Posts Tagged ‘#Liveband’

The Chase

I just posted another vintage video to YouTube. This is a live recording of Euphoria in my early days with the band. We are playing live at Hollies in Springfield OH. for some of this post. This was a transition period as members of Euphoria took time off and a new band formed later to be called The Chase. I did use some video from the events but compared to hi definition available today, it just looks dated, because it is! Enjoy at night at home and some great live music:https://www.youtube.com/watch?v=MAW_cJVFFog

Euphoria and The Chase Live

Thank you for your continued friendship. The story of friends and talented musicians, artists of all kinds was fun in the telling. Followers will know the names and projects I have been thrilled to be involved with. Sacrifices. Heart break. Overwhelming joy.

I have told the story but I also have my archives to share. I started recording with a reel-to-reel tape deck when I was 14. I recorded everything. Everyone. Everywhere (once I had portable recorders lol!)

The medium has changed many times over. Some of the video, for example, was amazing on a small tube television. It just does not stand up to the quality of large screens with high resolution. I did not include the ancient videos on this post because it just looks bad/old.

For some reason I did not take a lot of photographs in this time frame. Unfortunately, I do not have any pictures of the lead vocalist in this recording….. Shoeless Shawn was not with The Chase long before we stopped playing out. So I collected more recent pictures I had taken of group shots of friends, family and fans we have known over the years.

With a little free time on my hands, I have been going through my archives. This is an old recording from my Nakamichi stereo cassette player! I think it is straight off the board. I did not run sound for this recording. Our friend Dave Houston was at the helm.

Everyone stay healthy, and with social distancing, stay at home, grab a drink, and put up your feet. Press play and listen to some live music!

The Chase

MSK 1

Last weekend I dropped in on some friends playing out. With camera in hand I caught a few minutes of “What’s Left” performing live. It reminded me how glad I am that I don’t play out any more. Performing for a live audience is fun and addictive but being my own roadie was killing me quickly! I always joked that we would play anywhere for free……. we just charge to move the equipment in and out!

This was just for fun and I appreciate the guys letting me point my camera at them for a while. I like their logo in the back.

On the 30th anniversary of our performance with NRSB at Bogart’s in Cincinnati, I want to share a vintage video of that once and only performance. All original songs by members of this incredible band. I am so glad this was captured by hand-held camera out in the audience! Thanks DR.

Part I

Part II https://www.youtube.com/watch?v=DCv8NrHglpk&list=PL6nW06rbKPIo97mbrFsrAWed2OUaDvMkF&index=12&t=0s

We were just a bit ahead of our time.

Crash Landing Live at West Fest

Building upon my earlier posts of a night out with Crash Landing, I continue with the first part of the second set.

CRASH LANDING live in 2002

In future posts I will detail mixing/recording process and Live Sound Reinforcement techniques. For now, enjoy a few songs from my old cover band.

CRASH LANDING

I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.

I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.

I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!

Here is the 2nd installment of my live recording of Crash Landing back in 2002. I played with them for a number of years. First as a sound guy. I knew the singer Gary Jefferson and he pulled me into the group. Gary and I go back a few years. He knows everyone and has played all over town. I have helped him with outside projects and you can hear his vocals on a lot of my original songs. Great people are hard to come by, but they will be there for you when you need.

I wish I had more video to share. I have a call out to other band members and friends to send me copies of anything they have. I have created videos for years but never really did much during this time. Again, I wish I had. Here is the next section of an evening with Crash Landing. This is still the first set and we are getting warmed up. Settling into the sound. That is the toughest thing about one-night-gigs; everything sounds so strange for the first 3 or four songs at the minimum. Depending on the sound guy/gal, this could take up to an entire first set to get comfortable.

I don’t have records of who was running sound this night. With this band I USED to run sound from the audience, then became a band member and ran sound and played/sang from out in the crowd using our own equipment! In many ways that was very cool. After a while we hired sound companies and I just don’t know who was at the board.

I hope you enjoy a night out – to hear a live band – without leaving your home. It’s like you are at the show, but you can still have one more drink and not have to drive home!

Here is the you-tube link for part two: https://www.youtube.com/watch?v=5vHdxs6z-Qg

Recently I went to see some of my old band-mates playing out. I have always been the ‘senior’ member of the bands I have been fortunate to be associated with. NOT that I was with the band from the beginning but that I am usually the oldest member of the bands. Usually by ten years or so. As a result a few of my friends from old bands are still playing out in the city. It is always a pleasure to see what they are up to and catch up on life.

My drummer in Crash Landing was playing with one of his current bands and we got a chance to talk. His son is also taking up the drums and thought it would be cool if he could share some of the old recordings with him. He asked me if I could get him copies of what I have.

For you new to this blog I record a lot. Practice sessions, private parties, small gigs, writing songs in the late evening. I started with reel-to-reel tape machines since the 1970’s or so. The recordings sound and look as old as I feel, but they preserve the events and people involved.

I am a Singer Song-Writer. I write my lyrics and melody, decide the chord arrangement and structure of the song. That is what got me started singing. Then percussion. Then guitar and recording and working at music stores and learning sound reinforcement and recording techniques and….. In some ways playing with a cover band was torture. The bands members were really talented and experienced. I kept thinking they could do great things with my originals or create new amazing songs.

The thing about cover bands is that the good ones can do anything. Think about it. They can sound like so many other bands from one song to the next. They make the instruments and effects sound like the original. The solos are dead on and more often than not; improved. No over dubs: no guest artists. All this while they cannot hear themselves, people are yelling and drinking right in front of them and the sound guy is either drunk or deaf in both ears.

The audio recording was from a live performance. According to the DAT case it was 11-16-2002. This was a small club and I decided to record on my Panasonic two-track digital DAT machine. I was not mixing at this time so the recording success was limited. I grabbed a stereo feed from two subs and hoped for the best. I have a number of examples of live recording techniques in my LSR Series linked at the top if you have an interest.

I will get into more details on this particular recording and show other examples of recording results in later posts. For now, let me just say that the recordings are from one night. This is what we sounded like if you were in the audience. There are no cuts and if you put this series back to back when all are posted it will be the entire evening minus a few technical disasters. Here is the YOUTUBE link: https://www.youtube.com/watch?v=B3NTGTnemF8

CRASH LANDING live 2002

The band members did not know I was recording. I just set it up in ten minutes and left it alone. Unfortunately, I did not shoot videos of Crash Landing. I wish I had for kicks and giggles.

Most of the connectors used for outputs will be 1/4″ male jacks.  These can be for ‘grounded’ (three-wire) or two-wire cables.  To make this part confusing, the cables can be made or changed with adapters to almost any connector type.  For long distances we prefer grounded or three conductor-wire cables as the third wire is used to take common signals from the other two wires, and ‘dump them to ground’.  Common signals would be interference and noise as the plus and negative wires are carrying the signal from the board.  The result is good signal with low noise introduced.  Guitar and keyboard cables typically go shorter distances and typically have a higher or stronger output signal than a microphone for example.  The cables in the snake will use three wire grounded shielded cables even if they are 1/4″ male connectors.

So we might expect to have an XLR connector for the Main Outs to the Main House power amps, but this is not a guarantee.  If 1/4″ jacks are provided it is recommended to use grounded three wire cables.

Most cables will provide a male connector on one end and a similar but female connector on the other end.  Male connectors are often used to connect to In-Puts and Female connectors are often used to connect to the Out-Put.  The male connector of the microphone cable connects to the mixing board In-Put and on the other end the female connector will connect to the microphone out.  Generally speaking there is little advantage plugging an in to an in or an out to another out.   I like to state the obvious LOL!

The mixing board will give us a Main Left and Right out, and probably a Mono Main Out.  These will be connected to the Main or House power amps.  During an event, the amps are usually turned all the way up and the House volume is ultimately controlled by the Main L-R faders on the mixing board.  This is why it is important to turn the Master Volume Faders on the mixing board all the way down whenever connecting or disconnecting equipment or making dramatic changes.

Depending on the board size and configuration you may also have a 1/4″ Direct-Out for many if not all input channels. (this is REALLY cool for recording and a lot of other creative uses…)   These can be really handy for independent channel recording, triggers, audio effects and alternate mixes to name a few.  Basically connect these to external recorder, processor or triggering gear as needed.  I will give some examples as the series expands to other main topics.  You will also have a number of Sends that are used for a variety of tasks and have different names, but with a few configuration details are for the most part the same thing.  Effect Sends, Monitor Sends, Auxiliary Sends, Sub Sends are splitters; they split the signal – keeping the one going to the House or recorder – and allowing you to send a lot or a little of that signal to the Send of your choice using the Send knob. As in the Monitor amps and House amps, the volume knob will ultimately be used to send the proper signal level to the external (and internal) devices or effects.  If you ‘send’ this to a digital delay, it may also have its own input and out put level knobs.

You may also have a two-track input and/or out put.  This is for playing stereo audio devices and for a straight stereo record out option.  Handy to listen to practice tapes, intermission music, PA system tests and other performance related media.

The sound board or audio mixer represents the hub in most audio mixing and mastering functions.  everything connects to the board.  Even the lighting system will use channels in the snake to connect from stage to console.  Things get plugged into and things get plugged out of the mixer as needed.  Today’s mixers are blue tooth USB WiFi fire-wired and light-piped together and will connect to an amazing array of devices.  So far we have focused on what gets plugged to the Inputs of the sound board.  There are a number of connection possibilities for the Outputs as well. We have already discussed some of them earlier, so this can be brief as you already know a lot of this in general.

On most sound boards you have a number of analog-out options.  In earlier discussions we talked about XLR and 1/4″ cables and connectors.  These will continue to be the main ones used for outputs.  On the front or face of most mixing boards you will see a stereo headphone out.  It will usually have its own volume knob and probably a selector to pick the options to Monitor including Stereo Out, Solo, Effects Sends, Effects Returns, Sub or Groups, Auxiliary Returns, and other options.  On the back or the top of the mixing board you will see the panel for Out-put connections in different sections.  There are some rules to determine what type of Audio Cable is used and whether it is a male end or female end and whether it has two connectors or three (or more).

In the early days of mixing boards, microphones and keyboards, it was important which brand you purchased.  If you wanted to get ‘that sound’ you had to have this mixing board channel strip or that particular keyboard.  Later on the computer industry similarly shot through their early days and you had the Macintosh or the Windows PC.  If you were brought up with one you could not be talked into the other.  Most modern equipment from PC’s to Automobiles can do everything.  They all have similar platforms and emulators.  There is style and quality as there always will be, but you can get software mixing programs and microphone/guitar emulator plugins that will make your audio tracks sound like anything you want —-THEY CAN EVEN MAKE YOU SOUND LIKE YOU ARE SINGING IN TUNE!!

So if you like Pepsi, no problem.  Want Coke?  Press this button……  More comfortable using a Mac?  Go for it.

All it takes is cash, a thorough understanding of what all the terms mean and a good idea where all the buttons are?!!?

Enjoy!