Thank you for your continued friendship. The story of friends and talented musicians, artists of all kinds was fun in the telling. Followers will know the names and projects I have been thrilled to be involved with. Sacrifices. Heart break. Overwhelming joy.
I have told the story but I also have my archives to share. I started recording with a reel-to-reel tape deck when I was 14. I recorded everything. Everyone. Everywhere (once I had portable recorders lol!)
The medium has changed many times over. Some of the video, for example, was amazing on a small tube television. It just does not stand up to the quality of large screens with high resolution. I did not include the ancient videos on this post because it just looks bad/old.
For some reason I did not take a lot of photographs in this time frame. Unfortunately, I do not have any pictures of the lead vocalist in this recording….. Shoeless Shawn was not with The Chase long before we stopped playing out. So I collected more recent pictures I had taken of group shots of friends, family and fans we have known over the years.
With a little free time on my hands, I have been going through my archives. This is an old recording from my Nakamichi stereo cassette player! I think it is straight off the board. I did not run sound for this recording. Our friend Dave Houston was at the helm.
Everyone stay healthy, and with social distancing, stay at home, grab a drink, and put up your feet. Press play and listen to some live music!
As I continue to dig into past songs it is easy to see one problem I have; I am not good at naming my songs. Sometimes I go for the punch line, but the punch line is not even a line in the song! Sometimes I try to highlight one phrase, but ignoring conventional songwriting wisdom, I do not use a phrase over and over in the chorus and call that the title. So here is another example where the names have changed over the years. Originally the title was “A Few Shattered Lines“. I was reading a letter from a friend of mine at college and I pulled some of his phrases into the lyrics. Below are the results.
Reels of Tape has a deep meaning for me. I spent a lot of years recording on reel to reel tape decks. I still have my original 4 track TEAC machine. The lyrics are more abstract than other songs I have written and for some reason I can still slip back to those times when I hear this song. I am using my Ovation Balladeer 12 string guitar as my standard writing/recording instrument over the years, and I just love the tone and the progression of the chords. The twelve strings just sound so full, and when using open tuning, it can make the chords sparkle. The other quick observation: I don’t get rid of equipment I buy…… I keep it forever!
The lyrics seem to create images that expand beyond the words. Familiar topics can do that sometimes when looked at with a different point of view or even a change in mood. I love – Life pours past the flags unfurled, Crack the crystal paralyzed world – and other parts, but I could not really tell you why. Another phrase that sticks with me is – Forget today and tomorrow, leave this song behind, and all it’s sorrow. a lot of my lyrics have a rather dark perspective. But behind them all is a sense of hope and a promise that things will get better and improve. I am one of the most optimistic people I know!
Recording as an acoustic tune, I use one track for the vocals (unless there is a harmony track) and I use another track for the ‘line out’ from the acoustic/electric guitar, and then I use another track for a microphone placed in front of the 12 string (even here, it is important to place the microphone at the ‘sweet spot’ to get the best tone. Placing a microphone in front of anything without testing will more often disappoint rather than delight. As in other posts, I have had better success if I literally stick my head up to the instrument and move back and forth until I get the best sound. Doing this while playing the instrument is not practical, so I place the microphone, record, listen and compare it to other tracks that use a different microphone position. Once you have the best of the best, you can be pretty safe using it again. Live situations with full bands and instrumentation is a challenge and I still try to stick my face in there to get an idea what that instrument sounds like but also if it is close to other instruments, speakers, or unwanted noise makers. Most vocalists will stand in front of the microphone, but even in this case if they lean or tilt one way or the other it can dramatically affect the final tone or sound. Much of this is tied to the proximity effect and we will get into that later. For the most part I will pan the 12 string guitar line out to hard Left and the microphone for the 12 string hard Right. Vocals go in the center, unless you have more than one vocalist or lead singer. I use very few processors like compressors, gates, limiters, and the like. As long as you start with a solid tone a bit of EQ if needed, bring in some light reverb or delay and the mix is done.
MidiMike 