Posts Tagged ‘#retro’

I guess I never really came up with a name for this tune.  Sometimes I will write lyrics and give it a working title.  I do the same thing with musical pieces I am working on before there are dedicated lyrics assigned to the tune.  As I continue to work on a piece, the name often changes when chords are matched with a set of lyrics.  On rare occasion it happens at the same time, and that process is a little different – and easier!  This is one of those weird situations where I never got to either, and this has always been referred to by the date…..  March of 1990.

March in this case also has a double meaning.  It is the pull away from the Winter season where I live.  The steady movement of new life.  The pace of growth that cannot be stopped. The instrumental tries to match that drive and frantic pace of the season.   Driving rhythms, collage of melodies, bouncing themes – and then to dynamics and a reflection of what is now past.  Then back to driving growth.  That is what I think about as I listen to this tune.  Even now, heading to Winter, I feel that March pushing forward.

Back to the Atari 1040 ST, I am sequencing all parts for this tune.  I believe I added a new tone module from EMU called the Proteus 1.  This was an amazing machine and I have not found anything as good and simple to use as the Proteus series.  It was really cool for two major reasons in my opinion.  1) the sounds were just awesome for the time and there were lots of sounds on board.  2) the operating software used was just made for MIDI geeks like me.  It was very simple and allowed the Proteus 1 to create splits, layers and zones, but it easily allowed you to access all 16 MIDI channels at the same time.  I could write a few articles on this alone, but for now it meant you could assign a different sound to any or all of the 16 channels independently.  As described in the MIDI series, this was great because you could use channel 1 for piano, channel 2 for organ sounds, channel 3 for strings, channel 4 for brass or orchestra sounds, 5 for flutes, 6 for sound effects, 7 for guitar sounds, 8 for solo instruments, 9 for the bass guitar sound, 10 for the standard drum channel and still have channels left over.  Playing out in bands and in the studio with this was just a dream.

https://itunes.apple.com/us/album/touch-down/id962542289

Thinking about a recent post where we shared our first concert experiences, I was reminded about my first concert to see The Grateful Dead. I was fairly young and the environment was overwhelming and exciting.

We used to play one of their songs called “Mr. Charlie”. The Grateful Dead are off beat by nature and this is one of their songs most people have not heard.  I recorded this cover song a couple years ago and decided to pull it out of the ‘deep-freeze’ and post it for the fun of it.

When I was in cover bands, we were pretty much forced to play main stream or currently airing songs.  I would suggest the unknown songs often but understood when we played only a few.  This one never got the approval either, but the core group used to warm up on this one and I just like the flavor of the song.

Credits to The Grateful Dead.  This is my Ovation 12 String guitar and I do a little harmony.  Hope you have a little fun with this as well.

Years ago when I was still learning to play guitar; I know, we are always learning! In this piece, my great friend and musical soul mate Tom Robinson is playing guitar and singing. I play around with the harmony, not knowing exactly where this song is going as we play off each other’s ideas as the song ends. This is another very basic living room recording but I simply love the song and the textures we created around the basic outline of the song. I hope you enjoy it as well. There are a number of inside jokes and references people might not totally understand, but I don’t think that will interfere too much.When I contacted them recently for correct song credits the answers were definite with options available for future adjustments. Tom Gorman and Tom Robinson [for all intents and purposes…] wrote the lyrics. Music by Tom Robinson. For a little more history I will include a portion of the conversation for historic kicks and giggles.

(Co-authors) Tom Gorman to Tom Robinson:

It was I July or Aug of 77 at your apartment. ….. Your stereo wasn’t working, and you were tinkering with it. You began to make progress and said “We got the capability . . .” For whatever reason, that inspired me, and I wrote most of the words to the song, including most of the refrain. ….. You came up with the lines about (mutual friends). I had written “We’ve got to feed our habits now” but couldn’t think of anything else. You changed “habits” to “rabbits” and added the line about rounding up the steer. At a later point, you put it to music and added “Thinkin’ about our doodely doom” and “weekend in the womb.” You also gave it the title “The Round-up.” The illegal beer was the Millers that (we) managed to score on a Sunday when it was illegal to sell it on Sunday.

“Rainy Day”            

Cruisin’ down the avenue

Raining in the lightning.

Listening to the radio

Cruisin’ in the darkness.

           Peddle down, let’s burn this town

           Fire from my tires.

           Reflections in my rear view mirror,

           I will find tomorrow.

Comin’ down the avenue

Raining and the lightning.

Reflections in my rear view mirror

I will find tomorrow.

Go for ride real late at night

Rain comin’ down like it usually does.

So I turn the radio to the right

Playin’ the same songs as the other night.

So I slammed the door and I left for good

Now you find me driving in your neighborhood.

Don’t explain it to me, it’s well understood

Everything you do for me is for my own good.

           Turn ‘round the corner I’m still losing my mind

           So I punched it down and left it all behind.

           Tryin’ not to cry I push it all back

           Racing fast to nowhere on a one way track.

           No colors at all, just the burning headlights

           And the crackling of lightning tearing into the night.

           People ask me what I do at night

           I tell them only one thing makes me feel all right.

           It makes me feel all right.

Lyrics by Michael & Ellen Kennedy

Music by Michael Kennedy

(c) 1986

Thank you, thank you, thank you! For the next few days I’ll be offering all of my blog friends a free download of my song Miracles In Your Hand off of my upcoming EP, “Before The Chase.” I have been struggling to find a proper way to thank you all for your support and encouragement over the past year. I was very close to throwing in the towel, but I started this blog and thanks to all of you and your kind words, I’ve been motivated to keep pushing forward.  As I watch this year’s calendar fill with major events and milestones, there are usually small celebrations here and there.  At each one I am not only surprised at the positive response and friendships created, but also by the amazing amount of talent and creativity this community produces.  Please stop by and add this original song (Click here – Miracles in Your Hand) to your personal libraries as part of my continued appreciation for all you have done to support and spread my works.

After a break-up some of these lyrics just poured out.  Seeing the same thing and coming to opposite conclusions.  Having an early exposure to poetry first, I try to keep those ideas reflected in many of the songs I write.  The chorus was an idea I had been playing with lyrically for a while and it seemed to immediately fit with the loss described in the verses.  What would you do if you held a miracle in YOUR hand?  What if that couldn’t save you?

“Miracles In Your Hand”  (c)  MSK

A reason is such a small thing,

Can’t you give me one?

Seems to me you were holding out,

Were you really just holding on?

The things we did won’t mean a thing,

The memories drift away.

The things you said hang in the air,

Like a light that will not fade.

CH:  You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.

When the answers seem so distant,

Questions lose their fun.

You thought that I was shutting up,

I was really just shutting down.

It’s time we found the meaning,

In the games we have made.

And a reason makes the difference,

When the last trick must be played.

CH:   You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.

Thank you so much to everyone who participated so far in my “Who Do You Love” post.  There were some very interesting lessons as I collected and listened to the recommended songs  that have influenced us over the years.  I say us intentionally.  You are the best group of people I have never worked with!!  LOL.  I mean that in a kind way.  It is easier for some people to develop good relationships with some one they work with or “serve” with.  The bonds can last a life time.  We do not have that work platform, but the friendships made here are also very strong.

I was equally surprised by two things:  1) I knew a lot of these songs and bands and 2) I didn’t     know a lot of these bands and songs!!  It took me a long time to go through them all.  But there are some gems in here.  Many are the best of their category – NOT necessarily the most popular or the one with the most airplay.  I encourage you to look deeper into comments as I will not list them all here again, but I want to point out a number of them that caught my ear.   A lot of your suggestions were passionate and you can tell there is a lot of history and emotional connections in the lists. Here are just a few – but again not a complete list of the gems you suggested. Please continue to post your musical influences.  I have thoroughly enjoyed and benefited from your suggestions.  I hope others get a kick out of these too!  IN NO ORDER WHATSOEVER

Active Child – what a range the vocalist has.  Unusual set of musical toys, and lyrical   themes and vocal textures blend into a unique soundscape.  They create a house and invite you in.  Well worth the visit.

Switchfoot –  “Hello Hurricane”, This is a clean sounding song. Well recorded and mixed. Driving beats and vocal power that can be smooth and open.  Good blends in harmonies.  Good energy and I like the ay the song builds at a slow pace.

Jon Foreman – The Wonderlands.   Here is another great blending artist.  Nice harmonies and the background music surprises with different arrangements and instrumentation.  Very good dynamics.  Addictive style that is pleasant and easy to relate to.

Bat for Lashes – Laura is a great example of this artist’s prowess.  She quickly sets up the mood and the tone and then lays the lyrics on you with vocals that seem to have more control than humanly possible and enough emotion to cause global warming.

For raw power with a message it is hard to beat La Dispute.  Combining a number of styles into a passionate assortment of lyric driven songs.  A speaking style not trying to be rap that works very well for this group.  Great driving music for a long trip.

I have to mention this because it was cool from an historical point:

https://ahigherrevelation.wordpress.com/2013/05/23/triple-js-20-years-of-hottest-100-countdown-what-did-i-vote-for/

I was really fascinated to check out Barclay James Harvest.  These guys are right up my ancient alley and I have never heard of them.  I know this might not be the most popular suggestion the community has suggested, but they cover all the progressive territory of other bands I am familiar with.  Some of the video clips from around 1979 are out there and worth an evening or two.

I had heard Ed Sheeran before, but wasn’t that familiar with his works.  Nice variety, works on a good image – that is a good guy image and it comes of very well for him. He tries to add variety and the songs are great.  It was definitely worth my time digging more into his songs and videos.  Great voice.  Solid music and production.

Kate Nash – Nicest Thing.  I can see why this is a favorite.  The style is intentionally out there and it has the sneaky ability to pull you in instead.  When you can make comfortable and eerie blend perfectly you have a great emotional landscape play in.   She calls this her territory and of course the lyrics pull you right into the main theme. Good call.

City & Color – As Much As I Ever Could is another great example of a band that has it all. The vocals are outstanding and his control is impressive.  Lyrics are fine and fit the ballad style of this song.  Band dynamics are worked out by what seems to be magic. Harmonies kick in and punch it for added tension and for me the keyboards are a great touch.

Dave Koz’s tunes are cool jams and the performers are all top notch.  You don’t have to be a genius to get into their grooves as well.  Slick mix production.  If it is time to sit back and enjoy, take in a few of these live performances and watch the players do some cool stuff.

Ian Carr’s Nucleus – Roots: https://www.youtube.com/watch?v=b-Cu5TJm0GI This is a great progressive jazz.  Maybe an acquired taste for some but worth checking out for the chops and creative jamming.
Frankie Beverly’s Raw Soul – I Need You: https://youtu.be/U7uJ_zddoSs This is another great jam band with solid grooves and guys that know their axe.  Percussion to die for and the organ player is pretty top notch.  Great live musical fun.

The Hep Stars got by me completely somehow.  You can hear a lot of influences that were dominant at the time.  Good vocal blend and the recordings are actually pretty good. They captured the times and the look and ran with it.  For a blast from the past this is a good history lesson.

 The Raconteurs are a great groove band with a heavy guitar sound.  The vocals and the harmonies are well worth the price of admission. For a lively rocking jam, this is a great place to start soaking up some new tunes.   https://www.youtube.com/watch?v=Vu9hj_kMm48

This video stands on its own, but the vocals have to be heard to be believed from The Temper Trap.  Great name too.  https://www.youtube.com/watch?v=yMuuc_pqx2s is a great song with a vision.

 Lana Del Rey is one of those artists you have to sample more than one song to get a feel of the true talent.  Maybe listening a few times would help, but once you cross over she has a powerful musical presence.  Try https://www.youtube.com/watch?v=o_1aF54DO60 for the unfamiliar.

Manic Street Preachers have a great Brit rock/POP sound. https://www.youtube.com/watch?v=nusymqINrSc is a fun video to start with.  Good clean style, great vocals and they are not afraid of dynamics.  They also love a song with a theme or message, so good for a fun musical cruise.

Acoustic Alchemy are worth noting for a band that has chops and a smooth modern jazz style.  https://www.youtube.com/watch?v=EVtQHpwv9sE is a good example of their live performances.  Fun jams and precision licks from a talented group and for a nice addition try a “Shelter Island Drive”.

Notables: 

Ashestoangels

Sufjan Stevens https://www.youtube.com/watch?v=asCLMdrWuA0 for eye candy.

From The National, try https://www.youtube.com/watch?v=A-Tod1_tZdU to set the tone for the evening.  A vocal and visual treat.

Amaia Montero – Quiero Ser and I have no idea what she is singing, but I can understand why it was recommended’

Thank you again.  I really enjoyed this project and thank all that participated and to all the thought put into it, even if you did not post your list!

https://itunes.apple.com/us/album/dark-energy/id962943592

I wrote this song as a plea from the past. A message in a time capsule planted in you memories. It is in remembering that we learn.

Maybe it is because I have worked in the service area in one form or another for years, but I see a lot of people that do not want to wait their turn. They think they have a better reason to be first than anyone else already in line. The bass player with The Merchants Of Death (equal part original / cover band I played in) had a fascination with trains so I added the part about the train being on time after using some of his images while talking excitedly about their beauty and how powerful they are. It seemed to fit. You don’t have to wait, but neither will the rest of the world if you are not here to get on board.  It exposes a point in time where too many things seem to push you the wrong way, and very little anyone can do about it.  Life stacked against you.

It is also a reminder that somethings are better understood when looking at them in the distant past. As we remember events – especially through our dreams – our part in those events can become clearer. Often, I am not the saint or righteous person I thought I was when it happened. We can all be fools. Sometimes our dreams and the path to paradise is right in front of us and we do not realize it; or worse we refuse it for mysterious reasons.  This is one of my older songs that I really love even after all these years.

This is another song recorded on my 12 string Ovation guitar I have. For this song you can tell I have two vocal tracks and I am singing all the way through the song. Using slight panning separation I try to add distance in the vocal parts. The guitar is open-tuned to G, which makes the chords seem full and spacious at the same time. I like it, anyway! To me this is a gorgeous sound all on its own.

“Get Out Of Line”

Just after my dream fades,

I hear her say,

“There will be many days,

For Fool Parades.

CHORUS:

If you don’t want to stand,

Then get outta line.

But don’t be surprised,

If the train is on time.

Still, it seems funny how,

Lost track of now.

Things that might have helped out,

They won’t allow.

CHORUS:

If you don’t want to stand,

Then get outta line.

But don’t be surprised,

If the train is on time.

“Don’t forget what I said”,

And I shake my head.

Feel the sweat on my bed,

Or tears instead.

CHORUS:

If you don’t want to stand,

Then get outta line.

But don’t be surprised,

If the train is on time.

Just after my dream fades,

I hear her say…..

“Don’t forget me”.

Like many songs or projects do, this song combines a number of events in my life with observations I make as an observer on the planet Earth.  I was outside and looked up in the sky one afternoon for no real reason and noticed there was a bright full moon.  I know they happen, it just seemed unusual and weird.  Do werewolves come out on a full moon In the Middle of the Day? I digress.  So I thought that is weird, and how would most people notice there was a full moon? When you’re looking up from the ground.  I worked in a call center for a number of years.  Some of those years get boiled down into a verse or two.  It expresses frustration with the extreme customer and how difficult it can be to ‘act professionally’ when under duress.  But there is also recognition of the people I have worked with.  It feels natural.  We work as a team with no agenda.  I have worked with some great teams of people, some very smart and some very dedicated and some very efficient.  All working together and helping each other. If only we could get big business and politicians to work like that.  On this song I programmed the drums and played bass guitar behind the 12 string and vocals. It was just a quick little ditty about work.  I like the arrangement of the song and it has a few twists to it.  It is fun to play and I hope you enjoy!

In the Middle of the Day

Muscle machine; glorified drama queen,

Held together by something in between.

There’s a full moon in the middle of the day,

Sometimes you just can’t get out of the way.

All the crazies, calling you on the phone

Never get the time to be on your own.

There’s a full moon in the middle of the day

Tell ‘em the Truth; Lies, they won’t believe you anyway.

But it feels natural like this

Everything works the way it’s supposed to be.

Know it with every kiss:
I’ll take care of you, if you‘ll take care of me.

It’s one thing, until you turn around

That’s when you notice, looking up from the ground.

There’s a full moon, in the middle of the day,

Gets to where black and white blurs into gray.

The dumb ones really get on your nerves,

And This One thinks everyone’s here just to serve.

There’s a full moon, in the middle of the day,

Don’t you ever wish you could say what you want to say?

It feels natural like this

Watch out for each other, learn from what you see.

Know it with every kiss

I’ll take care of you, will you share your life with me.

*It feels natural like this.  It feels natural like this….

There’s a Full Moon in the Middle of the Day,

There’s a Full Moon in the Middle of the Day

This was one of those amazing events that happen in your life. You get thrown together with really cool and creative people and work on a project. There are so many stories here it is a good thing that I need to break it up into a number of segments. I have already credited a lot of the experiences I had as a result of working at the music stores. This was another one of those. The employees were musicians by definition and we also had band and instrument teachers working there. Everyone played but quite a number of us wrote our own material as well. At the store I managed, we were a diverse group with a wide definition of styles. I did not own it, but it was MY store. I had an agreement with the owner that he not visit my location while I was there. I would run it my way and do the best I can as if it is my store. He agreed and for years I did exactly that. I took care of the people that worked and shopped there. I gave people real advice and information. We developed long-term loyal customers. It was a great team and we had a common goal – do good and we keep the owner out of our building! Great motivation.

A local radio station WOXY in Oxford, OH sponsored a Local Licks radio segment I think every Thursday night for a few months. I had submitted a few of my songs and one of them got played one week. Nice feeling to hear your stuff on the radio. I submitted a few more original tunes and suggested one of the other employees to enter some of his songs. He had more of an urban beat box groove thing going and he did all his own recordings. He did not think anything would come of it as his stuff is even more eclectic than mine! So he gave me a cassette tape – yes, a cassette tape! – and told me to pick the best songs and send them in under his name. I took his tape home and consumed it for hours. Then I made my decision and picked three songs to submit.  This is one of those funny things too. I sent in a song I thought had a great hook a nice arrangement and was really catchy in the genre he was in. I entered my next favorite that really pushed the drum/percussion thing he had going. I thought they had a good chance.

For the third song I threw in something that in all honesty was my attempt at ‘comedic relief’. I figured if I threw something out there that was really bizarre and off beat, they would think the other two songs were great by comparison. Not that the song was not great, but not a match for this heavy-leaning college radio station (… “the future of rock and roll” …..) The third song of his featured a banjo player and an off beat kind of groove. The Local Licks segments lead up to a radio version of battle of the bands. Songs played on Local Licks weekly segments would be entered into an elimination round on the last week the program aired. The finalists would have their songs played one more time as the winners were announced and then the bands would perform for just under an hour in a well known club in Cincinnati for prizes and glory.

As we listened to the local radio station during the elimination round there was a funny feel to the ‘winners’ moving ahead. There was an unusual flavor where songs you thought would be a shoe-in were dropped, and unusual tunes were advancing. Some songs were down right off the wall. There must have been a shift in judging but there were songs with unusual instruments in them getting to the finalists position. There was a song by a band called Tuba Blues. Another one I can’t remember had another unusual lead instrument and to think of it, as you remember one of my friend’s songs featured a banjo player!. Sure enough……. his song kept advancing. We were floored when they picked my friend’s third song! That night on the radio they announced the four finalists that would compete in a live battle of the bands event at Bogarts. Without pulling out records I think the event would be in about three or four weeks time from the announcement.

None of us at the store expected any of us to go that far, let alone to finalist. But none of us could believe that was the song that won! It was a fluke that I entered the song and that the judge apparently was looking for unusual instruments in rock and roll bands that year. Who da thunk? Once we met at work and talked it over it became obvious my friend had one problem; he was a soloist and there was no band! HA! The guitar teacher had a band called It. Ellen and I would join on keyboards and guitar and vocals and another employee and great friend over the years would join in on keys, guitar, vocals and a mean shaker! Each of us put in original songs to perform as a band and we rehearsed for a solid two weeks to try to get ready for this show. We knew numbers-wise we did not have a real chance of winning, but we were determined to make a show and event out of it.

……. All the while in the depths of a cave far from civilization, a Master of Ceremony was writing a series of short speeches that would be an added theatrical presentation between songs. Only the day of the performance did we see how this fit together and we had no idea what he was going to say – with the exception of a few word keys that would trigger a response from the band members, and occasionally the audience in return.

Fortunately we were all musicians currently involved in original songs and live performance. We had pretty good gear and we knew how to use it. We knew how to learn songs and how we can add to them or subtract as needed. Practice went well and started to be fun. The writer of the winning song chose the band name, and we made T-Shirts for all band members with the band name and studio logo; Willie the Ferret Studios. We worked out vocal parts as we had a number of vocalists and lots of harmonies and added speech. The lead guitar player was killer. His drummer was awesome and the bass player in their band IT, was solid and blindingly fast. With that foundation we just had to do our thing and it would all blend in fine. So we were ready enough but nervous as hell. A lot of things could go wrong here.

We get there and listen to the bands that were playing before us and there is a pretty good crowd at this point. We have our equipment squeezed up next to the stage entrance so we can rush in as soon as this band is done and moves their gear out. We set up fast. My keyboard controller does something funny and it takes me a while to fix it. No problem – tune guitar and ready to go. We look around and there are only a few microphones so we ask for more as we have a number of vocalists. They tell us no, that is what everyone gets. So as you see us a little unorganized and running from one side of the stage to another, it is changing instruments and trying to find a way for all vocalists to sing – or speak their part.  After a while it was just funny and we worked it out quickly for the most part and had fun with it.

The audience is not sure and a little uncomfortable with the speeches at first, but after a couple times and solid music everyone got the idea and joined in. The band has to settle down a little and the monitors and the mix takes a while to get used to. It is hard to hear some of the keyboard and vocal parts in some parts but that is to be expected. The writer of our winning song does not perform until the last song, so he helps with the Main House mix in the club. We were a little more involved than the regular rock band so he was able to plan ahead. I wish the lighting guy had help too. They seem a little lost at times but over all still a cool event.

https://itunes.apple.com/us/album/retrograde/id962542260

It may take a few times through listening to this one.  A number of my songs might seem quite alien at first.  I hope you let them grow on you.  (OK, that sounded kinda creepy LOL!) This is a textured song where I did all the sequencing and drum programming.  There are no guitars on this song.  Most of this is Atari days using the Proteus 1 tone generator an the RX 15 drum machine.  I also use sounds straight from the keyboard(s) I use as controllers.   In this case it is the Korg Trinity V3.  Other than the vocals, everything is recorded via MIDI and plays back live sounds from the keyboards and tone generators (along with effects and other goodies).   From start to finish this is a dark piece.  Sparse percussion with a rolling sequenced bass line.  You have heard my wife before on “All Night Long” and “What I do at Night” and this is another one of her gems.  The intro and break vocals are from Phyllis Ann, who toured with The Personal Touch and sang on “The Touch” and “Our Bodies Move.”   As the song begins I try to use multiple melody lines in various instrument voicings to lay the chordal structure.  Plucky guitar sounds come from the Korg.  Slow trance – lulling you closer.   Then the message; “Who’s Following You?”.  But the subject quickly settles on the main issue; death.  Too many of us are waiting for that dream.

“It’s Easy to Die” (@) MSK 1990

I wonder, I wonder who

Who, is following you.

It’s easy to die

You just close your eyes.

And then once the dream begins

It will never end. My friend.

Don’t put up a fight

Just follow the light.

It’s not too hard

And once the dream begins

It will never end.

Chorus:

It’s easy to turn

Your life into lies. My friend

And once the dream begins

It will never end.