Archive for the ‘projects’ Category

I want to give you an idea of perspective on some of the articles I have posted and will continue to post going forward.  This is the first video I have posted and while it is rather BORING, it is so informative at the same time.  I guess I have recorded original tunes since the very late 1960’s.  I recorded everything.  I deleted a lot!  But I recorded everything I could.  I experimented and adjusted and re-did and failed a few more times than I succeeded in the early days to be sure!  I also got into photography and then into video recording.  I practiced the mundane over and over until I got the exposure right, then with video until I could zoom and focus manually.  I joined the photography club in high school and learned to develop and enlarge my own pictures – something I thought was close to magic back in the day!

I shared earlier that I used (and still own!!!) what I think was the first personal computer to come out with built in MIDI ports – The Atari ST!  I used a software program back then to record the MIDI tracks and I could generate SMPTE time code and send a signal from the Atari to sync it up with recording machines (I had the Yamaha 4 track CASSETTE recorder during most of this).  When I talk about old technologies and how we used to record songs (or develop pictures…) It is hard for some to understand the challenges we had and the lo-fi quality of the final mix or product.

I want to use this video as an example of many things I refer to in this blog.  In this video, you will see what I saw when looking at the Atari computer monitor when I was playing or recording tracks.  Keep in mind this is all MIDI equipment available years ago.  The song I posted earlier will now be stripped of all guitars, vocals, effects and additional live sounds you heard on the full mix.  As you watch the video you will hear the sequences being played back live into the VCR input.  I took the monitor video out and connected to video in of the video recorder so this is a straight feed for both.  In the recording software, each “instrument” has a separate track.  Drums are all on one track with additional percussion sounds on different tracks, and as a reminder, each note (as triggered from my DX7 keyboard) represented a different drum/percussion sound coming from a drum machine.  You can hear the metronome from the Atari ticking away in the back ground as it is set to record.  As each track plays you can see the musical notes light up depending on the intensity of the track information.  You can also see the tempo of the song, the names of the tracks and the measures and beats as they click by.

The main piano sound is probably familiar to many of you even if you are quite young. It is the classic Piano Tine sound from the Yamaha DX7 synthesizers.  This video should also give you a sense of quality and resolution available at the time.  It might be difficult to hear the difference in song recording quality today, but we are all familiar with video resolution and HD cameras and large screen TV and computer standards available now.  Just think how this applied to the audio quality back then and then play some really old songs you grew up listening to.   It gives a better appreciation and perspective for some of the classic songs that seem to live forever.

I have always been into helping charities and volunteering for good causes.  I entered a few tunes from a local cover band I was in (Euphoria) for yet another battle of the band contest sponsored by habitats for humanity and a local radio station.  The bands would play in Eden Park at the very-cool Seasongood Pavilion.  At first it looked like we might not even play, then the dust settled and we would go on to play last.  The other bands were interesting and pretty good.  We were hi-energy progressive rock and we played our short set really well and had a great time.  We even made the goof of mentioning the wrong radio station’s call letters!  Agh!  I thought on that alone we might get overlooked.  But they might not have heard the comment and in all modesty we were really good.  We won a trophy – some unknown band member still has it hidden safely in some underground bunker – and recording time at a recording studio!  For me, this was like candy. 

We were awarded the prize and a limited time to go into the studio.  We decided to use the recording time of three hours (yeah, kind of a tease and they probably figure you will run over and have to pay them for additional recording time) to record a band demo.  Eventually we got a list of songs we wanted to do and had some discussions on what parts of the songs to feature. 

As the time got near, it became more and more difficult to arrange schedules of the various band members (and lets NEVER forget the schedules of the family of band members!).  So I told the band guys that this weekend was it.  This is the deadline and if we do not go in a few days we will lose this opportunity altogether.  After the whining and complaints, we agreed to go that Saturday, the last day before the deadline.   

There are two reasons I bring up this story.  A couple of good lessons keep this fresh in my memory.  The following is the first; 

Sometimes you have to lie.  I knew we had another two weeks to record, but I also knew if I left it up to the band to schedule, it would never happen.  Everyone wants to do it and everyone SAYS they will, but other things always happen and conflicts crop up at the last minute, and it is too late to save the project then.  I knew how the band put things off and I did not want to miss my time at the ‘candy store’. 

The second lesson was learned by the studio recording engineer.  I will share that in the next post.  Here is a bit of the demo we did in the studio so you can get an feel for the mix.    

Journey – Separate Ways

Black Crowes – Hard to Handle

Yes – Long Distance

Yes – Changes

The Who – Can You See the Real Me?

Shooting Star – Last Chance

Queensryche – Jet City Woman