It is true.
The definition of insanity IS doing the same thing over and over and expecting different results.
Doing something over and over while improving and perfecting is the definition of musicianship (or artistry in general).
Give your local artist a hug. They are the sane ones.
Practice does not make perfect: Perfect practice makes perfect.
Going over old recordings I finally found one of my gems from 1977. Back then I was learning to play guitar and my friend TR would jam with me. I knew a few musicians even back then and on the weekends we would gather at my place for dinner and a fun evening.
We would have about a dozen friends come over and after meals and a few drinks we would inevitably pull out the guitars and other toys. I didn’t spend much time learning or playing cover songs. That happened, but most of the time we wrote our own material. Our songs ran the gambit between topics of the day and the humorous things in life. I recorded on state of the art technology in those days: reel-to-reel tape recorders. I had a Tascam (Teac) 4-track machine back then so we could record an AMAZING 4 tracks at one time!
This song is one of our funnier songs. It wasn’t like we were trying to be like the Smothers Brother’s Comedy Hour from 1967, but we enjoyed humor in our music. This take starts with TR vocals and Ovation guitar introducing the theme of the song as I join in with my Ovation 12 string guitar.
Here is the only recording of that song. It is just the two of us jamming late after most others had crashed or gone home or to work. I learned a lot about harmonies during these sessions and still get a kick listening to us making up the arrangement as we go along.
Enjoy a funny blast from the past and wait for the end of the song for the lyrical punch line.
I want to share with you my latest 24 hour song. Written, recorded and mixed in one day. This is “Trance”.
It seems to me
This is the place to be.
Outside everything
Inside nothing
In a
Trance
In a
Trance
It seems to me
This is the place to be.
Outside everything
Inside nothing
Internal Glance
Brain Dance
Another Chance
In a Trance
Outside everything
Inside nothing
In no specific order here, we have our third vocalist working with my cover band called The Chase. Performing with us now is Sean Bandy (Shoeless Sean to his followers). I don’t think I have any real pictures of this time. I will keep looking but so far nothing great.
Sean also played acoustic guitar and does a great job of working with the audience. We played songs from the Beatles to Zappa and from James Brown to Queen and he kept up with them all. I am playing keyboards and electric rhythm guitar, as well as back up vocals. I am not running sound at this point from what little I can remember. I posted a couple videos of us on my You Tube channel earlier. See the following links THE CHASE LIVE 1 and THE CHASE LIVE 2. These are more like music with pictures and old video clips. The video recordings I made for that time did not translate well to the leap in resolution 30 years later lol.
Which vocalist is your favorite from the few examples here?
After smoothing out the timing and lyrics to match the mood I was after for this new song, I wrote a melody that seems to fit pretty well.
I squeezed some of the lyrics as I mentioned and cleaned up the instrumental glitches (a technical term for anything that isn’t right) and added a few parts to the instrumental verison I posted earlier.
Minor changes go on for a long time in the final tracking stage. A lot of it will not be used at all and some will be low in volume so as not to hear distinctly. But similar to color splashes added to the face in a painting, it can really bring out the rest of the ‘image’.
What You Want:
I have a rough version of a new song called “What You Want”. Well, it is called that now because I put lyrics to it from an earlier Lyric Post.
This is a tune using an old Yamaha drum machine I recently became caretaker of. I set up a nice but simple drum pattern using my Alesis MIDI drum pad and recording again in Studio One 5 by Presonus. I am using the internal sounds in Studio One 5 to play the bass guitar parts, triggered by an M-Audio MIDI keyboard I got with the drum machine and some other cool toys.
After the beat was down and feeling a bit more fun to play with, I added the two guitar parts using my Ibanez electric guitar. I recorded two tracks but instead of hooking up my amplifier and all my pedals, I plugged straight into the mixingboard so it would go direct-out to my computer input.
I used one of the many plug-ins included with Studio One 5 to add effects to the guitar. The built in guitar tuner plug-in is also really handy and I like the way it operates. So no need to connect to a tuner after each practice take. Each guitar track used the same plug-in but set to different guitar effects.
I am working on adding vocals but for now here is “What You Want”.
Earlier I posted a poem (although poems and lyrics are often interchangeable with me) called “The Next Step”: https://midimike.com/2020/06/22/the-next-step/
This shuffle will take a while to get used to. Really, there is no groove here. No comedic relief either, but I do like the strangeness of it. How about that for an intro?!!
The recording was simple and there is a lot of open space in this one that makes most listeners a little uncomfortable. I played my Ibanez 6 string electric guitar and used effects from my PC after the recording to get the delay and chorus effects. I created the MIDI drums to match the odd beat in the guitar strums. After laying down a simple bass guitar track using computer plug-ins and the song is almost done.
I mentioned experimenting with an on-line jamming program. It became the clipboard for a few guitar sections I created while waiting for one thing or another to work. I titled each as verse, bridge, chorus, etc. I had to give it a project name to save the clipboard and I came up with “Not Now”.
I used those short pieces and assembled them into a song arrangement. Once the chords and arrangement were in place I naturally started thinking of lyrics (as I have a tendency to do). The file was named Not Now so I kept it as my Cakewalk (BandLab) project name. So it becomes the theme of the lyrics. In one hour they were written. Getting them to match the odd rhythms and sparse instrumentation became a challenge. It took me a few days to come up with the melody and then practice it enough to get the rough tracks down. To all just joining; I get things down to rough tracks and then write another song, poetry, lyric or instrumental. When I was young I hoped some band would do my songs correctly in a studio. I am not young now.
Here is a rough mix of “Not Now”. I used a Martin Acoustic/Electric guitar for the guitar track. Using my MIDI keyboard I pulled up a plug-in for drum sounds. I imported the original noodling guitar parts I did from the clipboard but they were not recorded to a metronome or drum pattern. I listened and figured out the tempo of the segments and set Cakewalk to match. That way I could listen to the short guitar segments as I created the basic drum parts and arranged all the segments in order. I pulled up a bass guitar sound and played the MIDI keyboard to generate the bass line.
Next, I Muted the original guitar tracks and recorded a new track to replace it. The song seemed to cry out for strings but that is usually just me. I like good sounding strings in various styles of music.
Lyrics were posted here: https://midimike.com/2020/06/01/not-now/
I gave a link to BandLab above. Full disclaimer this is not a commercial and I do not get paid for anything I do here. However….. if you are interested I used to pay hundreds of dollars every year or so to keep this great recording program updated. They now offer the program and all updates for FREE. No kidding.
I hope you enjoy “Not Now”. Each time I listen to it I like it more. Again, this is just me as each new song I write becomes my newest favorite.
If just for a little while.
Thank you for your continued friendship. The story of friends and talented musicians, artists of all kinds was fun in the telling. Followers will know the names and projects I have been thrilled to be involved with. Sacrifices. Heart break. Overwhelming joy.
I have told the story but I also have my archives to share. I started recording with a reel-to-reel tape deck when I was 14. I recorded everything. Everyone. Everywhere (once I had portable recorders lol!)
The medium has changed many times over. Some of the video, for example, was amazing on a small tube television. It just does not stand up to the quality of large screens with high resolution. I did not include the ancient videos on this post because it just looks bad/old.
For some reason I did not take a lot of photographs in this time frame. Unfortunately, I do not have any pictures of the lead vocalist in this recording….. Shoeless Shawn was not with The Chase long before we stopped playing out. So I collected more recent pictures I had taken of group shots of friends, family and fans we have known over the years.
With a little free time on my hands, I have been going through my archives. This is an old recording from my Nakamichi stereo cassette player! I think it is straight off the board. I did not run sound for this recording. Our friend Dave Houston was at the helm.
Everyone stay healthy, and with social distancing, stay at home, grab a drink, and put up your feet. Press play and listen to some live music!
Early in 1996 I was introduced to a Cincinnati band called “jjaR”. I met them while they were playing at a popular club called Top Cats. I was really impressed with the band and their original songs. Annette Rogers was the lead vocalist and she commanded the room with her emotional portrayal of each song. The band was intense and dynamic.
March 13th, 1996 we started recording in my home studio. They were troopers. I have a small space for recording with no isolation rooms for drums, vocals, etc. The band wanted a clean demo. They did not want a lot of processing and effects in the mix. A band after my own heart!
We did two separate sessions. The first session was mixed on March 26th, 1996. I was recording on the Alesis ADAT (Alesis Digital Audio Tape) machine for the first project. We only had 8 tracks to work with back then and no computer editing or effects. They were pros. They set up, got settled in and played their songs with obvious passion.
One of their tracks appeared in a collection of bands our local radio station WEBN (102.7FM) published on CD. They were featured on the second annual CD release. Deary Me Presents – Cincinnati Scene II included “Food Chain Of Love” on the 3rd track of the compilation CD. You can still find a copy or two on on-line.
Here are a few tunes from Project 1 for your enjoyment.
MidiMike 