Posts Tagged ‘#motivation’

There is a joke, not much of a joke really, but a saying that describes a point of view we too often have in the United States:

Question:

What do you call it when you speak two languages?

Answer:

Bi-lingual.

Question:

What do you call it when you speak several languages?

Answer:

Multi-lingual.

Question:

What do you call it if you speak one language?

Answer:

American.

As you can see it is not really funny and not really a joke, but I use this often to remind myself how different our decisions and thoughts can be depending on perspective or point of view.  I was delighted with the response to my recent poem entitled “Hearts of Stone“.  (…..Actually, I initially titled it “Where You Live”.  As mentioned before I am not good at naming my own songs.  My daughter Alisa – and partner in the success of this blog – correctly suggested I change the title).  I wanted to give you a bit of history to this poem as it was actually inspired by follower comments.  All of which I read and respond to – not as quickly as I like but I try to get to them all as I truly appreciate the time and thoughts from so many people.

I have often mentioned that I am thankful for access and exposure to thoughts and feedback around the globe.  It helps open my eyes to things I would not normally consider.  Creative people all over the world are represented here and it is amazing what an impact you have had on me and my writings.  A while back I posted a question about what was your first concert.  While many responses were very cool, some responded they were not allowed to have huge concerts in their country.  This struck me deeply.  First; as a callous question from an arrogant blogger who takes life for granted.  We often complain about politics or taxes and a million other things in the US and other countries but we have a choice.  We may not get our way but we can voice our opinion and discuss our thoughts openly.  This is not true everywhere.  Secondly: it drove this arrogant blogger to think about how many things we take for granted every day.  So I tried to look around my little piece of the world from another point of view.

The first line is kind of an inside joke and would easily be understood by people that live in places line my town.  We often have cloudy – hazy skies most of the time and it gets so bad that the traffic reports have to remind us what that big bright thing in the sky is on sunny days!  Often at night we do not see stars and frequently miss the experiences of full moons or eclipses.  The rest of the poem tries to reflect the things humans might notice looking at their world.  Some are glorious and beautiful and worth celebrating while other things are tragic and unimaginable to ‘outsiders’.

I have read the words in this poem many times since posting the poem on MIDIMike and a melody keeps creeping into my subconscious when I repeat them.  In the same line as the global inspiration for the lyrics, the melody and arrangement is not my ‘normal’ style.  I may be the only one that likes it, but I cannot get rid of it.  I will be finished putting this poem to music soon, but to be forewarned it is not a replica of my past works and musical pieces.  It is my thanks to all of you.  It is a sharing.  It is an apology for not keeping my mind open to others.  It is a simple reflection from deep inside.  It is an invitation to continuing communications that will bring different cultures and peoples together.  If we cannot communicate we are doomed.

I will post as a song as soon as I have a decent recording of what has been spiraling inside my head.

Click Here to read the original poem.

In another time long ago, I made my living in injected molded plastics.  Long history but the memory I told a co-worker the other day was worth posting.  As you probably guess, I am not a conformist.  I have a hard time understanding why simple things are done wrong and I have a nasty habit of pointing it out sometimes.

As a supervisor of a night shift crew, we manufactured large panels of plastic for assembly in auto plants.  The machine operators were opening huge metal doors, pulling out heavy molded plastic panels and would trim excess plastic with blades and pack the parts in boxes, to be taken away by other busy bees.

When I started working there, I watched what they were doing for a long time.  I had time and motion training from the old days and I was really curious.  One night, I went to the machine operator with a tall stool.  I suggested he do a few changes in the layout and process and suggested he sit on the stool to be more comfortable.   He responded well to my suggestions but told me he could not sit down.  I stopped for a second and asked why.  He was told the could not sit down at his station.  When I asked the long of it – the owner/manager did not think you could work hard if you were sitting down.  I pondered this for a few days.

Then the following week on the evening shift I went into the offices and took out all the chairs and put them in the warehouse.  When asked about the incident I replied that I thought I was doing as instructed and making the company more efficient since I was informed that you cannot work hard sitting down.

In retrospect, I should have been fired and should have thought of that possibility,  I did not.  But the next day there were tall stools by each of the molding machines.

Up = (#/Sharp). Down = (b/Flat).

0 1 2 3 4 5 6 7 8 9 10 11
C C# Db D D# Eb E F F# Gb G G# Ab A A# Bb B

There are a number of discussions possible here. My point is the rose is a rose experience from my own limited understanding. Music theory is not my strong point. I know players that are very specific in the reference of notes or the progression used when naming them. It does make it easier to communicate – – – – – – To set up this conversation let it be understood that any note can be raised or lowered in increments of half-steps. Take your Root note and play the next highest note and you have ‘sharped’ the note. If you play the next lowest note you have ‘flatted’ that note. Up = Sharp. Down = Flat.

Any note. Any instrument. Any Western scale. Similar to the reference in Tuning; if pitch is too high it is Sharp, and if it is too low it is Flat.

We agree on common ground for the Titles of the Twelve. Looking at the piano as my standard example we need to notice the color of the keys not as a place on a musical staff or its place in a scale but as a compact representation of DISTANCE. The chart above uses the shading to mimic the keyboard and is not compressed or compact like the real piano is but if you play notes to the right they get higher by half-notes. Color means nothing to this reference. We rarely call the C note a B#, and we rarely call the F note an E# but this is a similar relationship.

Above you see the black notes have alternate names assigned to them. One way to help easy translation is to keep with one designator in the project. Give the notes names that are one system and not the other. Various way to think of it – a rose;

C, C#, D, D#, E, F, F#, G, G#, A, Bb, B, C is a rose:

C, C#, D, D#, E, F, F#, G, G#, A, A#, B, C

is a rose;

C, Db, D, Eb, E, F, Gb, G, Ab, A, Bb, B, C

Along those lines I want to copy a recent comment from a great friend of mine and frequent commenter on this blog:

The math is easier if you name the root “zero.” 0 2 4 5 7 9 11 (the major scale). You can add 12 and get the same notes, just an octave higher. Subtract 12 and get the original keys. There are only 12 tones on a piano: 0, 1, 2, …, 11 After that, it just repeats.

The Mysterious Twelve is represented this way in the chart above. Starting with zero would change the Safe Seven representation to look like this:

C D E F G A B C

0 2 4 5 7 9 11 12

This is true and practical to use when considering the relationships of notes especially when working with musical scores where you are talking multiple octaves and keeping the relationships common. For many musicians, songs can be described as patterns. For example, if you are beginning a Jam and following previous examples in the key of C, you could say ‘lets start out with C for a few measures, then go to F and then go to G and repeat. Ready, set go!’. The Safe Seven shows us this relationship as a number starting with the Root equaling 1.

The Jam could also be started by saying ‘key of C, let’s play a 1,4,5 progression. Ready, set, Go!’. In this relationship, 1 = the Root or C, the 4th = F, and the 5th of the scale = G. The next jam session might be in the key of Bb, but we can still state this as 1,4,5 and the musicians that know the Safe Seven in each key will easily translate. You would be surprised how many popular songs follow the 1 – 4 – 5 and similar patterns! Starting with 1 as the Root, allows this pattern to more easily translate to the Root, 3rd, 5th – as this matches the common chord progression associations.

The point being there are a number of names for our ‘rose’, depending on the need or project at hand. If we call C “C”, “B#”, “0” or “1”, we are still describing the relationship between the 12 notes. As with the sharps and flats naming structure, once we start with a system, use the system through the entire project to avoid confusion!

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Here is the thing;  IT happens.  LIFE happens.  Doors open.  Doors lock.  Time is too short.  Reinforcements too late.  People are nice.  People are mean.  Nature Is beautiful.  Nature is deadly.  You can look at this post as poetry or preaching.  A waste of time or a gold mine.  These events WILL happen.  They will happen to you.  They will happen to someone you know.  Each will occur during good times and terrible ones.  The optimist and the others have their answers and their advice.  Here is mine; These events will happen – prepare for them.  That means back up plans for the back up plans in some situations but also taking advantage of the opportunity.  I am an opportunist.                  

To follow our past conversation, we all want those that have succeeded to reach out and help struggling artists.  I am suggesting here that we are helped all the time, but too often we are not prepared to actually hear or understand the message.  We need to be prepared and look for the opening door, because it will happen.  It happens all the time. As I read great articles and poems, learn of projects and accomplishments and all the comments from this blogging community I KNOW people are encouraging others all the time.  We share struggles and that helps others prepare, because it will happen.  I just wanted to give you some idea of how impressed I am with so many intelligent and caring people I hear from every day in comments and your posts.  I count my blessings.  Cheers!    

Thank you, thank you, thank you! For the next few days I’ll be offering all of my blog friends a free download of my song Miracles In Your Hand off of my upcoming EP, “Before The Chase.” I have been struggling to find a proper way to thank you all for your support and encouragement over the past year. I was very close to throwing in the towel, but I started this blog and thanks to all of you and your kind words, I’ve been motivated to keep pushing forward.  As I watch this year’s calendar fill with major events and milestones, there are usually small celebrations here and there.  At each one I am not only surprised at the positive response and friendships created, but also by the amazing amount of talent and creativity this community produces.  Please stop by and add this original song (Click here – Miracles in Your Hand) to your personal libraries as part of my continued appreciation for all you have done to support and spread my works.

After a break-up some of these lyrics just poured out.  Seeing the same thing and coming to opposite conclusions.  Having an early exposure to poetry first, I try to keep those ideas reflected in many of the songs I write.  The chorus was an idea I had been playing with lyrically for a while and it seemed to immediately fit with the loss described in the verses.  What would you do if you held a miracle in YOUR hand?  What if that couldn’t save you?

“Miracles In Your Hand”  (c)  MSK

A reason is such a small thing,

Can’t you give me one?

Seems to me you were holding out,

Were you really just holding on?

The things we did won’t mean a thing,

The memories drift away.

The things you said hang in the air,

Like a light that will not fade.

CH:  You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.

When the answers seem so distant,

Questions lose their fun.

You thought that I was shutting up,

I was really just shutting down.

It’s time we found the meaning,

In the games we have made.

And a reason makes the difference,

When the last trick must be played.

CH:   You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.

MIDIMike’s Reviews Are Coming Soon!

As a result of requests from fellow bloggers and ReverbNation members, we are just a few weeks away from launching the new ​MIDIMike’s Reviews Site.  This site will be dedicated to reviewing original music and creative writing submissions every week.  I assembled a​n amazing​ team of reviewers to work with me and they are ​also ​excited to help with this new project.

I have been writing and performing for decades, but recently I struggled to get my material professionally reviewed for my on-line presskit.  I have seen a number of artists struggle to acquire this simple but necessary stepping stone.  Several of you have asked me for opinions on your material and I want to make that advice available to everyone.  I want to be able to give back to all of you for the support and encouragement you’ve given me over this last year.

MIDIMike’s Reviews will  be free and honest.  I will be posting the reviews on my http://www.midimike.com site (which has thousands of views per month) and on the upcoming review site.  You are also welcome to use the review for your own website/blog/presskit when referencing MIDIMike’s Reviews as the source.  The individual review posts are not guaranteed for all submissions, but every submission will receive feedback from us.  I enjoy raw talent, but the submissions should be presented ​as professionally​ as possible.  Your creative works will be handled with the utmost care and you retain full ownership.  HOWEVER: You must guarantee you are the sole author and have full permissions to publish these works.

If you are interested in having your material reviewed, please e-mail: midimikesreviews@gmail.com

Music – You may submit a song or an album for review.  Please send a link to the material in full and any additional presskit material or websites (if available).

Poetry – Please e-mail the poem or poems in full to the e-mail address with any websites/social media (if applicable).

All levels of experience accepted. (If you have any questions, you can also e-mail them to us at midimikesreviews@gmail.com)

Please keep in mind; I do what I can, but sometimes life gets in the way. Please be patient with us while we get this up and running.  I tried to avoid as much legal jargon as possible but there are exceptions, exclusions and I have the final say on what reviews will be posted and for the content of the reviews.

On a more pleasant note, I get to hear a lot of great music from new bands and artists before they become wildly famous and read great poetry before it’s professionally published! Thank you for making the first half of 2015 a blast, and it is just getting started!

​MIDIMike​

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Encouragement – the action of giving someone support, confidence, or hope.

This also applies to writers, artists, poets, performers, photographers and so on… Let’s build each other up instead of competing with one another. Once you’ve reached the next level, reach down and lend a hand to everyone still striving to get where you are. Be thankful to each and every person who encourages you and GO OUT OF YOUR WAY to support and encourage others.

As a member of a cover band, I was given the opportunity to add something to my personal profile on the band web site.  I added a statement that went something like this; “we will play anywhere for free…..we just charge to move the equipment in and out”!

If you think about it, you would have to pay an awful lot of money to have ‘professionals’ move that much equipment.  Then they have to pack it all up and take it back at the end of the gig.  I have played keyboards, guitar, percussion and back up vocals in most of the bands I performed with.  Sometimes I also ran sound at the same time!  I was carrying so much gear for myself that I probably had more than the sound guy!  Once you haul equipment out of your house (I did not have duplicates, so what I used in the studio I had to tear down and take to the gig, set it up, tear it down, take it home and set it up in the studio again) and set up the gear you are all hot and sweaty and exhausted and now get to play for 4 plus hours, pack it all up and take it home.  Ahhhh, the glamourous rock and roll life.   Knowing all that, I think most people would be amazed at how little the local band playing the bar scene gets paid for all that work.   Maybe it is confusing because we call it ‘play’.  If I figured out an hourly rate I would probably get really depressed!

We also had to practice, individually and as a band.  No weekends free….  you get home at 3 or 4 in the morning and have to recover most of the day, then you play that night and do it all over again.  I always worked at a day job and still do, so this was about all the free time I had.  Now time for family, writing and recording projects and hopefully a little time in the sun.

Is it fun?  Absolutely.  I am an introvert and very shy in public, but it is a thrill to perform with great musicians and have the audience appreciate what you are doing.  I would not give it up, and if I were a bit younger I would still be out there.  At one point I told the band members that I would quit gigging out when I turned 50  – or my van broke down, whichever came first.  My van did break down first, but our light guy fixed it himself for free.  So I kept playing out.  Way past 50.  I recently stopped because tinnitus (a ringing in the ears from long exposure to loud sounds) got pretty bad in the last few years.  I only play out for special occasions these days, but it is still a blast.

https://itunes.apple.com/us/album/dark-energy/id962943592

This is another acoustic guitar song with me as the vocalist.  This is a true story that I took creative license with and made into something more than it was for the effect.   This song really is about me getting a ticket while driving around town.  This was many years ago, so the details are always suspect, but I was driving local roads and might have been distracted but as the traffic ahead of me slowed and then rapidly came to a stop …… I didn’t!  Unfortunately I ran into the car in front of me – at very low speed –  but to fast and to late to stop in time. The police officer gave me a citation for ACD, which I suspect, most of you safe drivers might not know what that is!   Around here that stands for Assured Clear Distance.  It is the driver’s obligation to make sure to have enough distance between you and the vehicles ahead of you to stop in time to avoid doing what I just did.   This was my first accident and it was all new to me.  While I am waiting to get my citation and then reviewing the event afterwards I thought ‘how am I going to explain this?’.  So I came up with a rather funny romantic embellishment and wrote a song about this experience. The song also has an interesting intro and break.  A number of my songs will have unusual time signatures.  For the musicians out there, send me a message if you know what time signature I used.

Believe it or not, MTV started off as a media outlet for – VIDEOS!  It was not what it is today.  Music videos were still relatively new and there were not that many out there but they started being produced in numbers once MTV provided an outlet for them. The Chicken or the Egg thing all over again.  I did not own any video equipment, but I was familiar with photography and music, so it was a natural interest for me.  Back then, cable companies were starting to set up monopolies in various cities throughout the US and we were in the Warner Amex territory.  As part of their agreement with the city to provide cable and other services, Warner Amex made some of their equipment and channels available to local citizens. They provided training and allowed non-profit citizens to go through camera and editing training and once completed you could schedule use of their equipment to create content for viewing on their Public Access channels.

I was one of the first (my card was # 000090!!) to sign up for the training classes.  I would borrow their equipment and film bands and live performances, family growing, along with a number of other projects.

My first project was to make a video that introduced the idea and benefits of the Public Access program, (we hoped if we had a complimentary message it would be good for PR and relationships with the people that administered the program, (we were right). and a music video idea we had been working on.  This is by definition low-budget and is dated by equipment and resources available today. But it was a learning experiment and was a lot of fun.  To do a lot of what we did it took a bunch of planning and trial and error.  I had been playing keyboards for a very short time and there are a bunch of mistakes, I was new with the video editing and production, but not this was not bad for the first release.  Usually, I am also the cameraman, but filming my own band required additional operators.  I edited the video from the collection of raw tapes and a live performance of the song.

This video features my younger brother as the narrator and the music is from the duo I was in at the time called, “The Personal Touch.”  The intro theme is a musical piece called “The Big D Jam”.  The video is based on a song the guitar player wrote called “Transaxle“.   We took vague ideas and filmed them all.  Then edited them into something semi-cohesive!  There are a bunch of funny stories that went into the making of Walking Man but I will spare you for now.  The end credits use a song of mine introduced earlier called “The Pleasure Tax“.

As with many of these blasts from the past, there are lots of good memories and a number of painful ones.  Looking at this video again so many years after, I see my youngest brother Chris in his healthy days doing the narrative part introducing the musical video before health problems including throat cancer took their toll.  This is when we thought we would last forever….. there was no end in sight.  We do not last for ever.  For him, the end was so close to the beginning.   We all have our vices, but with legal ones like tobacco and alcohol killing people every day, we all know someone that has been affected by the results. Here is the real message we should be sending; These drugs may not kill you.  You will not lose ten years of your life.  You will survive – and grow old – and suffer – for decades, with a disease that is eating you from the inside out. I am glad I was there to help him a little as he faced the end.  I would have given anything to find another path for him, but he knew where he was going.  It did not stop him and neither could I.