Posts Tagged ‘#people’

(C) MSK 11-8-2018

Intelligence is not the answer,

Though wisdom certainly is.

I might be waiting for the cows to come home

But I don’t have time for this.

 

It doesn’t take a genius to know,

Facts are the same for everyone.

That doesn’t mean it’s all black and white

Or can be changed with a gun.

 

It’s often a matter of perspective.

And that makes it hard to understand.

Why someone turns grey into black or white

Without experiences of the other man.

 

If you have been supported by faith

Then religion can be your guiding hand.

Survive Jihads, Inquisitions and pedophile priests

You might begin to feel nothing but hate.

 

The police are always there to serve,

And get you home safe at night.

In my neighborhood it ain’t like that at all

So it’s safer to take your chances and run.

 

Intelligence is not the answer,

Though wisdom certainly is.

I might be waiting for the cows to come home

But I don’t have time for this.

 

All the experts seem so smart,

Until you hear from the others.

Sooner or later we have to realize

It’s time to stop killing our brothers.

 

Smart people become rich people,

Their answers bring cash and fame.

The poorest will always be poor; just look at them.

There’s no one else to blame.

MSK 10-29-2018

Wise as an owl

And sly as a fox.

Hungry as a bear

Majestic as a whale

Strong as an ox

Hung like a horse.

Fast as a cheetah

And quiet as a mouse……..

 

What will we be like

When none of them are around?

 

Loyal as a dog

But finicky like a cat.

Soaring like an eagle

And happy as a clam.

Nutty as a squirrel

Still playin’ possum

Silent like a snake

Climb like a goat

And sing like a bird.

 

What will we be like

When none of them are around?

 

Tall as a tree

Bright as a star

Deep as the ocean

And flow like the river.

Whisper like the wind

And sing like a bird.

 

What will we be like?

What will we be like?

What will we be like?

What will we be like ?

When none of them are alive?

© MSK 10-2017

This song has taken a while to finalize the arrangement.  It is only part of the song it started out as.  Diced, sliced, edited and rewritten, I hope this first mix sounds like it belongs!  Sometimes you are guided.

I will play other sections in the future.

Please enjoy “Deep Inside”

Deep Inside me, Deep inside the eye of the storm

Deep Inside you.  Deep Inside the eye of the storm.

Deep Inside me, Deep Inside.

 

Sometimes you are guided

And sometimes you are not.

The road is long; it never ends

No matter what you thought.

 

The place you are standing

Was never meant to be.

Lost when your memories

Created what you see.

 

Pound after pound

Life gets laid upon you hard.

Sound after sound

As the dealer plays his cards.

 

Sometimes you are guided

And sometimes you are not.

The road is long; it never ends

No matter what you thought.

 

Deep Inside me, Deep Inside the eye of the storm

Deep Inside you.  Deep Inside.

 

(C) MSK 9-14-2018

She looks so happy

From the outside, many of us do.

Sure and in control

Man, I wish that were true.

 

For every question

So sure we have all the answers.

Act as if we’re immune

To weakness, disease and cancers.

 

He stands there so calm.

No sign that he’s ready to explode.

Sleeves rolled up: digs in

This close to just running down the road.

 

There is no training for this.

Won’t find it on utube or Internet search.

There is no training for this.

                 No help from lawyers, police or church.

 

For every question

So sure we have all the answers.

Talk as if we’re not human

Just crazy, drugged up dancers.

Letter 307

On-street-parking.  I know I will get a lot of kick-back for this one but I think we should end on-street-parking.  Even in residential and business districts.  Safety issues, snow clearance, traffic flow, and maintenance costs come to mind immediately.  I know many areas do not have much parking space for residents and there are more multiple car families than in the past.  Businesses also benefit if customers can park right in front of their stores.  But I am not sure this is worth blocking local traffic including emergency vehicles, utility companies, snow plows and the like in areas easily affected by weather, accidents, building fires and a host of other challenges.

Still, if we are planning a city or community, let’s plan on eliminating this practice entirely.  Just think how much this would ease congestion, improve safety, reduce city road maintenance costs, allow for emergency vehicles and unexpected weather or unusual events and improve the look and health of our streets and neighborhoods.

Let me know what you think.  What would you suggest to your city planners?

Letter # 305 

I like to drive around cities and country sides.  It becomes obvious after a bit of traveling that some cities are better planned and have more logical systems in place than others.  I would love to have the ear of some city planners because it is clear they do not PLAN for growth and other transportation needs early enough.  I would like to share some of my thoughts with you, and hopefully you will share yours here as well.  Who knows, maybe we can get the attention of a few city planners while we are it!

One thing I would really like to see changed is the location of many schools.  I know there are good reasons, but all too often they are located on the main strip through towns of all sizes.  I thought about posting pictures as examples, but we have all seen them.  My guess is this makes the land rather expensive for all tax payers.  Or to look at it another way, the land is of commercial value and interest to local businesses.  A number of businesses could pay fair price for the prime locations and exposure the real estate could provide and that would translate to higher tax collected and business success in the area.

Now consider if the schools would be located a few blocks away from “the main drag” going through town.  Your children will be safer crossing the streets and playing in the area due to reduced traffic around the school.  People that are not supposed to be there would be more obvious if they are loitering around the area.  This would reduce risk to students.

Now that the school is not on the main road, traffic flow will be improved by not restricting speeds in school zones, reducing congestion in parts of town most people will have to travel through daily or at least quite often.  I understand this might mean a loss of revenue by reducing speeding violations through school zones, but I think we can live with that!

What do you think?  Do you see more reasons to adopt this policy?  Do you think there are reasons or situations where this would not be beneficial?

Let me know what bothers you about travel through your city and in other locations.  Who knows, maybe we can suggest changes that will help a lot of people.

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The songs in this session are simple two-channel recordings.  These are not multi-tracks of isolated instruments to be mixed down later.  This is down and dirty history.  I enjoyed recording and listening to each of the gigs.  The rest of the band were ok with it, but they were really into the performance and live audience vibe.  As a result, I did not get much assistance or cooperation with my projects.  We never did a sound check for recording levels.  We did not set up differently or use additional gear.  I usually taped separate mixes from their sound board or by using a combination of mono mix and single hi-quality microphone up on stage.  See my LSR series for recording configurations.

Unlike the other players I have jammed with, I had not been playing in bands since I was a teenager.  I did not start playing in front of a ‘real’ audience until I was probably 31 or older.  I started playing keyboards (technically different than playing a piano or organ) when I was 30.  Before that I wrote songs and played my 12 string guitar for parties and such but that was about it.

Lacking confidence and years to sharpen my skills, I tried to make up for it in other ways.  I practiced a lot                     compared to the other players.

I helped in tech – light – sound – marketing.  The recordings were for me, LOL!

This is a live recording of a medley we came up with.  None of us really liked disco, but no rocket science to keeping guys in the club is to keep the girls on the dance floor!  We smashed together popular dance songs and other select songs toward the end of the 2nd set.  Enjoy.

 

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Here is another song my brother David recorded at a studio years ago as part of his Studio Way project.  My brother wrote the lyrics and is the vocalist on these tracks.  Terry Boehm played keyboards.  Tom Collier wrote the music and played guitar.  This one is called, “Focus On Your Feet”.  A fun toe-tapping song that sticks in your head!

The songs were being finalized in the studio as each came up to record.  The rhythm tracks were recorded first, with lead instruments and vocals added later that day.  A lot of people ‘freeze up’ their first time in a studio with the tape rolling (yes, this was back in the days when they used tape!) so recording can be very stressful – but with a bit of focus you can come out with great memories.

Greg Stern

MSK Studio

Part of the challenge in writing songs is how difficult it might be to convey a particular feeling or message to studio musicians.  All players should be heading in the same direction, playing the same tune, moving at the same tempo and so on.  Creating soundscapes must be a lot like painting.  Drawing the lines and forms are one thing, but which color is best?  There are so many available yet each one conveys a unique mood or feeling.  Sounds can be like that.  We asked a guitar player/friend of ours to come up with guitar tracks for a project I was working on.   This was for a cable TV project looking for sound tracks for an automotive enthusiast series.  We wanted to give the guitar parts a bit of mood setting so we asked him to create tracks that would generate the feeling of …

an engine or racing car, crunchy, powerful

drive – movement – acceleration, fast, fluid

Using basically no more than the above “instructions” he gathered toys and used the word imagery to shape the sound and the playing style for these tracks.  We used the same list to come up with the basic tracks for the song.  This song is an adaptation of a song I wrote a long time ago and we called it The Big D Jam.  I originally composed this song using the Arp Odyssey synthesizer.  I programmed a pretty cool sounding bass patch and came up with the bass line and skeleton of the song.  This song in its original version was performed when I was with The Personal Touch years ago.  If it was a rockin’ crowd we would let Ric Ahlers jam a bit on the solo parts.  I put some simple lyrics to it and it was a really fun song to play out.  Recently I pulled it out of the song closet and re-wrote the chorus.  I also used new software plug-ins from my computer for all the sounds.  This was amazing for me because I have all this fancy gear with cool sounds and I am not using them at all.  In this post, I wanted to give you an idea how the song progressed. The new sounds are just amazingly clear and natural.  I will post in the near future the complete mix with vocals and effects.  When the sounds and the performance match the request or target, the song seems like it was made to order.

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I have been planning to pull out songs I wrote years ago that have never been recorded before (other than live jams in living room sessions…) and record them.  I have been doing a bit of that lately and here is a song I posted the lyrics to earlier called “The Wrong Reply

For a number of these songs it is difficult for me to imagine hearing the songs in any other way than with acoustic guitars and vocalists.  I often think of harmonies, but adding instrumentation really opens up the choices of how the song is transformed. Many people are not aware that the popular Jimi Hendrix song, “All Along The Watch Tower”, was written by Bob Dylan!  If you listen to both versions you can see how much the instrumentation and interpretation of the song can change it dramatically.  There are many other examples, of course, but this is a good one as I appreciate both artists.  This also demonstrates the power of doing a ‘cover tune’ someone else wrote, but that is a subject for a different article.

As with many of my recordings I play all the instruments – sometimes performing in the studio and sometimes using sounds stored on my computer.  The drums are usually triggered sounds using MIDI controllers (like my keyboard or drum pads). Sometimes I will use drum loops that are pre-recorded drum patterns that you can pick and choose to match your song.  My songs usually have a twist or odd groove to them and do not always lend themselves well to existing drum beats.  I wanted something other than the standard drum kit sounds for this song and used other familiar percussion instruments. The bass guitar is recorded using the keyboard as MIDI triggers.

I made up the instrumental part as I forgot what I usually play there and may add a solo instrument of kind in the future.