
I know I haven’t been posting things for a while, but actually I have been pretty busy. During the Covid lock down I was fortunate to get my writing partners and band mates from The Merchants of Death on-line for Internet jamming. In a while I will post some tunes we recorded live from different cities.
I have also been working with a great friend of mine to re-mix and master a 16 track live recording of the band Euphoria. Those familiar with my blog know that I also played in Euphoria, but I am not in the band at this time. Clint Garcia is the keyboard guru for the band, and when he took a break for a few years, I filled in for him.
When not jamming or mixing I often return to my archive. My recording obsession started around 1970 or so and I have been working for a while reviving very old recordings. I am currently working on my cassette collection. I found the original live recording of Personal Touch performing including what I think is the best song I have ever written. See the lyric post here: https://midimike.com/2015/03/05/per-request-lyric-to-our-bodies-move/ While I have always struggled with naming my songs, this is either called “For Those Who Wait” or “Our Bodies Move”, depending on what I was doing at the time.
We perform a bunch of familiar cover tunes and throw in originals somewhere in each set. I have a few songs from the live Personal Touch recording I will post over the following weeks. This was recorded as I mentioned using a stereo cassette deck running straight off the mixing board. We have no sound tech, so I do the mix from the stage. We ran our sound in stereo even playing live, so I just took the main outs and recorded. Back then I used my home stereo speakers for the monitors and we all fit in a single van to travel. Ahhhhh. The good old times!
Ric Ahlers was my brother-in-law and talked me into buying and learning a synthesizer and an electric piano so we could form a duo. Ric played guitar, sang, and also controlled bass pedals and a drum machine. ( I detailed in an earlier post that he has triggers attached to his guitar so he can make a cymbal crash or a drum roll). I played my 12 string Ovation guitar for some songs, sang and played keyboards for the rest. I also programmed a 2nd drum machine to play a number of songs and could be used to add tom fills or crashes on the spot. Ann Ellis joined the band as our vocalist and soon we hit the road.
It is a lot of work but we met great people and had a good time playing our songs and doing cover tunes with a personal touch. I think there is a date in here somewhere, so I will try to find it and give you an idea how long ago this was. Enjoy.