I recently added vocals to the instrumental “It Only Takes One‘. This is just a fun song in my opinion. It has a toe-tapping beat with a fast pace to it. I like the simple chord changes and the way it just sticks in your head after you have heard it a few times.
I sent this to my band mates from ‘The Merchants’. We may have a real version at some point in the future. This version is just me and my toys lol.
I have been preoccupied lately with family and life style challenges, though I have still managed to be productive. It is just difficult for me to put things together in a post. Hopefully in the future I will catch you all up, and visit my amazing followers again. I hope you are all having a great New Year.
Unlike other computers available at that time, it had built in MIDI ports! This allowed musicians to connect the computer to the new generation of MIDI keyboards, sequencers and drum machines. MIDI stands for Musical Instrument Digital Interface.
Later I got a job at a music store selling musical equipment and was given the nickname MIDIMIKE!
I still have the Atari and my Yamaha DX7 MIDI keyboard.
This was an unsusual song-writing project for me. I was experimenting with some guitar chords and came up with an interesting progression. I often start a song by messing around with the keyboards or guitar and work out an arrrangement as a scratch framework for drums and other instrumentation. Then I record just the basic raw instrument with all of it’s flaws, but keeping as much of the ‘vibe’ as I can.
From this track I figure out the tempo I am using and get an idea of the arrangement. With ‘The Feast’, I started with a really slow tempo at first. This allowed time for the chords to open up to harmonies and musical tension. Then I usually archive the original track, and start building the song. After I worked out the arangement and had the basic rhythm tracks finished, I started playing with a melody line for my lyrics.
Often, I will just sing as I walk throughout the house and do regular chores when no one’s around. For ‘The Feast’, I had some ideas but nothing stuck. I decided to use the keyboards and a flute sound to noodle around with the melody line. Later I decided it didn’t work and changed the sound to an acoustic bass guitar part and it seemed to fit!
But when I added all the MIDI tracks, guitar and vocals, it seemed pretty dull. Yes, it had melodic texture, but did not have the feel I was looking for. As an experiment, I changed the tempo to make it much faster and this is the version below:
The lyrics were a bit difficult to fit into the much shorter spaces, but I got used to it soon enough and it seemed to work well enough for rock and roll. So I had to re-recorded all the tracks after the tempo change. Not the most efficient way to record a song, but as I always say – ‘any port in a storm’!
I had my 70th birthday last week. I am not sure how many more songs there are waiting inside me. I just get fascinated by almost every aspect of writing, recording and producing music. There are enough people on the planet now that there is a fairly large audience for almost any style of music. The recording software of today is MIND BLOWING compared to when I first started recording when I was 15 years old.
It is too bad that the music industry intentionally crushes novel styles and creative talent while pushing the same vanilla – overproduced – cookie-cutter garbage that is easy to sell (when there aren’t many options available). It is like going to the grocery stores now and seeing fewer and fewer products that are not the ‘store brand’. You can’t buy your favorite bread there anymore (because it is not AS profitable for them to sell), so you settle for what is there.
I think I originally titled this I promise, until a real song from a real singer released one. That has happened to me before so on we go. But now I am positive about it. A simple pledge of better times when there is nothing left to hold you back. A point of no return.
Thank you for the response to my mix of “The Dream” using Dolby Atmos. Not to geek out on you again, but this is something cool that you have probably already experienced and can relate to. Many of you are familiar with the amazing sound system upgrades in theaters and home audio during the last few years. Dolby has always been a big name in noise reduction and surround sound for movies and the like, but they have upped their game to take advantage of new tech and to deliver needed changes for next-gen venues or virtual reality applications going forward.
To make the explanation simple, we are all used to stereo sound with two speakers on opposite walls or using ear buds and headphones. A few decades ago the industry tried a quad system for the first try at a surround sound playback. Novel, but it went nowhere for a long time.
Your home surround sound or home theater system has been using multiple speakers for a while and added a sub woofer for the very low sounds – (sounds might not be the right word here. You feel the sub frequencies more than you hear it. This gives you the earthquake-like vibrations for sound effects).
Movies and other applications are using Dolby’s Atmos to reach the next experience level. Dolby Atmos provides programming to create a realistic 360 Atmosphere – as in SPHERE. Instead of two or four speakers and a subwoofer, there are countless individual out-puts for a large number of floor speakers that surround the listener(s) in a precise configuration. Then you add the sub-woofer as before but now we bring in speakers mounted in the ceiling (if room allows) or on stands close to the celing. Now, if they want to make it sound like some one is talking behind you, they play that sound through specific speakers in the back of the ‘listening room’. If there is a helicopter flying over head you are sure to look up expecting to see it there.
I have been using Presonus Studio One+ as my DAW or software recording system for a while. In their most recent update they included a version of Dolby Atmos. I don’t make action movie soundtracks, but the ability to use this tecnology to mix songs and bands gives us a whole new level of mixing.
Instead of placing the performer somewhere between the left and the right speaker as our only option, we can now make the sound feel like you are sitting ON the stage. You will be able to hear the drummer sitting on a riser ABOVE you in front, the guitar player on one side, the brass section on the other. As the singer walks around the ‘room’ they can literally walk behind you.
Now, if you are like me and don’t have a bunch of powered speakers and unlimited out-put ability …… you can get a lot of the effect using good headphones. The serious number crunching of the Atmos program gives you the illusion of three dimensional space in the headphones and for virtual reality sets.
The above is a screen shot from a simple song I have written. It shows the different tracks below, and above panel shows the Spatial Panning data used on each track to give placement info to the speakers.
I will also post one of my songs below now, so you can hear a bit of what Atmos has to offer. Please keep in mind that using headphones is obviously a bit limited when it is compared to the massive speaker system in a theater, but, you will hear a difference. For music mixes, you may not hear a lot of movement. Try closing your eyes while listening through good headphones and with the speakers OFF. You will soon be able to point at where the performer or instrument is coming from – not just left or right – but literally point to it, up – down – left -right – in front and inside your head if desired lol.
….this screen gives you an idea of the ‘room interface’ you work in. Each dot represents a sound or instrument and can be sonicly ‘placed’ anywhere by moving the dot as needed.
Below is my Atmos mix of a new song I wrote and recorded, called “Still Your Choice”. I hope you get to hear the effects Atmos has to offer in this mix. While it may not be your type of music as I claim not to be commercial to begin with, the song shows how ‘open’ or deep a two track recording can be!
Again using Dolby Atmos for the spatial audio mix, I have another song for you to listen to. Using headphones will give you the best dimensional effect, though the speakers will also reflect some clarity and each instrument or vocalist will be heard a bit easier and clearer – more distinct.
I imagine this to be similar to being in a small crowded room with lots of people talking. It is hard to make out any of the conversations going on around you. Now, Imagine the room much bigger and everyone spaced further away from each other and you. Now you can hear conversations and know who is laughing or singing. Something like that. Instead of mixing so all the instruments are ‘sitting on top of each other’ in the stereo field, the listener can be part of – or completely removed from the sound scape. We can now give the listener the illusion of sound coming from anywhere in the ‘room’ we create.
Here is another song I wrote and recorded recently called “The Dream”. The spatial effects in Atmos do indeed, give a new dreamy sound to the mix.
These lyrics are a sister version of Deep Inside. Writing the song I think I had too much to say so I ended up writing two songs with similar themes and lyrics. Neither is what I had planned and I am not convinced it worked out for the best, but I like the lyrics for each. The meaning is too complicated to get into details. We all hold a lot deep inside. Life is a journey full of traps with no signs to tell you how to get out.
At times I think I am a bit OCD, but it is probably just an organizational fixation I have developed. Mostly because I walk throughout the house without lights on all the time. If something is out of place I can find myself stumbling to the floor. Mistakes are made, wonders go unobserved, people search for the wrong thing. It’s easy to do.
I wrote lyrics for Take Away One based on the idea of removing a particular note from a 4-note-chord. This leaves you with a specific 3-note-chord. Hence the name of the song and also the foundation for the original poem. I had to add a verse to the poem converting them to lyrics because for a few weeks one band member or the other could’t make a scheduled music jam. Often three members would drop out one by one leaving me as the only bandmate that made it for the jam! Sometimes we travel and jam in person, but more often we use a program for on-line musicians and connect from our homes. That is how we survived the Covid-19 lock-down.
You will notice the difference right away. This is another example of a song that came together really fast because it was based on a mathematical theme or idea. The chord pairs were based on the idea above, but the progression was completely random. The arrangement was pretty basic so it wrote itself. Once I had the title it was easy to think of examples in life where things get taken away. You’re probably doing it right now.
If you get writers block, try starting from a different point. I’ve never had writers block in my 50 years of writing and recording songs, so maybe I’m on to something.
I had fun with the ending and the arrangement has a few twists as usual. Enjoy Take Away One.
MidiMike 