Posts Tagged ‘#sound’

It is time to report on the progress of the song that Mack and I have been working on titled: “My Heart Is Silent”.   We had the basic instrumental tracks in place and a rough mix finished and I posted it a few weeks ago.  I added a scratch vocal track so we could get an idea how and where they lyrics fit.  Soon after we let a few vocalists we know listen to the music and the idea we had for the melody line.  The arrangement had a number of parts and we had to adopt the lyrics a bit and worked the melody to fit around the arrangement.

I will include a rough copy of the song with the vocals.  A friend my wife knows came over to the studio to lay down some vocal tracks.  She is not a professional vocalist and this was her first time in any studio.  I know from many years of recording other artists that it is not as easy as it sounds.  I try to be charming and supportive but it can be difficult to feel comfortable when the recording starts and you want to make it perfect.  Ann did very well and she started to get the melody down and add a few flourishes.  So knowing this is a first session and not intended to be a final take, here is the song as it was.

I say was, because each vocalist we talked to, and during our internal creative discussions, it became apparent that the lyrics and mood did not really match the music.  After a number of talks we decided to scrap the music all together.  Mack wanted another crack at it and took the lyrics – and our observations home to try to come up with an arrangement that better matched our thoughts and discussions about the lyrics and what we wanted to hear them with.  As I mentioned, this can be a long process with plenty of changes and modifications along the way.

While we now have a pleasant instrumental piece almost complete, my wife and I will write lyrics to it (so all is not lost).  Mack wrote a new piano piece and kept some of the ideas of the first version.  We have been working on the new musical piece and I will share that with you in a week or so.  We have a vocalist working on the basic instrument tracks and hope to have the new version with lyrics fairly soon.

Part II of Making a Song

Part I of Making a Song

 

 

While performing with my last cover band, Crash Landing, we played local clubs, festivals and private parties.  In this picture of a live set up, you will see a fairly standard rock/blues/country/alternative/jazz band stage arrangement;  drums center rear, Lead Vocalist center front.  Keys (and/or rhythm guitar) on the left as you look at the stage and the lead guitar player on the right.  In smaller clubs the keyboards get crunched back in the corner next to the drummer……  no sour grapes here!  Bass player close to the drummer. (either side doesn’t really matter)  In reality, most bands will not practice in this configuration, but this is the way most of us play out live and we are quite used to it.  In our case, Crash Landing has a number of vocalists.  All but the drummer sings in this band.  The bass player takes front stage position and sings a number of lead vocals.  So does the guitar player.  You can see where the microphone stands are placed for the vocalists.  Close up pictures later in this series will show other microphone positions for the instruments.  These are good places to start.  If you have limited time or setting up for a number of bands in an evening, you go with the standard format and shape the sound from the board as much as possible.  Knowing or having experience doing the quick set-up successfully a few times you will see the standard configuration and mic placements work well for the vast majority of performances.

We can also see the positioning of the vocal stage monitors across the front of the stage.  There are various thoughts on how to set these up but the differences can seem minor.  For this many vocalists across the front, this spacing and direction worked fairly well.  The drummer and/or other non-vocalists might also need monitors.  (it would not be unusual for the keyboard player requiring a monitor to hear the keyboards and a vocal mix if they sing)  This stage size gives players room to breath AND hear.  When inside on a smaller stage, everything seems to collide and jumble.  Outside you can hear yourself play much better (depending on the sound engineer, of course) and at times you might actually struggle just a little to hear the other players!  Take two steps closer to them and they are plenty loud.  This should be an easier situation for a sound engineer.  If I had to do a first gig in my life as a practice run, I would want to do an outdoors gig.

Crash Landing

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The time is all right,

The music’s all right

But that’s not the way you feel.

 

You think it’s so sad,

You drove yourself mad.

Don’t forget, you made a deal.

 

What happened that day, made you run away

‘Til your world seemed so unreal.

All of your friends said, you were living dead,

It takes time for wounds to heal.

 

You stopped and looked around,

What you need could be found.

Don’t need a lucky break, to handle what we make,

We can make it as two.

 

Your mamma’s all right,

Your daddy’s all right.

They both love you the way you are.

 

Yes snowflakes can fall,

And not land at all.

Life is not quite so bizarre.

 

What happened that day, made you run away

‘Til your world seemed so unreal.

All of your friends said, you were living dead,

It takes time for wounds to heal.

 

You stopped and looked around,

What you need could be found.

Don’t need a lucky break, to handle what we make,

We can make it as two.

 

This song is on my new album Before The Chase available now on itunes!

 

michaelskennedy1

In many ways it is difficult to believe I am in my sixties.  While some of the energy and physical abilities are not what they used to be, the drive, passion and beauty in my life still motivate and push me forward everyday.  There is always something new, grand and amazing to learn or experience. 

 I have reached another time and point of reflection.  Early February of 2015 my daughter Alisa and I discussed starting a blog.  She had an idea powered by an amazing sense of urgency.  She wanted me to not only give more people the opportunity to hear the songs I have written and recorded over the years – songs she had grown up with, went to sleep with, woke up with and watched as the final versions became etched in what ever media was available at the time – she was firmly committed that I should also tell ‘my story’.  She insisted (over and over) that I have had a fascinating life and wonderful experiences that people would enjoy and even learn from.   

 I don’t feel special, exceptional or – I hate to use the word worthy, but it does fit here – though I have known and attracted so many amazing people and been very lucky to have been involved with them to become a focal point in their lives.  

 I was not sure what the benefit was and frankly I – as I often do – found it difficult to believe others would be interested in the realization of dreams, struggles and successes I managed to accomplish over the many years.  I knew how much the people and music meant to me, of that I had no doubt and never down-played.  I could talk about them for hours.  It was the subject of promoting myself that was always alien territory for me.  I just never considered going there.   

 She did not give in.  She refused to give up.  She did not accept my cavalier attitude when talking about my work.  She also saw me as a person who played by the rules – sometimes to a fault – and saw the limited acknowledgement and success I had achieved while others became famous by using ‘tactics’ that were not even in my personal vocabulary.  Her design was to use my vocabulary.  To ‘play the game’ on my terms, to reach out to an audience without standing on a drowning man’s shoulders to get above the water.    

 That month; February 2015, I surrendered.  We launched the MIDIMike blog.  I wrote articles and ideas for posts.  She pushed and pushed to make sure I shared my stories and the feelings experienced for them.  She worked hard to set up the blog site, reach out to other bloggers, schedule releases of songs and so much more.  In fact, reading this article she will probably say “you are doing it again!”.  She would point out this is not about her, but about my work and my life, which are so often one in the same.   Old habits and all that LOL. 

 I was not sure if this would survive three months but I was determined to put in at least as much effort into the blog as she did.  I was not going to be the reason if it did not match her goals and plan.  If it lasted six months we could say we gave it a great effort. 

 The first anniversary for MIDIMike came this month.  I look at the articles posted, the comments from followers, the amazing relationships and shear talent of this community and wonder how I could find anything more ‘worthy’.  I have learned so much from so many of you it is difficult to thank each of you individually, but I am sure you are aware that I try very hard to do so.  I do not take your selfless time, effort and caring for granted.   

 You have allowed me to share past events and the emotions experienced during those and current events.  From deaths of loved ones, creation of new songs and old ones, tragedies, fires and life changing events friends have been faced to new poetry, ancient videos and my recent unemployment late in life.  It has been an amazing year. 

 On this anniversary, I am also aware of your support.  Your kindness.  I am only driven harder than Alisa could drive me, if you can believe that is possible!  I will continue.  Not only with MIDIMike and our community but with more of the music behind everything I do.  Your comments have inspired me to bring more of these gems out of deep storage, or to take unfinished works out of the closet and record them.   

 To take your advice and to thank you again for so much, I am releasing a new EP on this first anniversary.  “Before The Chase is now available on iTunes and CD Baby.  A new song along with new/updated recordings are on this first release.  I promise you there will be more and I will continue to share the stories behind them with followers of this blog, and I guarantee to listen to and be guided by your comments.  

Like so many talented musicians and artists we do not start out thinking ‘this is a great career path’ and we will be rich making popular songs.  We start because we feel it and enjoy what we do.  The truth is probably closer to reality – we do not become rich until someone else realizes they can make money from those talented people and their works.

 So much in one year.  Totally appreciated.   

Before The Chase on iTunes

As Part II of this series I will post the rough version of the heart of the musical components starting with the Piano and basic arrangement of the new song, “My Heart Is Silent”.  © 2016. Click here to read Part I. 

For the Piano we are using an 88 wood weighted keyboard controller.  It is an older Yamaha KX88.  As you will remember from the MIDI series posted earlier (LINK) the KX88 makes no sound at all.  While it has the play and feel of a real piano, it sits on a keyboard stand and I use the MIDI OUT to connect through a router I have straight to the computer.  In future posts I will go into more detail on how the sounds are generated and what I am using to get each sound. We recorded a few passes and because this is MIDI, I had the ability to move pieces around as we focused in on the arrangement.

The piano player listened to a glorified ‘click track’ I created with a MIDI drum controller from my Alesis Control Pad.   It has 8 assignable trigger pads and a cymbal trigger that can be set to trigger sounds from any MIDI device, but again I am going straight to the computer and using internal sounds for the drum parts.  This way we can record the piano part with the correct tempo even though there are no other instruments recorded yet.  This also makes editing easier if everything fits within the measures.  When we rearranged the sections I  ‘cut and paste’ parts from one place to another just the way you would with a Word document.  This makes life much easier for the recording engineer (yours truly).  If this was recorded with a microphone and without the click track it would be awkward to work with.

The KX88 also has sustain and volume controller pedals attached, so to the piano player it acts and feels quite natural.  Mack E. is my partner in creating this new song.  He read the lyrics I wrote to “My Heart Is Silent” and asked if he could take them home and work on the music.  This is a theme he has had in his personal arsenal for a while.  He played a bit with the tune and came up with a melody for the lyrics.  We worked on the arrangement until we were happy with it and here is the rough version of the piano chords.  We will add other instruments and vocals later but for now we have a good foundation for the song so we can build support instruments to fill out the song.

 

There were a string of original tunes in the early 1980’s.  Some you have heard here already.   These were very profound times in a lot of ways.  Real work worlds.  Kids.  Relationships.  Marriage. Responsibilities.  Debt.

This song was not written in one or two sessions.  It took quite a long time to make this fit together.  I Often find snippets in other writings and combine with others to make a full song.  This is one that I may have done that with as there are so many different topics and observations.  Part of my challenge in writing songs people can relate to is being able to state the obvious in a clever, funny or different way.   So I would think of these ‘one liners’ and write them down.   Some were my normal trite stuff, but a few were well said and became part of these lyrics.

I like to play a few different ‘voicings’ or positions on the 12 string and take advantage of open strings or cool octaves when I can.  (it also reduces the hand-cramps you get when holding down all those strings!!)  In some chord changes you can play the same chord in different positions back-to-back and it sounds like you are playing different chords.  The guitar part is sparse and melodic.   It sets the mood during the intro.  Allowing the intro chords to ring out with a slow rhythm lets the 12 string shine all the more.  The lyrics paint a pretty good picture of life experiences I had during that time.

Don’t think you can’t help out my  friend.  Because we try, we control the end!

As I look back on the songs and projects I have been involved in I also want to share with you projects from the core of artists I grew up with that influenced me to do more and get better in my craft. I have a good number of writings to pick from.  Here is a set of lyrics from my older brother David.  I have mentioned him a few times already so I wanted to give you some examples of his writing.

This is a song called “Singing Wheels”.  It was written in February of 1977. We have a lot of themes about driving and being on the road.  We often contrast between city life and nature as we are drawn almost equally to both. The song has beautiful chords and the melody is haunting with a fluid motion that fits the lyrics quite well.  I will post the song in the future.  At this point, the boy is able to see the man he became!  Perspective is amazing from decades later.

Singing Wheels”  © 1977 C David Kennedy

The lights of the city spread like stars below me

Traffic swirls around me as I leave.

And time moves slowly in a car that’s moving swift

I guess you call it relativity.

 

If the boy I was could see

The man that he became

He’d be pretty happy I suppose.

But the best things about him

Were just ballast for the flight

His hopes are dim and his dreams are tame.

 

And while Singing Wheels spin over whispered lullabies

My car eats the highway in the rain

Windshield wipers tell a tale rhythmic and serene

And thunder mourns the crying of the skies.

I had a theme for lyrics slowly coming together for the last few days.  On the edge of being complete I centered on the idea of how wonderful and supportive it is to have your loved ones with you to start each day.  To wake up together and face the challenges and the glory of each day. Yeah, I am a romantic in many ways, but those are the things I think about when I don’t concentrate.  For me – THAT IS THE KEY.  My lyric and melody ideas come from observation and experience, not from a lyric making template and time schedule tune-creator cookie cutter band in your box session.

I sat, as I am now;  sitting at my computer looking out the window and my small yard.  Birds at the feeder, squirrels trying to get what the birds spill, and most often a gentle breeze.  And I came up with the first chorus in 30 seconds or so.  It just summed up the things that make me happy with what I have done so far in my life and why looking forward is so precious.

The second verse was another theme that became clear once I had the idea for the chorus.  I have had a few conversations lately with friends and family with a noticeably different view of the future.  AS I get older and plan the future as much as possible I realize now some of the things I am planning will be the last time in my life that I will probably do it again.

I don’t look forward to doing things for the first time as we did growing up, I am looking forward to the last time.  And that brought me to the second chorus; I look forward to watching children and grand children learning and doing things for the first time.  (Helping when you can and staying the hell out of the way for most of it!)

The first and last verses try to summarize a belief that I have; If you are quiet and listen to each other, you will earn their love.

Now that I have written the lyrics and shown to a friend, he put a great song and melody to it.  We are going into my studio over the next few weeks to arrange the song and record a rough demo.  Then we will have other friends add finishing parts (like vocals again…. anyone know a great vocalist??!!) and do the final recording and mix.

I thought it would be fun to post the various stages of this project so you can see a little how these things develop from concept to final mix.   I will post the lyrics now and promise not to share too many variations as this is a trial and error process with lots of suggestions and compromises.

For now, the lyrics:

– – – – – – – – – – – – – – – – – – – – – – – – – – –

“My Heart Is Silent” © MSK 12-30-2015

 

I will close my eyes

If you will be there when they reopen.

My Heart Is Silent

Still listening to thoughts you have spoken.

 

As the Firsts in life

Moving full circle to become their Last,

Looking forward is

Much quicker than unwinding the past.

 

My Heart Is Silent

My needs are few;

A space to breathe

And living with you.

 

Waiting for you

Unwilling to think you might not return.

Letting you go

I’ve always known your love is something I had to earn.

 

My Heart Is Silent

My needs are few;

Watching children grow

And living with you.

 

I will close my eyes

If you will be there when they reopen.

My Heart Is Silent

Listening to thoughts you have spoken.

As I have a tendency to do, I was thinking about music over the weekend.  My thoughts drifted to how lucky I was to be born during a great musical period.  I have grown up and grown old with some amazing musical giants.  From The Beatles, The Who, The Rolling Stones, Genesis, Pink Floyd, and so many others, I have listened and learned from these greats.  My life has been shaped by many of their lives and works.

This morning I was sad to learn that another musical genius has died.  David Bowie was a musical and cultural force for decades.  A person who not only risked life outside the box, but created safe environments for many who did not feel included in the culture and philosophy of the masses.

Whether you liked his music and collaborations with others or not, it is hard to overlook the impact he had; not only on the music scene, but also the lives of many listeners that were encouraged to be creative, passionate and true to who they are as a person.  He helped us all understand that the very difference that make us strong as individuals, actually contributes to creating a healthy nation.

Thank you David for all you have done.  I will never forget.

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If we start from the stage things actually be come easier.  If the mixing or sound board is the hub of processing sounds, the stage is the hub for generating sounds!  Most Live Sound Reinforcement events would benefit if the engineer spent more time here.  It is not uncommon for the sound guy to spend fifteen minutes making sure the kick drum has every frequency needed pumped up loud enough to message your spine (and ear drums) but they take two minutes to set up the stage monitors.  And most do that right after the band sets up  - – – – – when there is no music playing!

So let’s take a minute and walk up on stage and see what it physically looks like.  If you are familiar with the band you have a good idea of acceptable arrangements:  Overall dimensions.   Where are the riser(s).  How tall are the ceilings. Where are the AC outlets.  You may not be able to direct where the performers set up in a number of cases but you can influence some.  Where should the drums/keyboards/horn section go.  Where is a good central place for the snake (multi-connector cable connected to the mixing board).  Where do the monitors go (unless using in-ear monitor systems).  For me, this is also a good place to determine where the house speaker cabinets and amplifiers are placed.  BTW, if you are not familiar with the band or act make it a practice to find out.  Go to their website or media page. Get an idea of what they do live, if you can.  Ten minutes on-line will save you a bunch of headaches if they turn out to have specific requests for their instruments or performers.  I can also tell you from personal experience if you go up to Player C and say, “Hey, I got that adapter you need for your axe”, the player is going to notice the effort.  They will relax and you can let them know they are in good hands.  Getting the band’s cooperation is not necessary.  It is not in the books.  In some situations it might even be a waste of time.  I will still try every time.  Getting their cooperation…… sets up a great performance.  Then I focus on stage sound…..  and most band members will go out of their way to help during sound check and throughout the performance before 20 minutes of equalizing the kick drum.

Now that you have a good idea of the dimensions and set up requirements, place each performer in the best location and set up their respective microphones and monitors as needed.  Set up House gear and test.  From the mixing board, use a ‘talk-back’ microphone sent to the stage monitors to test and communicate with the performers.  Band members might feel like they are inside a cage at the zoo, looking out at the visitors!  Sometimes all you can see are the stage lights in your eyes.  The venue may be quite dark.  So the more comfortable they feel; the more like rehearsal you make it feel, the better the blend among performers.  The better the blend, the better the whole event will unfold.

Going forward I will go over a few details and outline this process to make it easier as well fun!

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