reach the next experience level. Dolby Atmos provides programming to create a realistic 360 Atmosphere – as in SPHERE. Instead of two or four speakers and a subwoofer, there are countless individual out-puts for a large number of floor speakers that surround the listener(s) in a precise configuration. Then you add the sub-woofer as before but now we bring in speakers mounted in the ceiling (if room allows) or on stands close to the celing. Now, if they want to make it sound like some one is talking behind you, they play that sound through specific speakers in the back of the ‘listening room’. If there is a helicopter flying over head you are sure to look up expecting to see it there.

I have been using Presonus Studio One+ as my DAW or software recording system for a while. In their most recent update they included a version of Dolby Atmos. I don’t make action movie soundtracks, but the ability to use this tecnology to mix songs and bands gives us a whole new level of mixing.

Instead of placing the performer somewhere between the left and the right speaker as our only option, we can now make the sound feel like you are sitting ON the stage. You will be able to hear the drummer sitting on a riser ABOVE you in front, the guitar player on one side, the brass section on the other. As the singer walks around the ‘room’ they can literally walk behind you.

Now, if you are like me and don’t have a bunch of powered speakers and unlimited out-put ability …… you can get a lot of the effect using good headphones. The serious number crunching of the Atmos program gives you the illusion of three dimensional space in the headphones and for virtual reality sets.

The above is a screen shot from a simple song I have written. It shows the different tracks below, and above panel shows the Spatial Panning data used on each track to give placement info to the speakers.

I will also post one of my songs below now, so you can hear a bit of what Atmos has to offer. Please keep in mind that using headphones is obviously a bit limited when it is compared to the massive speaker system in a theater, but, you will hear a difference. For music mixes, you may not hear a lot of movement. Try closing your eyes while listening through good headphones and with the speakers OFF. You will soon be able to point at where the performer or instrument is coming from – not just left or right – but literally point to it, up – down – left -right – in front and inside your head if desired lol.

….this screen gives you an idea of the ‘room interface’ you work in. Each dot represents a sound or instrument and can be sonicly ‘placed’ anywhere by moving the dot as needed.

Below is my Atmos mix of a new song I wrote and recorded, called “Still Your Choice”. I hope you get to hear the effects Atmos has to offer in this mix. While it may not be your type of music as I claim not to be commercial to begin with, the song shows how ‘open’ or deep a two track recording can be!

MIDIMike

Like an Eye Exam

Posted: October 14, 2023 in live Sound Reinforcement, music technology, Opinions and Observations
Tags: #audio, #eyeexam, #michaelskennedy, #midimike, #midimike.com, #mixingboard, #music, #musician, #recordingstudio, #studioengineer

For those of us that wear reading or corrective glasses, this will sound familiar. The other day I was thinking about the song mixing process. There is as much magic as there is science in the combination of so many different sounds and textures into a coherent musical landscape.

Audio engineers also discuss or rather joke about the Mastering Dilema: how the mix is never really done. There is always something you can do to improve it. (in reality, at some point all we are doing is changing it, not improving.)

If you ask 100 different studio masters to mix the same tracks, you will get 100 different mixes! The ingredients will be the same but the flavor can literally be worlds apart!

Which brought me rambling to the eye exam process. For those not too familiar, you will sit in a dark office looking at a small poster of random upper case letters on the other side of the room. The optician will ask you to read as many letters as you can, as they decrease in font size each row and become smaller and smaller.

Then they swing a large instrument in front of your face that allows them to place a specific corrective lens very close to one eye at a time, as the other eye is closed. Looking for different parameters, the optician will change the lens to a different prescription, then a different one, then to a slightly different one. Asking, ” Can you see better with One or Two?….. With Two or Three?…..With Three or Four?….”

This goes on and on with variations so slight at times you have to ask them to compare again, and often you aren’t sure you made the right choice! This is what mixing a song in the studio can be like. You make changes and minute corrections and aural enhancements that individually no one will hear. It is often necessary to make your mix sound the way you feel comfortable early in the session, and stop. Finish it. Finalize it. Put it away.

It is done.

Put on your glasses and look as cool as you can.

MIDIMike

Music for “The Wrong Thing”

Posted: September 1, 2023 in MUSIC, music technology, My Tunes, Poetry
Tags: #guitar, #korgnautilus, #lyrics, #Martinguitars, #michaelskennedy, #midicontroller, #mididrums, #midimike, #midimike.com, #mixingboard, #music, #musician, #personal, #singersongwriter, #songwriter, #Studio1+, #studioengineer, #vocalist, #vocals

I put lyrics I posted earlier to a new piece I am working on. This song also originated as a mathematical idea. Based on rhythm or patterns this time. Specifically: drumming my fingers on the top of a dinner table. Percussion is so deep in my history it is hard to separate it from the real world. So I tap out a rhythm that is slightly difficult until I get it consistent. This drum pattern is short and repeated with slight variations over time. As you might imagine from listening to music, even drums are ‘tuned’ for specific songs or projects.

Each tom in the drum kit is tuned to a specific pitch (the good drum techs will match the tuning to the current song/project/session). Now transfer those notes to a piano staff and you can play ‘melodies’ on the drums. My finger tapping pattern became the basis for an arpeggio of sorts when I used it to play different chord formations on my Korg Nautilus keyboard. That meant that I would use the repeated pattern for each chord in the song progression. Then I added new parts and changed a bunch of stuff until presto-chango! A new song!

I got out my cheapo 5 string bass guitar and added a back up feel for the keyboard melody. I like to add guitars to most of my recordings and used my brother’s Martin 6 string to add the chord structure and main rhythms throughout the song.

Once the arrangement was settled for the most part I started to write the drums. This gives me the opportunity to match or follow the accents and rests in the guitar parts. I can make sure the drum beat is matching my song and not the other way around. I often add rhythmic nuances to each verse and chorus. I use a MIDI drum pad to trigger sounds in software I have in my recording suite and created each segment’s drum track. After way-too-much-editing, I got a reasonable drum track with good balance and lively feel.

You guessed it. I do all of this myself so now it is time to come up with a melody and try to do the best I can to sing it. Most often the melodies I write reflect my limited vocal range and power. I would have a real vocalist sing what they were able to and felt inspired to sing. Same with all the other instruments I play as well. I get out my Audio Technica 4033 microphone to work out melody, timing, phrasing and harmonies. It takes me a number of practices just to find where my voice can fit in and what notes I can (and can’t) reach. All prepared and organized it still takes me an hour or so of trial and error to record what you will hear even though it is not quite right.

Package it all up with solid mixing levels and some processing or effects added to individual tracks and I have a quick mix ready for you. I might not add anything else to this song personally. As usual, I will play this song for friends and see if they feel like adding to or replacing my tracks.

There are so many ways to create music. Take your MIDI melody line and make it the bass guitar part. Use any drum pattern to trigger piano notes or other samples. Play with the rhythm by starting the drum pattern on beat 2. Listen to birds chirping or wind chimes in the breeze. Make it easy to get started and see where things go, but rule number one: don’t wait for the vocalist to show up!

MIDIMike

More Personal Touch

Posted: July 16, 2021 in Live Sound Reinforcement Series
Tags: #12string, #Cassette, #Euphoria, #forthosewhowait, #Liveband, #livesoundreinforement, #MerchantsofDeath, #michaelskennedy, #Midi, #midimike, #midimike.com, #mixingboard, #original songs, #performers, #personaltouch, #songwriter, #songwriting, #vintage recordings

My first touring band was a trio called Personal Touch

I know I haven’t been posting things for a while, but actually I have been pretty busy. During the Covid lock down I was fortunate to get my writing partners and band mates from The Merchants of Death on-line for Internet jamming. In a while I will post some tunes we recorded live from different cities.

I have also been working with a great friend of mine to re-mix and master a 16 track live recording of the band Euphoria. Those familiar with my blog know that I also played in Euphoria, but I am not in the band at this time. Clint Garcia is the keyboard guru for the band, and when he took a break for a few years, I filled in for him.

When not jamming or mixing I often return to my archive. My recording obsession started around 1970 or so and I have been working for a while reviving very old recordings. I am currently working on my cassette collection. I found the original live recording of Personal Touch performing including what I think is the best song I have ever written. See the lyric post here: https://midimike.com/2015/03/05/per-request-lyric-to-our-bodies-move/ While I have always struggled with naming my songs, this is either called “For Those Who Wait” or “Our Bodies Move”, depending on what I was doing at the time.

We perform a bunch of familiar cover tunes and throw in originals somewhere in each set. I have a few songs from the live Personal Touch recording I will post over the following weeks. This was recorded as I mentioned using a stereo cassette deck running straight off the mixing board. We have no sound tech, so I do the mix from the stage. We ran our sound in stereo even playing live, so I just took the main outs and recorded. Back then I used my home stereo speakers for the monitors and we all fit in a single van to travel. Ahhhhh. The good old times!

Ric Ahlers was my brother-in-law and talked me into buying and learning a synthesizer and an electric piano so we could form a duo. Ric played guitar, sang, and also controlled bass pedals and a drum machine. ( I detailed in an earlier post that he has triggers attached to his guitar so he can make a cymbal crash or a drum roll). I played my 12 string Ovation guitar for some songs, sang and played keyboards for the rest. I also programmed a 2nd drum machine to play a number of songs and could be used to add tom fills or crashes on the spot. Ann Ellis joined the band as our vocalist and soon we hit the road.

Vintage cassette recording of my band Personal Touch performing live

It is a lot of work but we met great people and had a good time playing our songs and doing cover tunes with a personal touch. I think there is a date in here somewhere, so I will try to find it and give you an idea how long ago this was. Enjoy.

What You Want is now a song

Posted: November 10, 2020 in My Tunes
Tags: #melody, #michaelskennedy, #Midi, #midimike, #midimike.com, #mixingboard, #musician, #original songs, #singer, #songwriter, #Soundengineer, #vocalist, #vocals

After smoothing out the timing and lyrics to match the mood I was after for this new song, I wrote a melody that seems to fit pretty well.

I squeezed some of the lyrics as I mentioned and cleaned up the instrumental glitches (a technical term for anything that isn’t right) and added a few parts to the instrumental verison I posted earlier.

Minor changes go on for a long time in the final tracking stage. A lot of it will not be used at all and some will be low in volume so as not to hear distinctly. But similar to color splashes added to the face in a painting, it can really bring out the rest of the ‘image’.

What You Want:

Forward

Posted: September 4, 2020 in Midi Series, My Tunes
Tags: #DAW, #Instrumental, #keyboard, #michaelskennedy, #midimike, #mixingboard, #original songs, #Presonus, #recordingstudio, #Sphere, #StudioOne5

I have been working with a new suite of audio recording and mixing software for the last two weeks called Presonus. I am using their Studio One 5 bundle. I am starting to get the feel of how it works. A bit of a learning curve and unlearning curve from other programs, but very flexible interface and great sounding plug ins.

Here is my first tune noodling around with the functions and features. A simple groove I call ‘Forward’.

Forward by MSK

The great thing is the new software automatically imported all the instruments, effects and and plug ins I already had. These are all ‘virtual’ instruments from the sound and effect plug ins. I use a MIDI keyboard controller for most of the input for instruments.

I hope you enjoy this one for a few minutes in your busy days.

“Not Now” put to music

Posted: June 6, 2020 in Midi Series, MUSIC, music technology, My Tunes
Tags: #acoustic, #acoustic guitars, #bandLab, #Cakewalk, #guitar, #lyrics, #Martinguitars, #Michael s Kennedy, #michaelskennedy, #microphone, #Midi, #midimike, #midimike.com, #mixing board, #mixingboard, #music, #original songs, #poetry, #recording, #recordingstudio, #singer, #sonar, #vocalist, lyrics, original music, originals, poetry, singer song-writer, singing

Sonar Track Panel Wave and MIDI files that generate sounds from computer programs called plug-ins

I mentioned experimenting with an on-line jamming program. It became the clipboard for a few guitar sections I created while waiting for one thing or another to work. I titled each as verse, bridge, chorus, etc. I had to give it a project name to save the clipboard and I came up with “Not Now”.

I used those short pieces and assembled them into a song arrangement. Once the chords and arrangement were in place I naturally started thinking of lyrics (as I have a tendency to do). The file was named Not Now so I kept it as my Cakewalk (BandLab) project name. So it becomes the theme of the lyrics. In one hour they were written. Getting them to match the odd rhythms and sparse instrumentation became a challenge. It took me a few days to come up with the melody and then practice it enough to get the rough tracks down. To all just joining; I get things down to rough tracks and then write another song, poetry, lyric or instrumental. When I was young I hoped some band would do my songs correctly in a studio. I am not young now.

Here is a rough mix of “Not Now”. I used a Martin Acoustic/Electric guitar for the guitar track. Using my MIDI keyboard I pulled up a plug-in for drum sounds. I imported the original noodling guitar parts I did from the clipboard but they were not recorded to a metronome or drum pattern. I listened and figured out the tempo of the segments and set Cakewalk to match. That way I could listen to the short guitar segments as I created the basic drum parts and arranged all the segments in order. I pulled up a bass guitar sound and played the MIDI keyboard to generate the bass line.

Next, I Muted the original guitar tracks and recorded a new track to replace it. The song seemed to cry out for strings but that is usually just me. I like good sounding strings in various styles of music.

Lyrics were posted here: https://midimike.com/2020/06/01/not-now/

I use two monitors as there is a lot of information to keep ‘track’ of even for a small project.

This is the Piano Roll view. Each color represents different instruments. The lower group triggers drum sounds.

I gave a link to BandLab above. Full disclaimer this is not a commercial and I do not get paid for anything I do here. However….. if you are interested I used to pay hundreds of dollars every year or so to keep this great recording program updated. They now offer the program and all updates for FREE. No kidding.

I hope you enjoy “Not Now”. Each time I listen to it I like it more. Again, this is just me as each new song I write becomes my newest favorite.

If just for a little while.

CRASH LANDING Set 2

Posted: July 16, 2019 in Cover Tune Tuesdays
Tags: #acoustic guitars, #bass guitar, #coverband, #drummer, #drums, #guitar, #keyboard, #Liveband, #livesoundreinforement, #mixingboard, #stage, #venue, #video, #videographer, #vocalist, #vocals, audio recording, clubs, cover band, festival, keyboards, lead guitar, live audience, Live performance, live recording, local bands, LSR, Michael S Kennedy, musical video, support local musicians, vintage video

Building upon my earlier posts of a night out with Crash Landing, I continue with the first part of the second set.

CRASH LANDING live in 2002

In future posts I will detail mixing/recording process and Live Sound Reinforcement techniques. For now, enjoy a few songs from my old cover band.

“Tired” A Retired Point Of View

Posted: July 12, 2019 in My Tunes
Tags: #acoustic, #acoustic guitars, #harmonies, #harmony, #keyboard, #lyrics, #melody, #mixingboard, #original songs, #poem, #poet, #poetry, #writing #poem, acoustic guitar, clown, expectations, humor, keyboards, Martin Guitars, Michael S Kennedy, MIDI controller, MIDI drums, multi track recording, original music, originals, retirees, retirement, tired

I hope you get a laugh from my latest song, “Tired”. It definitely has a ‘senior point of view’. I thought of naming it “Retired”, but this seemed to fit better.

I posted as a poem but once I put it to music and the song arrangement came together I had to make cuts and edits. I will post the new lyrics here for convenience.

        “Tired”                     © MSK 6-9-2019

 I’ve been thinking all day of when I get you home
 After everyone has gone          we’re finally alone
 Like a good dog I’m gonn’a give you a bone.

 I’ve heard his mouth running all over town
 Talking shit about me and calling me a clown
 I’m headed over there now to put him down.

      Hold that thought 
      ‘Til I get back
      I’m feeling rather tired 
      And it’s time for a nap.

           Think I better
                       Slow it down.

 Rewarded or punished for decisions we make
 Climbing this mountain is a piece of cake
 Just another day or so beyond the lake.
 
      Hold that thought ‘til I get back
      I’m feeling rather tired 
      And it’s time for a nap.

     Dream what you remember     
         Remember what you dream.     
         After all    these years      
         It’s almost the same thing

 I bought three books and can’t wait to start
 Two of them are very close to my heart.
 I’ll read them all tonight, then put more in my cart.

 I’ve been thinking all day of when I get you home
 After everyone has gone         we’re finally alone.
 Like a good dog I’m gonn’a give you a bone.

      Hold that thought ‘til I get back
      I’m feeling rather tired and it’s time for a nap.
      Hold that thought ‘til I get back
      I’m feeling rather tired and it’s time for a nap.

With lyrics in hand, I mapped it out to a drum arrangement I already had. No other instruments….. While I fit the lyrics to the drum arrangement the melody immediately fell in my lap. It is backwards for me to have a melody first. Usually I write the melody listening to the chords. This is like reverse-engineering if you know what I mean!

This was not a simple fit, so the drums also had to be edited and changed for the rhythm of guitar and vocals. The drums are not finished and need a lot of work to smooth out grooves here and there, but it is solid enough to work with for now.

I don’t practice or play for hours a day anymore. I rarely play for more than is necessary to record my demo songs. It can take me a while to play the guitar (and keyboard) parts I need for new songs. Everything is slowing down after 65!

I played a Martin acoustic/electric guitar with no overdubs or additional guitar tracks. The bass guitar is added using my MIDI keyboard and a computer plug-in sample-player for a great sound. I added some playful vocal harmonies and that was it. Arrangement done, it will take me a couple weeks to clean up the tracks and do a mix. Or maybe a bit longer than usual now that I think about it!

Cover Tune Tuesdays

Posted: June 18, 2019 in Cover Tune Tuesdays
Tags: #bass, #bass guitar, #Cincinnati, #cover, #drummer, #drums, #guitar, #harmonies, #harmony, #keyboard, #Liveband, #livesoundreinforement, #midimike, #mixing board, #mixingboard, #music, #musicequiptment, #musician, #sing, #singer, #singing, #vocalist, #vocals, #Yamaha, cover band, cover tune, DW drums, fender guitars, Gary Jefferson, gibson guitars, keyboards, Korg, lead guitar, Live performance, live recording, LSR, Michael S Kennedy, multi track recording, music industry, music lovers, music production, musical video, musicians, support local musicians

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

MidiMike

Available on iTunes and CD Baby

Social Media

MSK original Songs

Posts Tagged ‘#mixingboard’

Mixing in Dolby Atmos

Like an Eye Exam

Music for “The Wrong Thing”

More Personal Touch

What You Want is now a song

Forward

“Not Now” put to music

CRASH LANDING Set 2

“Tired” A Retired Point Of View

Cover Tune Tuesdays

Archives

Available on iTunes and CD Baby

Social Media

MSK original Songs

Posts Tagged ‘#mixingboard’

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