Archive for the ‘MUSIC’ Category

For a quick recap, I have been going through archived recordings I have made over the years. Recently reviving performances with the bands I have played in, I want to give you a few samples of recordings I made with The Chase.

For a period of time we were reforming the band Euphoria and looking for a new vocalist. These recordings were during that transition period working out with different vocalists. Short story for new visitors, I worked at a local instrument store as a salesman when asked by The Chase to fill in for their sound man while he was on vacation for a few weeks. I had never run sound (with the exception of one hotel gig band that was in desperate need for one night.) I filled in, loved it and the band, the sound man could not return and I became their regular sound guy. The band was smart and paid the sound engineer the same as the other members of the band. They knew the house sound was important.

Once running sound, the keyboard player took a break for a few years and I worked really hard to fill in for him. Soon after that I started playing rhythm guitar too………. and yes, in the early years I ran sound, played keyboards, rhythm guitar, back-up vocals and percussion all at the same time from stage. For a period of time I ran sound from the audience and had my instruments next to me. Not as strong a player as the others in the band I tried to “earn my keep” by being a jack of all trades.

I have recorded music since I bought my first four-track reel-to-reel when I was around 13 years old. I am closer now to 70 years old. When working with bands as a sound engineer or member, I record for a lot of reasons. Some were not intended to be hi-quality recordings and often were stereo cassette or DAT machines connected directly to the main outs of the sound board. Usually there was no level test and the band members would not know I was recording at all because it was so basic.

In the next few posts I will share cover songs we played live with three vocalists. In some I am playing Keyboards, rhythm guitar etc., and some I am running sound using various techniques to find quick ways to get a decent live recording. Many of these I have detailed here in my Live Sound Reinforcement Series.

Here are a few samples, starting with Gary Jefferson as the lead vocalist.

Vocalist Gary Jefferson performing The Rooster by Alice In Chains
Vocalist Gary Jefferson performing Middle Man by Living Colour
The Chase performing cover of Cliffs of Dover by Eric Johnson

I have a rough version of a new song called “What You Want”. Well, it is called that now because I put lyrics to it from an earlier Lyric Post.

This is a tune using an old Yamaha drum machine I recently became caretaker of. I set up a nice but simple drum pattern using my Alesis MIDI drum pad and recording again in Studio One 5 by Presonus. I am using the internal sounds in Studio One 5 to play the bass guitar parts, triggered by an M-Audio MIDI keyboard I got with the drum machine and some other cool toys.

After the beat was down and feeling a bit more fun to play with, I added the two guitar parts using my Ibanez electric guitar. I recorded two tracks but instead of hooking up my amplifier and all my pedals, I plugged straight into the mixingboard so it would go direct-out to my computer input.

I used one of the many plug-ins included with Studio One 5 to add effects to the guitar. The built in guitar tuner plug-in is also really handy and I like the way it operates. So no need to connect to a tuner after each practice take. Each guitar track used the same plug-in but set to different guitar effects.

I am working on adding vocals but for now here is “What You Want”.

Music for my new song “What You Want”

Sonar Track Panel Wave and MIDI files that generate sounds from computer programs called plug-ins

I mentioned experimenting with an on-line jamming program. It became the clipboard for a few guitar sections I created while waiting for one thing or another to work. I titled each as verse, bridge, chorus, etc. I had to give it a project name to save the clipboard and I came up with “Not Now”.

I used those short pieces and assembled them into a song arrangement. Once the chords and arrangement were in place I naturally started thinking of lyrics (as I have a tendency to do). The file was named Not Now so I kept it as my Cakewalk (BandLab) project name. So it becomes the theme of the lyrics. In one hour they were written. Getting them to match the odd rhythms and sparse instrumentation became a challenge. It took me a few days to come up with the melody and then practice it enough to get the rough tracks down. To all just joining; I get things down to rough tracks and then write another song, poetry, lyric or instrumental. When I was young I hoped some band would do my songs correctly in a studio. I am not young now.

Here is a rough mix of “Not Now”. I used a Martin Acoustic/Electric guitar for the guitar track. Using my MIDI keyboard I pulled up a plug-in for drum sounds. I imported the original noodling guitar parts I did from the clipboard but they were not recorded to a metronome or drum pattern. I listened and figured out the tempo of the segments and set Cakewalk to match. That way I could listen to the short guitar segments as I created the basic drum parts and arranged all the segments in order. I pulled up a bass guitar sound and played the MIDI keyboard to generate the bass line.

Next, I Muted the original guitar tracks and recorded a new track to replace it. The song seemed to cry out for strings but that is usually just me. I like good sounding strings in various styles of music.

Lyrics were posted here: https://midimike.com/2020/06/01/not-now/

I use two monitors as there is a lot of information to keep ‘track’ of even for a small project.
This is the Piano Roll view. Each color represents different instruments. The lower group triggers drum sounds.

I gave a link to BandLab above. Full disclaimer this is not a commercial and I do not get paid for anything I do here. However….. if you are interested I used to pay hundreds of dollars every year or so to keep this great recording program updated. They now offer the program and all updates for FREE. No kidding.

I hope you enjoy “Not Now”. Each time I listen to it I like it more. Again, this is just me as each new song I write becomes my newest favorite.

If just for a little while.

The Chase

I just posted another vintage video to YouTube. This is a live recording of Euphoria in my early days with the band. We are playing live at Hollies in Springfield OH. for some of this post. This was a transition period as members of Euphoria took time off and a new band formed later to be called The Chase. I did use some video from the events but compared to hi definition available today, it just looks dated, because it is! Enjoy at night at home and some great live music:https://www.youtube.com/watch?v=MAW_cJVFFog

Euphoria and The Chase Live

I posted songs from the first half of our live set when I was playing with The Chase earlier. Today I would like to share with you select songs from the second half of our set. The recording is decent – though this is ancient as it was recorded on a cassette tape!!!

Anyway, people all over the world are having tough times. Stuck indoors is the least of our concerns. Sit back, stay at home and listen to a live band performing classic rock songs from Jethro Tull to Santana and Creed.

As a note of mild interest; I have no pictures of the vocalist in this particular recording. I have video, but compared to the hi-res available today, the videos just don’t look very good. Sean (Shoeless Shawn) Bandy is the lead vocalist this evening.

Have a drink and a great evening in and stay safe!

My former band, The Chase performing live

Thanks for the visit!

It’s a hand grenade of high frequencies
Placed right between your eyes.
Easy to guess now where it came from;
Years of rock and roll caught you by surprise.

So much harder just to sit and talk these days
In a thin blue funk of purple haze.
Forcing the rhyme within tired rhythms
Simple technologies each a new craze.

You’re in it. You’re on it.
But can’t admit that you want it.
You buy it. You waste it.
Much more than a phase. It’s the New Craze.

It used to take talent and a lot of hours
People loved you for who you are.
Now it’s the beautiful, the extreme
Making a grab for your last dollar.

You need a law degree, and some Marketing
Even web design or sound engineer.
Craft miraculous songs but it won’t matter
Without looks and cash there is no career.

You’re in it. You’re on it.
But can’t admit that you want it.
You buy it. You waste it.
It’s just the New Craze.

I have been playing around with some themes, grooves, melodies lately. I have written a number of instrumentals over the years that are destined to have no lyrics. Sometimes the pieces are simple riffs and other times they can be full blown productions. I have a few I would like to share with you in the near future. Here is one I am still working on but I like where it is going.

This one I call “Another Dimension”

“Another Dimension”

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The songs in this session are simple two-channel recordings.  These are not multi-tracks of isolated instruments to be mixed down later.  This is down and dirty history.  I enjoyed recording and listening to each of the gigs.  The rest of the band were ok with it, but they were really into the performance and live audience vibe.  As a result, I did not get much assistance or cooperation with my projects.  We never did a sound check for recording levels.  We did not set up differently or use additional gear.  I usually taped separate mixes from their sound board or by using a combination of mono mix and single hi-quality microphone up on stage.  See my LSR series for recording configurations.

Unlike the other players I have jammed with, I had not been playing in bands since I was a teenager.  I did not start playing in front of a ‘real’ audience until I was probably 31 or older.  I started playing keyboards (technically different than playing a piano or organ) when I was 30.  Before that I wrote songs and played my 12 string guitar for parties and such but that was about it.

Lacking confidence and years to sharpen my skills, I tried to make up for it in other ways.  I practiced a lot                     compared to the other players.

I helped in tech – light – sound – marketing.  The recordings were for me, LOL!

This is a live recording of a medley we came up with.  None of us really liked disco, but no rocket science to keeping guys in the club is to keep the girls on the dance floor!  We smashed together popular dance songs and other select songs toward the end of the 2nd set.  Enjoy.

 

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Here is another song my brother David recorded at a studio years ago as part of his Studio Way project.  My brother wrote the lyrics and is the vocalist on these tracks.  Terry Boehm played keyboards.  Tom Collier wrote the music and played guitar.  This one is called, “Focus On Your Feet”.  A fun toe-tapping song that sticks in your head!

The songs were being finalized in the studio as each came up to record.  The rhythm tracks were recorded first, with lead instruments and vocals added later that day.  A lot of people ‘freeze up’ their first time in a studio with the tape rolling (yes, this was back in the days when they used tape!) so recording can be very stressful – but with a bit of focus you can come out with great memories.

It never ceases to amaze me how inspired and creative I feel when I change the strings on my guitar(s).  Simple chords sound gorgeous.  The whole body of the guitar resonates with depth.  This makes experimenting and exploring new areas delightful.  It is important to keep tools of the trade not just working properly but living up to their potential.

I watch vocalists go into the recording booth and put on really nice headphones to get a direct audio feed from the soundboard.  Maybe this is not their first time, but when they start singing – and can truly hear what their voice sounds like they get this big grin that turns into a surprised smile.  Hearing through the studio system vocalists can make nuanced changes as they sing ……. and hear the difference.  This gives them more control and immediate results.  They become confident enough to experiment and innovate.  I hope it feels similar to playing my 12 string guitar with brand new strings.

Pictured are of some of my guitars, the drummer from Euphoria/The Chase – Mike Gill, and Steve Steinmann of Iridium.

What tools do you use that benefit from regular care?