Posts Tagged ‘#song’

michaelskennedy1

In many ways it is difficult to believe I am in my sixties.  While some of the energy and physical abilities are not what they used to be, the drive, passion and beauty in my life still motivate and push me forward everyday.  There is always something new, grand and amazing to learn or experience. 

 I have reached another time and point of reflection.  Early February of 2015 my daughter Alisa and I discussed starting a blog.  She had an idea powered by an amazing sense of urgency.  She wanted me to not only give more people the opportunity to hear the songs I have written and recorded over the years – songs she had grown up with, went to sleep with, woke up with and watched as the final versions became etched in what ever media was available at the time – she was firmly committed that I should also tell ‘my story’.  She insisted (over and over) that I have had a fascinating life and wonderful experiences that people would enjoy and even learn from.   

 I don’t feel special, exceptional or – I hate to use the word worthy, but it does fit here – though I have known and attracted so many amazing people and been very lucky to have been involved with them to become a focal point in their lives.  

 I was not sure what the benefit was and frankly I – as I often do – found it difficult to believe others would be interested in the realization of dreams, struggles and successes I managed to accomplish over the many years.  I knew how much the people and music meant to me, of that I had no doubt and never down-played.  I could talk about them for hours.  It was the subject of promoting myself that was always alien territory for me.  I just never considered going there.   

 She did not give in.  She refused to give up.  She did not accept my cavalier attitude when talking about my work.  She also saw me as a person who played by the rules – sometimes to a fault – and saw the limited acknowledgement and success I had achieved while others became famous by using ‘tactics’ that were not even in my personal vocabulary.  Her design was to use my vocabulary.  To ‘play the game’ on my terms, to reach out to an audience without standing on a drowning man’s shoulders to get above the water.    

 That month; February 2015, I surrendered.  We launched the MIDIMike blog.  I wrote articles and ideas for posts.  She pushed and pushed to make sure I shared my stories and the feelings experienced for them.  She worked hard to set up the blog site, reach out to other bloggers, schedule releases of songs and so much more.  In fact, reading this article she will probably say “you are doing it again!”.  She would point out this is not about her, but about my work and my life, which are so often one in the same.   Old habits and all that LOL. 

 I was not sure if this would survive three months but I was determined to put in at least as much effort into the blog as she did.  I was not going to be the reason if it did not match her goals and plan.  If it lasted six months we could say we gave it a great effort. 

 The first anniversary for MIDIMike came this month.  I look at the articles posted, the comments from followers, the amazing relationships and shear talent of this community and wonder how I could find anything more ‘worthy’.  I have learned so much from so many of you it is difficult to thank each of you individually, but I am sure you are aware that I try very hard to do so.  I do not take your selfless time, effort and caring for granted.   

 You have allowed me to share past events and the emotions experienced during those and current events.  From deaths of loved ones, creation of new songs and old ones, tragedies, fires and life changing events friends have been faced to new poetry, ancient videos and my recent unemployment late in life.  It has been an amazing year. 

 On this anniversary, I am also aware of your support.  Your kindness.  I am only driven harder than Alisa could drive me, if you can believe that is possible!  I will continue.  Not only with MIDIMike and our community but with more of the music behind everything I do.  Your comments have inspired me to bring more of these gems out of deep storage, or to take unfinished works out of the closet and record them.   

 To take your advice and to thank you again for so much, I am releasing a new EP on this first anniversary.  “Before The Chase is now available on iTunes and CD Baby.  A new song along with new/updated recordings are on this first release.  I promise you there will be more and I will continue to share the stories behind them with followers of this blog, and I guarantee to listen to and be guided by your comments.  

Like so many talented musicians and artists we do not start out thinking ‘this is a great career path’ and we will be rich making popular songs.  We start because we feel it and enjoy what we do.  The truth is probably closer to reality – we do not become rich until someone else realizes they can make money from those talented people and their works.

 So much in one year.  Totally appreciated.   

Before The Chase on iTunes

As Part II of this series I will post the rough version of the heart of the musical components starting with the Piano and basic arrangement of the new song, “My Heart Is Silent”.  © 2016. Click here to read Part I. 

For the Piano we are using an 88 wood weighted keyboard controller.  It is an older Yamaha KX88.  As you will remember from the MIDI series posted earlier (LINK) the KX88 makes no sound at all.  While it has the play and feel of a real piano, it sits on a keyboard stand and I use the MIDI OUT to connect through a router I have straight to the computer.  In future posts I will go into more detail on how the sounds are generated and what I am using to get each sound. We recorded a few passes and because this is MIDI, I had the ability to move pieces around as we focused in on the arrangement.

The piano player listened to a glorified ‘click track’ I created with a MIDI drum controller from my Alesis Control Pad.   It has 8 assignable trigger pads and a cymbal trigger that can be set to trigger sounds from any MIDI device, but again I am going straight to the computer and using internal sounds for the drum parts.  This way we can record the piano part with the correct tempo even though there are no other instruments recorded yet.  This also makes editing easier if everything fits within the measures.  When we rearranged the sections I  ‘cut and paste’ parts from one place to another just the way you would with a Word document.  This makes life much easier for the recording engineer (yours truly).  If this was recorded with a microphone and without the click track it would be awkward to work with.

The KX88 also has sustain and volume controller pedals attached, so to the piano player it acts and feels quite natural.  Mack E. is my partner in creating this new song.  He read the lyrics I wrote to “My Heart Is Silent” and asked if he could take them home and work on the music.  This is a theme he has had in his personal arsenal for a while.  He played a bit with the tune and came up with a melody for the lyrics.  We worked on the arrangement until we were happy with it and here is the rough version of the piano chords.  We will add other instruments and vocals later but for now we have a good foundation for the song so we can build support instruments to fill out the song.

 

Start To Stop Again              (c) Michael S. Kennedy 

A worker cries when the day is done,

Wise man only cries for peace.

A lonely man cries for anyone,

I cry, but I am none of these.

 

My children say life is ours to hold,

Old woman says that it don’t matter.

The blameless say they do what they are told,

Broken hearts can’t live without her.

 

Crippled child wants life; however hard,

Hypocrites only want their share.

Starving eyes want less than we discard,

You want something that isn’t there.

 

Ooh, Ooh, the way it’s always been,

We stop to start again.

Don’t think you can’t help out my friend

Because we try, we control the end.

 

Nobody cares, if it isn’t them.

Cold voices only care by phone.

Rich people care about every gem,

Friends care when it’s one of their own.

 

Ooh, Ooh, the way it’s always been,

We stop to start again.

Don’t think you can’t help out my friend

Because we try, we control the end.

 

There were a string of original tunes in the early 1980’s.  Some you have heard here already.   These were very profound times in a lot of ways.  Real work worlds.  Kids.  Relationships.  Marriage. Responsibilities.  Debt.

This song was not written in one or two sessions.  It took quite a long time to make this fit together.  I Often find snippets in other writings and combine with others to make a full song.  This is one that I may have done that with as there are so many different topics and observations.  Part of my challenge in writing songs people can relate to is being able to state the obvious in a clever, funny or different way.   So I would think of these ‘one liners’ and write them down.   Some were my normal trite stuff, but a few were well said and became part of these lyrics.

I like to play a few different ‘voicings’ or positions on the 12 string and take advantage of open strings or cool octaves when I can.  (it also reduces the hand-cramps you get when holding down all those strings!!)  In some chord changes you can play the same chord in different positions back-to-back and it sounds like you are playing different chords.  The guitar part is sparse and melodic.   It sets the mood during the intro.  Allowing the intro chords to ring out with a slow rhythm lets the 12 string shine all the more.  The lyrics paint a pretty good picture of life experiences I had during that time.

Don’t think you can’t help out my  friend.  Because we try, we control the end!

As I look back on the songs and projects I have been involved in I also want to share with you projects from the core of artists I grew up with that influenced me to do more and get better in my craft. I have a good number of writings to pick from.  Here is a set of lyrics from my older brother David.  I have mentioned him a few times already so I wanted to give you some examples of his writing.

This is a song called “Singing Wheels”.  It was written in February of 1977. We have a lot of themes about driving and being on the road.  We often contrast between city life and nature as we are drawn almost equally to both. The song has beautiful chords and the melody is haunting with a fluid motion that fits the lyrics quite well.  I will post the song in the future.  At this point, the boy is able to see the man he became!  Perspective is amazing from decades later.

Singing Wheels”  © 1977 C David Kennedy

The lights of the city spread like stars below me

Traffic swirls around me as I leave.

And time moves slowly in a car that’s moving swift

I guess you call it relativity.

 

If the boy I was could see

The man that he became

He’d be pretty happy I suppose.

But the best things about him

Were just ballast for the flight

His hopes are dim and his dreams are tame.

 

And while Singing Wheels spin over whispered lullabies

My car eats the highway in the rain

Windshield wipers tell a tale rhythmic and serene

And thunder mourns the crying of the skies.

I had a theme for lyrics slowly coming together for the last few days.  On the edge of being complete I centered on the idea of how wonderful and supportive it is to have your loved ones with you to start each day.  To wake up together and face the challenges and the glory of each day. Yeah, I am a romantic in many ways, but those are the things I think about when I don’t concentrate.  For me – THAT IS THE KEY.  My lyric and melody ideas come from observation and experience, not from a lyric making template and time schedule tune-creator cookie cutter band in your box session.

I sat, as I am now;  sitting at my computer looking out the window and my small yard.  Birds at the feeder, squirrels trying to get what the birds spill, and most often a gentle breeze.  And I came up with the first chorus in 30 seconds or so.  It just summed up the things that make me happy with what I have done so far in my life and why looking forward is so precious.

The second verse was another theme that became clear once I had the idea for the chorus.  I have had a few conversations lately with friends and family with a noticeably different view of the future.  AS I get older and plan the future as much as possible I realize now some of the things I am planning will be the last time in my life that I will probably do it again.

I don’t look forward to doing things for the first time as we did growing up, I am looking forward to the last time.  And that brought me to the second chorus; I look forward to watching children and grand children learning and doing things for the first time.  (Helping when you can and staying the hell out of the way for most of it!)

The first and last verses try to summarize a belief that I have; If you are quiet and listen to each other, you will earn their love.

Now that I have written the lyrics and shown to a friend, he put a great song and melody to it.  We are going into my studio over the next few weeks to arrange the song and record a rough demo.  Then we will have other friends add finishing parts (like vocals again…. anyone know a great vocalist??!!) and do the final recording and mix.

I thought it would be fun to post the various stages of this project so you can see a little how these things develop from concept to final mix.   I will post the lyrics now and promise not to share too many variations as this is a trial and error process with lots of suggestions and compromises.

For now, the lyrics:

– – – – – – – – – – – – – – – – – – – – – – – – – – –

“My Heart Is Silent” © MSK 12-30-2015

 

I will close my eyes

If you will be there when they reopen.

My Heart Is Silent

Still listening to thoughts you have spoken.

 

As the Firsts in life

Moving full circle to become their Last,

Looking forward is

Much quicker than unwinding the past.

 

My Heart Is Silent

My needs are few;

A space to breathe

And living with you.

 

Waiting for you

Unwilling to think you might not return.

Letting you go

I’ve always known your love is something I had to earn.

 

My Heart Is Silent

My needs are few;

Watching children grow

And living with you.

 

I will close my eyes

If you will be there when they reopen.

My Heart Is Silent

Listening to thoughts you have spoken.

For another look into the times, Lack of Concern is a gem in a time capsule.  These were good times.  I was still working at the music store.  Playing with toys, buying a few here and there and energy I can only imagine looking back, LOL!   It was a period where a lot of music was written and performed.  Lots of projects.  Learning as much as we could.  Showing it to others!  That was the fun part.

The words in a number of my songs are important to me.  In the same way I have been told that aromas and fragrances can help recall a specific event in the past, lyrics do for me.  They are a portal that allows a connection to create itself again.  With that memory brought to the surface I can recall many of the events that inspired thoughts that somehow managed to become poems or lyrics.  I surround myself mentally in the time.

“Tease me with the truth, baby, don’t tempt me with a lie” is one that puts me back at that time, in that mood.  This song contains a number of those portals.  This song asks the basic question; … ‘do you know what you are doing and still do it, or are you completely unaware of what you are doing?”.  I just love the upbeat arrangement in this song.  For this song I had the Yamaha DX7S, their updated model and a drum machine.  My wife Ellen and I do the vocals. I play acoustic rhythm guitar parts and Shawn my buddy! comes over to play the lead and decorative guitar parts.  I just let him run wild during the entire song and pick the gems to accent parts of the song.   This may be the only time I have recorded this song.  It is also one I rarely play out, but I think it is catchy in its own way.

I guess I never really came up with a name for this tune.  Sometimes I will write lyrics and give it a working title.  I do the same thing with musical pieces I am working on before there are dedicated lyrics assigned to the tune.  As I continue to work on a piece, the name often changes when chords are matched with a set of lyrics.  On rare occasion it happens at the same time, and that process is a little different – and easier!  This is one of those weird situations where I never got to either, and this has always been referred to by the date…..  March of 1990.

March in this case also has a double meaning.  It is the pull away from the Winter season where I live.  The steady movement of new life.  The pace of growth that cannot be stopped. The instrumental tries to match that drive and frantic pace of the season.   Driving rhythms, collage of melodies, bouncing themes – and then to dynamics and a reflection of what is now past.  Then back to driving growth.  That is what I think about as I listen to this tune.  Even now, heading to Winter, I feel that March pushing forward.

Back to the Atari 1040 ST, I am sequencing all parts for this tune.  I believe I added a new tone module from EMU called the Proteus 1.  This was an amazing machine and I have not found anything as good and simple to use as the Proteus series.  It was really cool for two major reasons in my opinion.  1) the sounds were just awesome for the time and there were lots of sounds on board.  2) the operating software used was just made for MIDI geeks like me.  It was very simple and allowed the Proteus 1 to create splits, layers and zones, but it easily allowed you to access all 16 MIDI channels at the same time.  I could write a few articles on this alone, but for now it meant you could assign a different sound to any or all of the 16 channels independently.  As described in the MIDI series, this was great because you could use channel 1 for piano, channel 2 for organ sounds, channel 3 for strings, channel 4 for brass or orchestra sounds, 5 for flutes, 6 for sound effects, 7 for guitar sounds, 8 for solo instruments, 9 for the bass guitar sound, 10 for the standard drum channel and still have channels left over.  Playing out in bands and in the studio with this was just a dream.

 

 

MIDIMike

Thinking about a recent post where we shared our first concert experiences, I was reminded about my first concert to see The Grateful Dead. I was fairly young and the environment was overwhelming and exciting.

We used to play one of their songs called “Mr. Charlie”. The Grateful Dead are off beat by nature and this is one of their songs most people have not heard.  I recorded this cover song a couple years ago and decided to pull it out of the ‘deep-freeze’ and post it for the fun of it.

When I was in cover bands, we were pretty much forced to play main stream or currently airing songs.  I would suggest the unknown songs often but understood when we played only a few.  This one never got the approval either, but the core group used to warm up on this one and I just like the flavor of the song.

Credits to The Grateful Dead.  This is my Ovation 12 String guitar and I do a little harmony.  Hope you have a little fun with this as well.

Years ago when I was still learning to play guitar; I know, we are always learning! In this piece, my great friend and musical soul mate Tom Robinson is playing guitar and singing. I play around with the harmony, not knowing exactly where this song is going as we play off each other’s ideas as the song ends. This is another very basic living room recording but I simply love the song and the textures we created around the basic outline of the song. I hope you enjoy it as well. There are a number of inside jokes and references people might not totally understand, but I don’t think that will interfere too much.When I contacted them recently for correct song credits the answers were definite with options available for future adjustments. Tom Gorman and Tom Robinson [for all intents and purposes…] wrote the lyrics. Music by Tom Robinson. For a little more history I will include a portion of the conversation for historic kicks and giggles.

(Co-authors) Tom Gorman to Tom Robinson:

It was I July or Aug of 77 at your apartment. ….. Your stereo wasn’t working, and you were tinkering with it. You began to make progress and said “We got the capability . . .” For whatever reason, that inspired me, and I wrote most of the words to the song, including most of the refrain. ….. You came up with the lines about (mutual friends). I had written “We’ve got to feed our habits now” but couldn’t think of anything else. You changed “habits” to “rabbits” and added the line about rounding up the steer. At a later point, you put it to music and added “Thinkin’ about our doodely doom” and “weekend in the womb.” You also gave it the title “The Round-up.” The illegal beer was the Millers that (we) managed to score on a Sunday when it was illegal to sell it on Sunday.