Posts Tagged ‘#vocals’

Crash Landing Live at West Fest

Building upon my earlier posts of a night out with Crash Landing, I continue with the first part of the second set.

CRASH LANDING live in 2002

In future posts I will detail mixing/recording process and Live Sound Reinforcement techniques. For now, enjoy a few songs from my old cover band.

CRASH LANDING

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

Here is the 2nd installment of my live recording of Crash Landing back in 2002. I played with them for a number of years. First as a sound guy. I knew the singer Gary Jefferson and he pulled me into the group. Gary and I go back a few years. He knows everyone and has played all over town. I have helped him with outside projects and you can hear his vocals on a lot of my original songs. Great people are hard to come by, but they will be there for you when you need.

I wish I had more video to share. I have a call out to other band members and friends to send me copies of anything they have. I have created videos for years but never really did much during this time. Again, I wish I had. Here is the next section of an evening with Crash Landing. This is still the first set and we are getting warmed up. Settling into the sound. That is the toughest thing about one-night-gigs; everything sounds so strange for the first 3 or four songs at the minimum. Depending on the sound guy/gal, this could take up to an entire first set to get comfortable.

I don’t have records of who was running sound this night. With this band I USED to run sound from the audience, then became a band member and ran sound and played/sang from out in the crowd using our own equipment! In many ways that was very cool. After a while we hired sound companies and I just don’t know who was at the board.

I hope you enjoy a night out – to hear a live band – without leaving your home. It’s like you are at the show, but you can still have one more drink and not have to drive home!

Here is the you-tube link for part two: https://www.youtube.com/watch?v=5vHdxs6z-Qg

Recently I went to see some of my old band-mates playing out. I have always been the ‘senior’ member of the bands I have been fortunate to be associated with. NOT that I was with the band from the beginning but that I am usually the oldest member of the bands. Usually by ten years or so. As a result a few of my friends from old bands are still playing out in the city. It is always a pleasure to see what they are up to and catch up on life.

My drummer in Crash Landing was playing with one of his current bands and we got a chance to talk. His son is also taking up the drums and thought it would be cool if he could share some of the old recordings with him. He asked me if I could get him copies of what I have.

For you new to this blog I record a lot. Practice sessions, private parties, small gigs, writing songs in the late evening. I started with reel-to-reel tape machines since the 1970’s or so. The recordings sound and look as old as I feel, but they preserve the events and people involved.

I am a Singer Song-Writer. I write my lyrics and melody, decide the chord arrangement and structure of the song. That is what got me started singing. Then percussion. Then guitar and recording and working at music stores and learning sound reinforcement and recording techniques and….. In some ways playing with a cover band was torture. The bands members were really talented and experienced. I kept thinking they could do great things with my originals or create new amazing songs.

The thing about cover bands is that the good ones can do anything. Think about it. They can sound like so many other bands from one song to the next. They make the instruments and effects sound like the original. The solos are dead on and more often than not; improved. No over dubs: no guest artists. All this while they cannot hear themselves, people are yelling and drinking right in front of them and the sound guy is either drunk or deaf in both ears.

The audio recording was from a live performance. According to the DAT case it was 11-16-2002. This was a small club and I decided to record on my Panasonic two-track digital DAT machine. I was not mixing at this time so the recording success was limited. I grabbed a stereo feed from two subs and hoped for the best. I have a number of examples of live recording techniques in my LSR Series linked at the top if you have an interest.

I will get into more details on this particular recording and show other examples of recording results in later posts. For now, let me just say that the recordings are from one night. This is what we sounded like if you were in the audience. There are no cuts and if you put this series back to back when all are posted it will be the entire evening minus a few technical disasters. Here is the YOUTUBE link: https://www.youtube.com/watch?v=B3NTGTnemF8

CRASH LANDING live 2002

The band members did not know I was recording. I just set it up in ten minutes and left it alone. Unfortunately, I did not shoot videos of Crash Landing. I wish I had for kicks and giggles.

Another addition for my Cover Tune Tuesdays project. For those of you just jumping in, I am not covering songs from well-known artists you have already heard. I wanted to play some of the songs written by people I have known over the years. I can pretty much guarantee none of us thought we would be famous authors – mostly because none of us tried to be. Like many others, we decided not to put in the eternal time, money and thankless effort necessary to ‘make it big’ in the music scene.

This is a song written by Tom Gorman, Lori Niemi and Tom Robinson. It was written in 1980 and has been recorded and performed by many people in the core group of songwriters I have mentioned previously in my posts.

This time I recorded the song using my Martin 6 string guitar. I usually use my 12 string but since my bi-lateral carpal tunnel surgery last year and plain getting old, it is hard for me to do difficult songs any more.

I used my Ovation 12 string for the 2nd guitar parts so I have not abandoned it completely. I use Sonar Cakewalk – now by BandLab as my recording software. The haunting melodic sounds are from a program called Dimension Pro. I sang and did a little harmony here and there but that is the essence of the mix.

Jackals cover performed by MSK


I would like to share some versions of this song with you and will post 2 other previous recordings. It is a good historical view. People change, equipment changes and the mood inspired by the song change over time.

          "Jackals"                                                           (C) 1980
Straight hollow blocks of buildings haunted with lives
Scanning you with hidden silence
They house the hungry Jackals who go prowling through the angled
Paths of night.
 
Watch out for the hungry Jackals, they’ll dull you with lies
Making like they’re you’re best friends, while they’re sharpening
Their knives.

 
Stalking unwary victims they sidle up
Cutting you with cultured voices
And punctuating death throws with a fluttering of gestures and a
Sociable smile.
 
Watch out for those hungry jackals they stalk in disguise
They clutch your hands with such courtesy but there’s murder
In their eyes.
 
 
Running that dreadful gauntlet every day
Mixed in with the gentle people
A Jackal sticks his paw as a cohort jabs a claw out as you
Hit the ground.
 
Watch out for those hungry jackals disguised as they are
They’ll send you out to save the world but you won’t get very far.

 
Watch out for the hungry Jackals, they’ll dull you with lies:
Making like they’re your best friends…….
Gary Jefferson on vocals
Bob Enderle on vocals

As part of My Cover Tune Tuesdays, I wanted to do an acoustic version of one of my favorite Grateful Dead songs. The story I heard about this song is that Stella Blue refers to an old cheap guitar Jerry Garcia played when he was much younger. I tried to look up references but nothing conclusive so I stopped. I am not a reporter, after all.

In either case, this song has been an inspiration for me in many ways. As I get older, though, the message is much closer to home. I hope I will be able to dust off the strings for years to come, but I still find each moment I have to make and play music precious. Without it I would be insane, lost or dead (but not grateful)!

So I got out the Martin 6 string acoustic/electric guitar I got from my older brother and changed the strings. It was not enough to dust them off! Then I pulled out my Ovation 12 string acoustic/electric guitar and dusted off those strings. The Martin I ran a guitar cable to the Universal Audio Solo 610 mic pre-amp. After recording the main guitar track in Sonar by Cakewalk/Bandlab I used the Ovation 12 String guitar for a light/filler guitar track. I used a AKG C214 microphone plugged into the Solo 610 for recording the Ovation. Vocals used the same microphone and pre-amp set-up so it was a quick session.

All the years combine
They melt into a dream
A broken angel sings
From a guitar.
In the end there's just a song
Comes crying up the night
Through all the broken dreams
And vanished years.

Stella Blue         Stella Blue
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine. 

When all the cards are down
There's nothing left to see
There's just the pavement left
And broken dreams.
In the end there's still that song
Comes crying like the wind
Down every lonely street
That's ever been.

Stella Blue         Stella Blue 
I've stayed in every blue-light cheap hotel
Can't win for trying
Dust off those rusty strings just
One more time
Gonna make them shine.

It all rolls into one
And nothing comes for free
There's nothing you can hold
For very long.
And when you hear that song
Come crying like the wind
It seems like all this life 
Was just a dream.

To Stella Blue         Stella Blue

Songwriters: Jerome J. Garcia / Robert C. Hunter
Stella Blue lyrics © Universal Music Publishing Group

“Night” was written in 1980 by a good friend of mine. I have mentioned him before in earlier posts as TR. (Tom Robinson). This is a great song from the past. I loved playing this in our group or as a duo with TR. I love the rhythm and intro motif.

The subject of the lyrics are familiar to me. Driving at night. Getting away. Pondering life and eventual death in the dead of the night are right up my alley!

I recorded the guitar track and wrote the MIDI drum parts to fit the groove and the opening motif. Then I re-recorded the guitar and added bass guitar from computer modules. Then it was time to add vocals and do the mix. I hope you enjoy this gem.

“Night” (C) 1980 Tom Rominson

Night is a ride you just get in a car and go cruisin on. On past the light of the city lights to the cool dark air. Night is a plunge into twinkling depths that can still your mind. Washing your wounds in nature’s rain, her fountains everywhere.

So let the magic continue while you search for an answer within you. And see that swiftly you fly. ‘ ‘Cause we always knew you had to die sometime.

Taking a life is a crime and you know you’re the victim everyday. They gave you a name and a story, not they’re showing you the way. Day is a desert of calendar deadlines, your life an empty phrase. London Bridges falling down, and the rent you got to pay.

But they can’t poison your fantasy in this refuge from insanity. You’ll be here till you kill the lie. And we all know you’re gonna die sometime.

Night is a ride you just get in the car and go cruisin’ on. On past the light of the city lights to the cool dark air. Night is a plunge into twinkling depths that can still your mind. Washing your wounds in nature’s rain, her fountains everywhere.

And when the story is over you will sleep in fields of clover. But your dreams will keep the night-time sky. ‘Cause we always knew you had to die sometime.

“Night” by Tom Robinson

Written 8-27-1982 by MSK and I recorded it around 4-1983.

The main melodic themes for this song were inspired by my Yamaha DX7 ‘tine’ sound. That sound (or patch) has been used in many professional recordings since the keyboard was introduced.  The guitars and vocals are real-time of course, and everything else was sequenced.

Ann Ellis from my band The Personal Touch does the vocals on this one.  I would play the main piano part and she would sing the lyrics until we got the timing and the feel the way we wanted it.  From that point I sequenced the main piano part.  Every time I play this song I play it as you hear it in this recording, but I play a different last chord.  No two versions have the same ending, and I never know what the last chord will be.  My wife Ellen and I worked on the backing sounds like the strings, brass and pads to make this a full sounding production.  Once I had the basic piano parts and drums done, I don’t think we ever added a dedicated bass line as the song ended up sounding very full.

My buddy Shawn David Anderson plays lead guitar on this one and really drives home with the power and tone I was hoping for.  The lyrics are one of my favorites.  Not necessarily by themselves, but when reflecting on the emotions and events of the time. True multi-track recording capabilities gave me the option to create complex instrumental layers as opposed to the limited recordings I had been able to achieve from a four-track cassette deck!

I even sent this song to be evaluated by professionals.  Among some of the comments it was suggested that the song was too long and that the intro went too long before the vocal lines were introduced.  I have a version that starts when the vocals kick in, but this is my favorite version.  I hope you agree.

Mara – The Making of a Video

I usually did not have to search for new projects.  There were plenty of musicians, bands and performers that did not have a lot of resources – or cash – when starting out.  Working at the local music store chain, I was lucky to know some great players, writers, and musicians of all sorts.  l am attracted to talented people of all kinds.  I often wish listeners of my music would give me the benefit of the doubt that I gave to many of the people I met and came to appreciate.  I realize my songs are not always ‘radio worthy’ or commercially viable, and always hoped someone would look beyond that and realize the songs I offered for what they could be if recorded professionally and marketed on a large scale.  Maybe that day will still come, but back then there were a number of artists that I could help take the next step.

Word got out that I had an understanding of technology and could usually pick things up quickly.  I absorbed owners manuals, dedicated time and when possible drafted other talented people to make projects work.  One of the fun and exciting things I got to do was shoot and edit live musical band performances.  MakeShift Kreations was an early company name I came up with using my initials: M S K.  I believe this was filmed way back in 1988!!!

Using the same video and editing suite from the cable company available for local access channels that I used for my first conceptual video: “Walking Man” I learned how to use multi camera filming and video editing techniques.  In some situations I offered to do videos for friends as this was a new (again, at the time!) medium and was very expensive for most bands.  In Part I, I would like to present the video I made of Mara, a local band with highly talented musicians.  My wife Ellen and I did all the camera, editing and post production work.  These are their original songs performed live over a two-night period. It was a lot of work, but I learned a lot and had a great time.

Please use the following link to see the Mara: Part I video:

https://youtu.be/VwKz1Po4_XM

I’ve admitted in earlier posts that I observe people a lot, and that I get a number of ideas for songs from watching other people;  friends, family, co-workers, I steal from them all!  I can empathize with people as they face challenges and triumphs in life.  I try to understand what it feels like to be in those situations even though I myself might not be directly affected by them.

I also have some rather obvious political points of view.  I can understand why there are those that do not always agree with my positions but in many cases I can still understand theirs.  In this song I basically insult every group I can think of!  As you are more than likely in at least one of these groups I apologize in advance.  In a lot of ways, this song summarizes the items on my Love – Hate list.  I hate things that should work but do not, and I really hate personal and corporate greed.  The song uses a lot of references to things we would hear on the news, although it was written a long time ago.  Unfortunately most of the issues are the same today!

Recording this song took a LONG time.  We did rough mixes here and there changing this or that, but it did not feel right from beginning to end.  Eventually, I think we rearranged some of the chorus/verse structure and it just fell into place.  For some songs this is the agonizing part;  all the components are there and sound good, but the piece as a whole just does not grab you.  I might have even tried changing tempo on this one to get it right.

If this is not the first song I did using my new Alesis ADAT recorder it was one of the first.  I was also transitioning from the Atari computer to a Windows machine, so not everything went smoothly!  I played electric guitar on this one (I have a few guitars and do not know which one was used for each song but my guess this is either my Ibanez or a Yamaha 6 string) and did all the sequencing and drum tracks as described earlier.  My wife does the vocal main lines.  Using the limiter/compressor chain I described from other songs the vocals are recorded so they stay soft and spooky and a little eerie as the lyrics become more and more cynical.  A bunch of family and friends came in and did the voice add-ons.  You can hear both our daughters, my co-writing brother and a few neighbors help out with the spoken parts.  I ‘sing’ the chorus.

The bass line in this one is particularly cool because it is my Oberheim Matrix 6 synth and it has this patch or sound that continues to play an arpeggio (sequence of predetermined notes) as long as you hold a key down.  So the bass lines are done by holding one note for a while but hearing many notes played.  We even got to play with one of the audio samplers from the music store and used it to trigger the ‘broken word’ parts.   Once we got the arrangement right it was just fun to ‘decorate’ the basic tracks and add a little movement to the mix.   Have fun with this one.