Posts Tagged ‘#studioengineer’

I added vocals and a few finishing touches so now I have a mix for ‘It’s About Time’. The LYRICS posted earlier can be found using the link above.

2025 was quite a productive year for me musically and personally. I am hoping 2026 will leave last year and all it’s political and environmental disasters in the past.

I will be sharing a lot of original music with you soon, including new tunes from my band mates. I will also be posting a collection of some of our favorite cover tunes performed by my band, ‘The Merchants’.

“It’s About Time by Michael S Kennedy

Enjoy the holidays, stay safe and prepare for a great year.

MIDIMike

I thought I would share this little piece with you. I am just experimenting with new sounds to see what I come up with. There is no real structure or drum tracks to speak of. Just a bunch of cool textures and visions of other worlds. Or, maybe it is this one in the future?

No Thing – by Michael S Kennedy

MIDIMike

I posted lyrics earlier for this new song and I have a mix of the music ready for “It Only Takes One

I am working on the vocals now and will have some ‘filler’ tracks to add at some point. I used drum loops (edited and a bit tortured at times!) for the rhythm tracks. I play all the guitar tracks and added a MIDI bass guitar part from my keyboards ……. until the band can make it in for a session.

But for now, here is the instrumental version.

Happy New Year!

I recorded a nice version of this song to share with all. I edited the lyrics a bit to make things match a bit better but I like the final arrangement. I also had a little fun with some of the percusssion tracks. The chimes and hi hats are from a MIDI keyboard, but the bongo like percussion starting about the middle of the song I am using the top of my Yeti mug – filled half-way with green tea to be exact – as the drum.

Here is ‘Caretaker’:

‘Caretaker’                   (C) MSK 12-31-2023

As a biproduct, I wanted to see if the spatial audio affects mixing with ATMOS would work with a YouTube upload. 

So I made a video (pictures is all) and posted it to see if my surround sound home theater system will be enhanced using ATMOS for short videos. You will not hear anyting in the mix move at all until the end of the song. But I want to see if it distributes the channels automatically. So, before I test it and find out it doesn’t work and delete it, you can hear the ATMOS mix and pictures of my studio rooms. Or better yet, close your eyes and try to imagine where each player (instrument) is sitting on stage. With ATMOS, they could be……… behind you or ……… on a ladder in front of you. Or sitting next to you.

Caretaker Video YouTube

Happy New Year.

For those of us that wear reading or corrective glasses, this will sound familiar. The other day I was thinking about the song mixing process. There is as much magic as there is science in the combination of so many different sounds and textures into a coherent musical landscape.

Audio engineers also discuss or rather joke about the Mastering Dilema: how the mix is never really done. There is always something you can do to improve it. (in reality, at some point all we are doing is changing it, not improving.)

If you ask 100 different studio masters to mix the same tracks, you will get 100 different mixes! The ingredients will be the same but the flavor can literally be worlds apart!

Which brought me rambling to the eye exam process. For those not too familiar, you will sit in a dark office looking at a small poster of random upper case letters on the other side of the room. The optician will ask you to read as many letters as you can, as they decrease in font size each row and become smaller and smaller.

Then they swing a large instrument in front of your face that allows them to place a specific corrective lens very close to one eye at a time, as the other eye is closed. Looking for different parameters, the optician will change the lens to a different prescription, then a different one, then to a slightly different one. Asking, ” Can you see better with One or Two?….. With Two or Three?…..With Three or Four?….”

This goes on and on with variations so slight at times you have to ask them to compare again, and often you aren’t sure you made the right choice! This is what mixing a song in the studio can be like. You make changes and minute corrections and aural enhancements that individually no one will hear. It is often necessary to make your mix sound the way you feel comfortable early in the session, and stop. Finish it. Finalize it. Put it away.

It is done.

Put on your glasses and look as cool as you can.

MIDIMike

I put lyrics I posted earlier to a new piece I am working on. This song also originated as a mathematical idea. Based on rhythm or patterns this time. Specifically: drumming my fingers on the top of a dinner table. Percussion is so deep in my history it is hard to separate it from the real world. So I tap out a rhythm that is slightly difficult until I get it consistent. This drum pattern is short and repeated with slight variations over time. As you might imagine from listening to music, even drums are ‘tuned’ for specific songs or projects.

Each tom in the drum kit is tuned to a specific pitch (the good drum techs will match the tuning to the current song/project/session). Now transfer those notes to a piano staff and you can play ‘melodies’ on the drums. My finger tapping pattern became the basis for an arpeggio of sorts when I used it to play different chord formations on my Korg Nautilus keyboard. That meant that I would use the repeated pattern for each chord in the song progression. Then I added new parts and changed a bunch of stuff until presto-chango! A new song!

I got out my cheapo 5 string bass guitar and added a back up feel for the keyboard melody. I like to add guitars to most of my recordings and used my brother’s Martin 6 string to add the chord structure and main rhythms throughout the song.

Once the arrangement was settled for the most part I started to write the drums. This gives me the opportunity to match or follow the accents and rests in the guitar parts. I can make sure the drum beat is matching my song and not the other way around. I often add rhythmic nuances to each verse and chorus. I use a MIDI drum pad to trigger sounds in software I have in my recording suite and created each segment’s drum track. After way-too-much-editing, I got a reasonable drum track with good balance and lively feel.

You guessed it. I do all of this myself so now it is time to come up with a melody and try to do the best I can to sing it. Most often the melodies I write reflect my limited vocal range and power. I would have a real vocalist sing what they were able to and felt inspired to sing. Same with all the other instruments I play as well. I get out my Audio Technica 4033 microphone to work out melody, timing, phrasing and harmonies. It takes me a number of practices just to find where my voice can fit in and what notes I can (and can’t) reach. All prepared and organized it still takes me an hour or so of trial and error to record what you will hear even though it is not quite right.

Package it all up with solid mixing levels and some processing or effects added to individual tracks and I have a quick mix ready for you. I might not add anything else to this song personally. As usual, I will play this song for friends and see if they feel like adding to or replacing my tracks.

There are so many ways to create music. Take your MIDI melody line and make it the bass guitar part. Use any drum pattern to trigger piano notes or other samples. Play with the rhythm by starting the drum pattern on beat 2. Listen to birds chirping or wind chimes in the breeze. Make it easy to get started and see where things go, but rule number one: don’t wait for the vocalist to show up!

MIDIMike

I wrote lyrics for Take Away One based on the idea of removing a particular note from a 4-note-chord. This leaves you with a specific 3-note-chord. Hence the name of the song and also the foundation for the original poem. I had to add a verse to the poem converting them to lyrics because for a few weeks one band member or the other could’t make a scheduled music jam. Often three members would drop out one by one leaving me as the only bandmate that made it for the jam! Sometimes we travel and jam in person, but more often we use a program for on-line musicians and connect from our homes. That is how we survived the Covid-19 lock-down.

You will notice the difference right away. This is another example of a song that came together really fast because it was based on a mathematical theme or idea. The chord pairs were based on the idea above, but the progression was completely random. The arrangement was pretty basic so it wrote itself. Once I had the title it was easy to think of examples in life where things get taken away. You’re probably doing it right now.

If you get writers block, try starting from a different point. I’ve never had writers block in my 50 years of writing and recording songs, so maybe I’m on to something.

I had fun with the ending and the arrangement has a few twists as usual. Enjoy Take Away One.

I have a rough version of a new song called “What You Want”. Well, it is called that now because I put lyrics to it from an earlier Lyric Post.

This is a tune using an old Yamaha drum machine I recently became caretaker of. I set up a nice but simple drum pattern using my Alesis MIDI drum pad and recording again in Studio One 5 by Presonus. I am using the internal sounds in Studio One 5 to play the bass guitar parts, triggered by an M-Audio MIDI keyboard I got with the drum machine and some other cool toys.

After the beat was down and feeling a bit more fun to play with, I added the two guitar parts using my Ibanez electric guitar. I recorded two tracks but instead of hooking up my amplifier and all my pedals, I plugged straight into the mixingboard so it would go direct-out to my computer input.

I used one of the many plug-ins included with Studio One 5 to add effects to the guitar. The built in guitar tuner plug-in is also really handy and I like the way it operates. So no need to connect to a tuner after each practice take. Each guitar track used the same plug-in but set to different guitar effects.

I am working on adding vocals but for now here is “What You Want”.

Music for my new song “What You Want”

I have been working on a new musical piece I call “If When”.

This is a jazzy feeling groove. I am using loops for the drum tracks that I have mashed and cut and edited to give the odd shuffle feel. I use a MIDI controller to trigger tom fills and cymbal crashes to fill out the persussion tracks. Then I add a piano chord progression that plays with the timing of the verses. The piano and bass guitar come from a plug-in in my recording software.

I wrote some lyrics earlier that might fit this so it will eventually have vocals and usually a different name once the lyrics are assigned. I might also add a ‘solo’ instrument like a muted trumpet or other soft horn sound if the next song doesn’t start bubbling up right away. Please enjoy a short groove from my studio.

Annette Rogers from jjaR at MSK Studios

Early in 1996 I was introduced to a Cincinnati band called “jjaR”. I met them while they were playing at a popular club called Top Cats. I was really impressed with the band and their original songs. Annette Rogers was the lead vocalist and she commanded the room with her emotional portrayal of each song. The band was intense and dynamic.

March 13th, 1996 we started recording in my home studio. They were troopers. I have a small space for recording with no isolation rooms for drums, vocals, etc. The band wanted a clean demo. They did not want a lot of processing and effects in the mix. A band after my own heart!

jjaR at MSK Studio in 1996

We did two separate sessions. The first session was mixed on March 26th, 1996. I was recording on the Alesis ADAT (Alesis Digital Audio Tape) machine for the first project. We only had 8 tracks to work with back then and no computer editing or effects. They were pros. They set up, got settled in and played their songs with obvious passion.

One of their tracks appeared in a collection of bands our local radio station WEBN (102.7FM) published on CD. They were featured on the second annual CD release. Deary Me Presents – Cincinnati Scene II included “Food Chain Of Love” on the 3rd track of the compilation CD. You can still find a copy or two on on-line.

Here are a few tunes from Project 1 for your enjoyment.

jjaR at MSK Studio – Food Chain Of Love
jjaR at MSK Studio – Super Size
jjaR at MSK Studio – Aliens
jjaR at MSK Studio – Misunderstood