Posts Tagged ‘#motivation’

This is a good time to walk around a little if you can. If you have a helper that can baby sit the board for a while, slowly walk around the venue.  Listen to the various instruments as you walk to different sections and notice how each area sounds as you pass in and out of range of the main speaker clusters. Listen again for areas that ‘drop out’, especially in the main audience areas.  Talk to the host.  Make adjustments and respond to their suggestions.  Interact with the audience if you are good at that sort of thing.

Bring all that listening back to the sound board.

What adjustments can you make to improve the house mix?  Is a player sounding great when you are right in front of the stage but fades quickly if you are back further or at the bar?  Does the kick drum or one of the vocalists sound muddy and hard to hear clearly.  Listen to each instrument again.  Use the headphones and solo tracks do they sound muddy in the headphones too?  If so, you might need to change the EQ settings or other audio processors, change microphone location, REPLACE the microphone cable!, put rings on the drum heads to stop heads from long ugly tones, hey, there is a lot of stuff that goes into making the band or performance sound good.

It can go wrong.  I have gone up to drummers during sound check to ask them if they have any objections if I tune the drum heads for them before the gig.  Far too many drummers don’t know how to do this and far too many more don’t know that you even can.  If the kit is out of tune and generates all sorts of random harmonics and overtones, there is no way to get it to sound ‘awesome’.  It can sound loud and it can sound full, but it will never sound good.

I have probably upset a few performers as well by asking that they tune their instruments before we start playing.  One of the benefits of also being a musician in a number of bands is I can tell when something is out of tune.  I don’t think I can get drunk enough that playing out of tune is a good thing, but there obviously are a few out there.  If they cannot tell the difference that is worse than being too drunk, but we all sound and play better when everyone is in tune.  Some bass players can’t tell any more so you have to politely step in once in a while.

In a large club in front of a packed audience, the lead vocalist roared into the microphone, ” I ain’t got shit in the monitors, sound guy,  I got nuthin’ up hear at all…”.

I responded with a simple but effective test that I could do from way out in the audience.  I reached up to the main faders and yanked them down completely before he got to the “…… sound guy,  I got nuthin’ up hear at all…” part.

So he ended up with the band now reduced to stage volume.  As he was saying …’sound guy …’  He was booming through the on stage monitors at an amazing decibel level.  He apologized to me and the audience when I turned the mains back on and we rocked out the rest of the night.  The house was loud enough that he could hear them more than the mains and he was not used to that feeling.  That the sound guy would not have the vocals loud enough in the main mix and he would need to hear the monitors really loud on stage.  He ended up really happy with the mix and did not have to scream all night over the band stage volume.  Keeping things solid can include a number of unexpected challenges that are better met head-on, but these business relationships should also be kept friendly and cooperative.

Have spare cables for everything, even if the sound system does not use it.  Power cables for devices and amps.  Adapters for audio cables.  Tape, markers and paper.  I bring guitar cables and a few spare mic cables everywhere.  Batteries.  Small hand tools.  Power outlet tester.  Flashlights.   Drum head tuning keys.  Zip ties, the list could go on but session after session, someone will need those things for the show to go on and you will be the champion pro.  You gain cooperation and trust for the next gig.  Win win.

We all know the saying about weak links.  When you have so many components – each connected with cables and software and processors, it can take a while to troubleshoot the system when you have a failure.  Yes failure.  If you are the sound guy or gal and things don’t work or it sounds bad, YOU are the failure!  There are basic steps you can take and I can describe them in a generic way, but that type of advice will not apply to every system out there.  No two clubs or sound companies have the same sound equipment.  The best advice is to keep the number of links in any chain as low as possible.  The more links, the more of them that could be or eventually become weak.  It is not always practical to have a spare of every component, but finding local music and sound stores open in your area is getting tougher.  If taken care of properly though, most professional PA equipment available today will last a long time.  More on “Maintenance and Tips” in a future SLR series.

I have always been into helping charities and volunteering for good causes.  I entered a few tunes from a local cover band I was in (Euphoria) for yet another battle of the band contest sponsored by habitats for humanity and a local radio station.  The bands would play in Eden Park at the very-cool Seasongood Pavilion.  At first it looked like we might not even play, then the dust settled and we would go on to play last.  The other bands were interesting and pretty good.  We were hi-energy progressive rock and we played our short set really well and had a great time.  We even made the goof of mentioning the wrong radio station’s call letters!  Agh!  I thought on that alone we might get overlooked.  But they might not have heard the comment and in all modesty we were really good.  We won a trophy – some unknown band member still has it hidden safely in some underground bunker – and recording time at a recording studio!  For me, this was like candy. 

We were awarded the prize and a limited time to go into the studio.  We decided to use the recording time of three hours (yeah, kind of a tease and they probably figure you will run over and have to pay them for additional recording time) to record a band demo.  Eventually we got a list of songs we wanted to do and had some discussions on what parts of the songs to feature. 

As the time got near, it became more and more difficult to arrange schedules of the various band members (and lets NEVER forget the schedules of the family of band members!).  So I told the band guys that this weekend was it.  This is the deadline and if we do not go in a few days we will lose this opportunity altogether.  After the whining and complaints, we agreed to go that Saturday, the last day before the deadline.   

There are two reasons I bring up this story.  A couple of good lessons keep this fresh in my memory.  The following is the first; 

Sometimes you have to lie.  I knew we had another two weeks to record, but I also knew if I left it up to the band to schedule, it would never happen.  Everyone wants to do it and everyone SAYS they will, but other things always happen and conflicts crop up at the last minute, and it is too late to save the project then.  I knew how the band put things off and I did not want to miss my time at the ‘candy store’. 

The second lesson was learned by the studio recording engineer.  I will share that in the next post.  Here is a bit of the demo we did in the studio so you can get an feel for the mix.    

Journey – Separate Ways

Black Crowes – Hard to Handle

Yes – Long Distance

Yes – Changes

The Who – Can You See the Real Me?

Shooting Star – Last Chance

Queensryche – Jet City Woman

Through these posts, I am not trying to cement chronological events into their proper place in time or to accurately credit performers and contributors.  Some names will be changed to protect the stupid and I will name names with regards to privacy as the series continues.  I am not drilling down to details as I share experiences, songs or events I have been involved in.

Many comments touch on sharing similar passions and the need to stare resistance in the eyes and push past it to practice, perform, write and blog.  No matter where we are on the paths we have chosen, we can positively affect those around us.  We can benefit from their experience as  we grow from our own.  It is the big picture that is difficult to see sometimes, and I hope to bring up topics that will help add a different perspective.

There are a lot of conversations to be had in our world.  So much of sound reinforcement, songwriting, live performance and related arts appears to be magic to the casual observer.  On the other hand, so much of it is science and that can scare off a lot of interested people.  Thank goodness there are those like you out there that can shape the form out of chaos!  You are the masters that can combine the art and the science and make it breathe on its own.  You have a special way to communicate….. to others, yes; but more importantly to yourself.

One area I hear a number of discussions where people have a good feel for music, but do not understand the science or the art of it is in music theory.  More on this in later posts and I will have a few friends chime in as well as we discuss scary topics like, scales, key, modals and rhythm.  But to start this off at an easy pace think of this;  in our (Western scales) there are only twelve notes to deal with!

Our Bodies Move aka FOR THOSE WHO WAIT”    (c) 12/1987

 

          Lyrics Michael Kennedy

 

Music by Ric Ahlers

 

 

So many people look for love and affection

Think they’re heading in the right direction.

They go searching through the heat of the night

Alone again in the morning light.

 

I’ve seen a lot of selfish devotion

Hopelessly lost in mixed up emotion.

Opening; then closing every door

Never know what they’re looking for.

 

CHORUS:    I’ve never felt a woman feel this good before.

I’ve never listened to her whispers

Or knock upon the door.

Nothing to hide, nothing to prove,

Its love that makes our bodies move.

 

In the beginning there were many pretenders

Holding on ‘til everyone surrenders.

Strangling the love they create.

Love is For Those Who Wait.

 

CHORUS:    I’ve never felt a man feel this good before.

I’ve never listened to his whispers

Or knock upon the door.

Nothing to hide, nothing to prove,

Its love that makes our bodies move.

 

Performing with other musicians requires a deeper channel of communication than normal language. When creating in this environment, every nuance has a meaning.  Every motif can create musical ripples.  Sometimes, two thoughts are better than one.  Co-writing can take a piece further than you would have thought possible on your own.  Try it.  You might like what comes out of it.  Over the years I have worked with a group of songwriters.  Each writer diving in to show off the latest and greatest.  While in one of those small traveling bands from hotel to hotel, I was playing in Corpus Christie TX.  We played a lot of different music for three people, and one of us did not play any instruments.  We wanted to come up with something with a bit more country flavor, and the lead guitarist was working on some soft ballad type chords during practice.  I told him I had written some lyrics that might fit.  I had finally given myself the title of songwriter as you know, so a while back I challenged myself to write a country song.  I had something specific in mind.

I write a lot of songs.  I write a lot of lyrics that never become songs (not yet anyway).  I write a lot of poems that may never become lyrics.  I write a number of songs and I might not even have a recording of it, even though I love to archive and preserve original performances.  Some songs I write for others and do not have a real interest in recording myself.  Maybe because I already have a good idea of what the song is supposed to sound like when a real performer/band records it.  I am not putting myself down here.  I simply do not have the talent or resources of famous stars.  You might laugh, but when I was writing the lyrics below, I wrote them as a duet for some famous country music stars at the time;  Kenny Rodgers and Dolly Parton!

I have only one recording of this song and I will share it with you, Kenny and Dolly you too if you’re listening!  I am singing the male part on this recording.  Not sure if this was ready before we moved on from Corpus Christie to another hotel, but it fell together quickly with the ballad chords at practice, so we performed it live to the more country leaning southern audience.  We were surprised that it went over so well and people in the hotel/audience that were regulars, were singing the words after a few nights in town.  So, I will probably never record this song.  It has always been a distant dream to one day hear others recording this as their own.    I have already heard in my mind what it sounds like with them performing, but this live two-track recording is not too bad for a working representation.

While this is not the first song I wrote I will use the same lyrics, the same instruments, the same arrangement, the same studio and recording gear to show how differently the same words can be interpreted. In this case the only difference is going from a male lead vocalist to a female lead vocalist…… but the outcome is totally different. No, I am not the lead vocalist, so that will have to wait a little longer. I am playing my favorite 12 string acoustic/electric guitar and a rhythm electric track. Writing lyrics is a powerful tool. Maybe because they can be interpreted in various ways.

Now the only change is the lead vocalist. The song has added controversy if you will, and maybe the subject has more acceptance now than in the past, but it changes how the lyrics are interpreted. All Night Long took me about fifteen or twenty minutes to write. I wanted a simple R&R theme. Most of my songs are not main stream. I do not pretend to be commercial. The other reason I wanted to introduce you to this song now is because it is not like any of the others I have written. Throughout my life I have searched out unusual artists and creative ideas. Art, poetry, sound engineering, acting, I have been drawn to and inspired by some amazing people. So this is more cookie-cutter. Predictable song with the usual topic and repeating lyrics. I still have fun with it!

As I was practicing my wife did a mic check to set levels and she started singing the song. I thought immediately that was IT! It totally changed the song’s meaning. So changing the vocalist in effect took it off main stream and cookie-cutter. The subject material was not so acceptable back then……..

I entered a few of my recent songs into a local radio band contest. Too much to go into now, but at this point, my wife had never really performed in front of an audience. She is a bit shy in that area. It was a total shock when one of the songs we submitted was played on the air and a runner in the contest and another song I submitted for another friend of mine was selected to a battle of the bands in a large venue to compete for title and prizes. We were jazzed…..

But there was one little detail missing; He did not have a band! His song was picked and we (we, because it was my bright idea to enter his song into the contest!) were to compete against other bands in less than three weeks from the day we were notified. We worked in the same music store at the time and we quickly merged members from three different local bands. Each band would bring 2-3 songs to be added to the set list. We had to play for about an hour! That is how All Night Long was performed for the first time; live, to a packed house. My wife will have to give you her thoughts of that evening. I cannot do it justice. All Night Long is added to the set list and we all agree that my wife should sing…… She is terrified. We practice for two weeks learning the other band’s songs…

On stage now and good crowd. We knew they were not here to see us, because until two weeks ago, there was no US! We also figured there was no way to win, but we were going to go up there slamming. We set up and play the first songs on the list. When it is time to start All Night Long, my wife….. A little bit nervous to say the least, walks up to me and says, “if nothing comes out of my mouth, START SINGING!”.

She did great and it was a blast. I will encourage all of you to push the comfort zone a little. Be prepared to take advantage of the feedback and be ready to change and adapt. Work with other artists you appreciate. Encourage them to adapt if needed and support them when they do. My friend would never have submitted a song on his own and he even had me pick out which songs to enter. My wife’s big ambition was not to sing in front of a crowd, but we all remember that event to this day. Fortunately, a friend of ours was in the audience with one of those hand-held video recorders and got the whole thing. WE didn’t win, but they knew who we were… we were NRSB!

You can check out the rest of the album at http://www.cdbaby.com/cd/perigee

As the Live Sound Reinforcement Series (LSR) continues, I would like to share some of the events that allowed or inspired what I refer to as captured creativity.  Let’s address a couple things now; the most amazing show/event with powerful and talented performers has little meaning if no one is in the audience.  The performers will feel great and energized, but if there literally is no audience (even in the form of recordings),  it will be lost.  The other obvious reality check is no matter how talented and smart you are – or think you are – will NOT make you loved and famous.  Touching on my daughter’s gracious note to me, some of the most talented musicians out there we will never hear.  You will not find them in a search and no one will point you in their direction.   But they just keep on creating.  Soloists, artists, groups and garage bands.

I know that thrill.  I understand the communication link that HAS to happen when you perform with someone.  I first got that thrill in my preteens when I put some of my brother’s poetry to music.  In truth, I exaggerate; I played on bongos and sang a rough melody line with his poetry still intact for the most part.  I would get another type of thrill when I began to write lyrics and finally a bunch of ideas became a song. 

We also knew right away that I was not the best singer out there.  I never really excelled while playing various instruments but over the years I got pretty good at a few of them.   But at least I was a songwriter and I knew I had a powerful tool.   I love to teach by sharing.  Or is it the other way around?

It all started with my dad. I grew up with a recording studio right below my bedroom. He produced and recorded hundreds of original songs at home. The whole family got involved. We sang on tracks and gave our input, but mostly we just supported him, which encouraged him to keep producing music. I learned how to use his equipment, how to play the instruments, how to run sound, which eventually lead me to start my own booking agency to help unsigned bands/artists release albums, go on tour and have their music heard by as many people as possible.
I hate that it all comes down to money. I hear shitty bands being played on the radio every day, but these amazing bands are struggling to gain fans one at a time, go on tour with very little money, stay in shitty hotels, and do it all for the love of their passion. In my dad’s case, he barely had that chance. He put his music career on hold to raise a family. I wish I could give him back the time he lost. I look at him now, years later, still in the studio, still making music and struggling to have that music heard. All he wants is to share his art with others.
I’ve never really stopped to tell him how amazing and unique his music is and how much it has truly changed my life. It isn’t about the money, popularity or fame, it is about connecting with others, reaching people with his words and being able to do something that he is passionate about. If you have someone in your life like this, please take a moment to stop and tell them how you feel. Thank them for inspiring you, support them, and don’t let them give up. The worst feeling in the world is that you are fighting for something alone. Dad, this is for you. I love you and I will always believe in you.