Posts Tagged ‘#writing’

The Politics of Safety 2

 

If you found yourself in a strange city late at night and your car broke down in a ‘bad section of town’ and you had to walk alone to get help; how would you feel?  No cell phone service is available.  Imagine it for a while.  Now add the possibility that you had your small child with you.  Feeling a little tense yet?

Soon you see a group of teen-age youths approaching you.  They do not look like you and are probably not part of the friendly local neighborhood watch.  They all cross the street to the same side you are walking……..

I will try to make this brief so play this out in your head for a while.   Think of a movie scene unfolding.

If you feel you and the child are in danger, what steps would you take to ensure your safety?

Would you cross to the other side of the street?

If approached and you felt intimidation, would you begin to run?

If you had a knife would you point it at the group?

If you had a hand gun would you point it at the group?

If you had an automatic weapon would you pull it out?

If you had a grenade would you pull the pin?

If you had a device that would destroy the entire block but you would be safe would you use it to save yourselves?

If you had a massive weapon that would level the city but you would not be harmed would you use it?

You are calm now and reading what seems like an unlikely scenario, but the protection and preservation of your life and that of your child is hard wired into each of us.  To avoid the possibility (real or imagined) of harm to you and your child are you willing or could you imagine killing or injuring one of the group.  How about two of them.  What about all of them?  In the stress of the moment would you risk injuring passers-by?

In the US we have the ‘right to bear arms’.  It is in the constitution plain as day.  But when this was written the bow and arrow had been replaced by single-shot guns as the major weapons of the time.  Cannons could not be carried or moved by a single person or easily reloaded.  Hand guns capable of rapidly firing multiple bullets were not invented until the 19th century.

The authors of the US constitution had no concept of revolvers, semi automatic weapons let alone modern military style assault weapons of today or tomorrow.  The thought of RPG’s (Rocket Propelled Grenades) and other military tools were unimaginable at the time.

We are required to take tests and acquire a license to drive a car.  More tests, training and licenses to drive a commercial truck or bus.  Even more to operate cranes and earth movers.

We need a hunting license to shoot wild game – are told where and when allowed by local laws.  We have to get a license to get married.  Statistics are gathered and analyzed in fine detail for all of the above.

Funny; when you ask manufacturers and sellers of weapons how to resolve civilian mass shootings and the real threat of criminals with hi-capacity guns – the ONLY answer is to sell more and bigger guns so everyone has one.  Hell, they want you to buy a dozen.

We can purchase guns of all sorts including military style assault rifles without question in a number of ways.  We do not need a license to hunt or kill humans in this country.  The government is prevented by special interest groups from spending any money to gather data on gun usage or sales.

With very few exceptions, no one is trying to take your guns away –  No one wants to stop you from defending your family from home intruders –  No one wants to stop you from legally hunting wild game – any more than they want to take away your car or pick-up truck by requiring you get a license.  But what we are doing now does not make sense.

Heart-of-Stone

Where you live do the stars shine bright.

Is music played throughout the night?

Does the river run to the sea

Are there lands where animals run free?

 

Where you live are there golden beaches

Great halls where the poet teaches?

Are there fields of crops  

Can you see snow on mountain tops?

 

Laws of nature are always the same.

Universal rules that never change.

I wish those were the ways of man.

But we’ve broken them since time began.

 

Do lonely men beat their lover

Do some justify killing another?

Believe what they see they own

Lie and cheat with hearts of stone?

 

Are prisons full of innocents

Banks that hide how your money’s spent?

Barren lands and tortured skies

Silence forced to hide the lies?

The Wrong Reply

Posted: January 25, 2016 in Poetry
Tags: , , , , , ,

I want to be alone tonight

Don’t want to be at home tonight

I think I’ll walk around

Follow every sound

I just can’t believe the things I see

I could never deny

With a gift for the wrong reply

You have to think all day

Of what you’re going to say

But you’ll never get the chance

I’m not looking for something that isn’t there. 

I’m not looking for something that isn’t there. 

Not in the quiet of the light

Or the movement in the night.

Didn’t see when it began

Couldn’t tell you where I am

I’ve gone so many miles

Heard something all the while

And I know it wasn’t you or me.    

 

© Michael S Kennedy

From the middle,

each end is far away

Somewhere in-between,

we learn how to pray.

In every story

there is a hint of truth

Behind every lie

is a mountain of proof.

It’s always during the cold lonely nights

That you find out what you’re missing.

I am missing you.

(c)

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The moon is high

The river is wide

The feeling is right

Everything has its place.

 

Gorgeous colors

From Spring to Fall

Changes year to year

Each at their own pace.

The sky is blue

The sun is hidden

The grass is growing

Everything has its place.

 

We miss so much

Turning in circles

Looking for fortune

Everyone makes mistakes.

It’s easy to do, I’ve done it too.

Everyone makes mistakes

It’s easy to do, so will you,

Everyone makes mistakes.

 

 

Lack Of Concern ©

You look from behind me, Baby
At what I’m going toward.
Seeing what you want to see
And then you look no more.

Tease me with the truth baby
Don’t tempt me with a lie,
So if you want to play games
I’ll just walk on by.

It’ a lack of concern
Or a lack of control
Is it in the heart,
Or deep within the soul?

You’re not making love with me
You’re just wasting time
Always taking theirs, aren’t you
But I won’t give you mine.

My tears are in your hands
My heart is open wide
But everytime I look, I see
There’s nothing left inside.

Tease me with the truth, Baby
Don’t tempt me with a lie,
So if you want to play games
I’ll just wave bye-bye.

 

I could write a letter.

Or sing a song.

I could read a book

fix what is wrong.

I could go for a swim.

Or watch the stars.

I could change all the strings

On my old guitars.

 

First I will tell you I love you

You know it’s true.

And the next time I can hold you,

is long overdue.

 

There’s always that mountain.

Or just beyond.

Become a teacher

create a bond.

I could go on a quest.

Or sail the seas.

Think the impossible

And do as I please.

 

I could learn to play games.

Or learn a craft.

See how far I could run

sail on a raft.

Maybe just volunteer

Or start a meme.

There are a million things

and more in between.

 

First, I will tell you I love you.

Although you know it’s true.

For the next time I can hold you,

is long overdue.

(c) 2011

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Back before it was the thing to do, my wife and I took this picture.  Literally.  One of us aimed it and the other one snapped the photo.  But this was a special occasion.  This is one of the few photos of our wedding.  We got married in the winter in a local park overlooking the city.  It was an extremely small wedding, but we did have a few uninvited guests.  There were a couple of reporters looking for something to write about on a day when there is nothing to write about.  They saw my wife and myself, with our daughter Alisa in hand, as we were reading the wedding vows that we had written to each other and  exchanging roses. We were standing under the small gazebo in the freezing cold; as calm as you please.

They came up and started a conversation, I figure they thought we were just a couple of crazy people that wanted to know what the heck we were doing.  When they realized it was a wedding ceremony, they decided this was something to write about!  They took our pictures – the only others taken of our wedding – and wrote an article that ended up on the 1st page of the People – Events section.  The article was warm and friendly and captured the humor that you can see in our selfie.  If it is true that the bigger and fancier the wedding, the shorter the marriage will be…. we got it made!

Through the beginning to the end of the last chapter, we have concentrated on the hub or the central nervous system of a Live Sound Reinforcement assignment.  I have been focusing a bit on live performance in a typical band or musical event.  We now understand how most equipment for the House PA, the stage monitors, effects, and even lighting systems use the mixing board as the central hub.  The mixing board’s usefulness does not end there!  Once equipment is set up, connected, turned on and confirmed functional, most of the adjustments made for the rest of the evening will happen because of changes to the mixing board.  It also becomes the Master Device, and all other connected devices are ultimately controlled by the mixer.  The sound engineer is the ONLY person that should touch the mixing board.

The next logical step would be to describe the components of the House PA system and how much power (or how much money do I need to spend….).  After all, this is what most people hear, right?

Obviously, I set up as a trap question.  The answer seems obvious.

If I said, “I sound like a broken record”, most young readers will not know what that means! But I will repeat myself on certain themes and I feel one a’ comin’!  The next important thing is not the House PA and the number of speakers and amplifiers you need.  Most small venue mixing engineers go straight for the house and main systems, completely ignoring the most important ingredient guaranteeing a great performance.  We will avoid that trap now and focus on the stage and more importantly – the musicians on the stage.

When bands practice, they ultimately find a good use of space and volume so each member can achieve the two primary goals;

1) Hear myself (usually louder than any one else.  This is not ego and we will get into that later)

2) Hear the other performers (usually not as loud as the performer wants to hear him/her self!!)

Once they settle in and can accomplish the above – practice is comfortable and productive.  Each member can hear themselves and can also hear enough of the other members to blend with them.  If you saw a live symphony orchestra and all you could hear were the trombones, it would seem like an awful performance.  If you were a musician in the orchestra and all you could hear were the trombones……………

Now we can go back to the band members standing on a stage or venue they have never seen or played in……   and now understand that this is a very real challenge, and the smaller the venue… the smaller the budget.  Lack of Resources can be difficult challenge to overcome.

In larger venues it was quite normal to have a smaller mixing board off to the one side of the stage.  All the instruments and monitors would connect to this mixer, and it would ‘split’ all channels and send them equally to the House mixing board out in the audience area.  (it can also be used to send signals to a recording van parked outside).  The sound engineer on stage makes the band members happy by concentrating on the performers but does not affect the signal going to the House board.  That way the House Engineer has full control of the unaffected incoming channels from the stage board.

Good enough for now and in the next few sections I will focus on the stage sound and mix.

I guess I never really came up with a name for this tune.  Sometimes I will write lyrics and give it a working title.  I do the same thing with musical pieces I am working on before there are dedicated lyrics assigned to the tune.  As I continue to work on a piece, the name often changes when chords are matched with a set of lyrics.  On rare occasion it happens at the same time, and that process is a little different – and easier!  This is one of those weird situations where I never got to either, and this has always been referred to by the date…..  March of 1990.

March in this case also has a double meaning.  It is the pull away from the Winter season where I live.  The steady movement of new life.  The pace of growth that cannot be stopped. The instrumental tries to match that drive and frantic pace of the season.   Driving rhythms, collage of melodies, bouncing themes – and then to dynamics and a reflection of what is now past.  Then back to driving growth.  That is what I think about as I listen to this tune.  Even now, heading to Winter, I feel that March pushing forward.

Back to the Atari 1040 ST, I am sequencing all parts for this tune.  I believe I added a new tone module from EMU called the Proteus 1.  This was an amazing machine and I have not found anything as good and simple to use as the Proteus series.  It was really cool for two major reasons in my opinion.  1) the sounds were just awesome for the time and there were lots of sounds on board.  2) the operating software used was just made for MIDI geeks like me.  It was very simple and allowed the Proteus 1 to create splits, layers and zones, but it easily allowed you to access all 16 MIDI channels at the same time.  I could write a few articles on this alone, but for now it meant you could assign a different sound to any or all of the 16 channels independently.  As described in the MIDI series, this was great because you could use channel 1 for piano, channel 2 for organ sounds, channel 3 for strings, channel 4 for brass or orchestra sounds, 5 for flutes, 6 for sound effects, 7 for guitar sounds, 8 for solo instruments, 9 for the bass guitar sound, 10 for the standard drum channel and still have channels left over.  Playing out in bands and in the studio with this was just a dream.

 

 

MIDIMike