Posts Tagged ‘#retro’

http://www.cdbaby.com/cd/perigee

**This is MidiMike’s daughter. I help my dad out with his blog. I wanted to tell all of you that this is, by far, my favorite song that my dad has ever written. If you stop to listen to any of the original tunes, I would highly recommend this one!! Thanks.**

And now a message from my dad:

On most of my tunes, I play all the instruments and sequence the drums and other sound effects.  I usually sing lead or I have my wife take the vocal lead.  Once I started working in music stores selling instruments and sound equipment, I asked friends (and customers at the time!) to come over and lay down guitar solos or I might have a guest vocalist.  What I do at Night was one that we did ourselves.  I play all guitar parts and the back up vocals.  I think at this time I had graduated from a Yamaha MT4X (I think they were called and this was a 4 Track double speed cassette recorder) to the Alesis ADAT.  So now I had an amazing 8 tracks to record on!  Actually I needed one track to record the SMPTE time code so the Alesis ADAT would sync up to the computer (now I actually have a PC and put the Atari in deep storage).  I can go into this details on this system for a later post when I am feeling nostalgic, but it allowed unlimited MIDI tracks on the PC or Atari and connect to the playback of the ADAT.

The song itself reflects my thoughts on a number of topics.  I really like to drive.  I don’t have a fast or luxury car.    I just like to drive.  When I have some free time or just want to think, I often find myself cruising the local  country side.  I would listen to music while driving and that sometimes adds to the frustration.  Most of the music you hear on commercial radio is garbage or re-packaged songs and ideas I have heard for the last few decades.  Like a lot of us struggling artists and performers, we see a bunch of bands with lots of air-play and they are just so-so.  OK music, but nothing special.  As a songwriter, I get so tired of the same theme or idea in every song on the radio and they seem to get played non-stop.

One line reflects this fairly well…. ” so I turn the radio over to the right, playing the same songs as the other night”.   Originally titled – “Rainy Day”, What I do at Night has become one of my favorite driving songs.  Enjoy.

Plain and simple, the lyrics are about my daughter.  As a proud parent, I am often overwhelmed by  the innocence, beauty and unlimited potential when holding a new-born in your arms.  Not to get weird here, but there is nothing like it.  As I cradle, rock or talk baby-talk, it is difficult not to think about the new life I am holding, how fascinating they are and to drift into thoughts of what will happen in their future and how we can make that path easier.  This song also features Gary Jefferson on vocals.  You will hear him a lot on my tunes, and he was the vocalist in the demo recording the band did in the studio.  He has pulled me into a number of projects and I often ask him to help me with mine.  There are so many musicians I depend on and work with regularly.  I will introduce you to them and the work they have done in future posts.

Most of the music is sequenced along with the drum tracks, I play the rhythm guitar parts and had a friend come in for the guitar solo, while my wife adds back-up vocals.  All grown up and with children of her own, the meaning of this song gets deeper and closer to the heart every year.

“Slick as A Dream” (c) MSK 1988

Slick as a dream, this beauty machine

Sharp and so cold, young – just as old.

Moving so sweet you can feel the heat

Smiles of sorrow can’t wait ‘til tomorrow.

One thing you’ve learned: love has to be earned

Pain must be shared, embraced if you dare.

Nightmares are gone, but she carries on

Can’t forget her, love lasts forever.

Tender love cries slowly hypnotize

The helpless day now melting away.

And if you dare she’ll become aware

Give those who bleed whatever they need.

She knows exactly who she is.

And exactly what she needs.

When I first went to a music store near my town to see if I could get a job, I naturally went to a store I shopped in a bunch of times.   I was one of the first customers to purchase a new keyboard that was starting to break all the sales records at the time.  It used FM (Frequency Modulation) to essentially create or ‘synthesize’ new sounds not possible before, ……… and …… you could play up to 16 notes AT ONE TIME!!!  You take that for granted now but that was a thrill for electronic keyboards (other than organs and all that).

So I went over and talked to the owner.  He walked us over to the keyboard I had purchased and said, “can you program this thing?”.  I told him absolutely and I can show him now how to create cool new sounds.  He said, that was OK and I was hired.  That started the sales portion of my journey.  This song got the name and the main groove from the keyboard sound in that Yamaha DX7 synthesizer.

If you played individual notes in the right tempo, the thumping sound would build just right and you got this effect like a helicopter at a distance.  I did write lyrics for this song, but I always hear it as an instrumental. For the early instrumentals, I was recording on the first computer for consumer electronics that had a built in MIDI port, the Atari and I had the 1040 ST.  Again, that means nothing today, but this was space-age technology and had a lot of musical applications.  I still have it (two, actually and two monitors) and it still works to this day.  I can fire up the Atari and still play all these MIDI pieces as I did when they were written.

The drums are all programmed.  In fact, everything is.  All the sounds are triggered from the Yamaha DX7 and recorded via MIDI.  Each time you hit play’, you are regenerating all the sounds to make this song. See the MIDI series for MIDIMike’s intro to MIDI by clicking here.

 

MIDIMike

Speaking about lyrics that never become songs, etc., sometimes I write and record a demo or rough track of a song and it just never seems to go anywhere.    Some of them do get resurrected, many don’t.  For some it may be as simple as a tempo change or a different arrangement.  Other times for me it is mysterious.  In honor of Saint Patrick’s Day, I would like to post lyrics to a song in the making.  As this platform gives us access to followers around the globe, I do not want to leave anyone out, so please take this as intended.  If I don’t mention your country, other people’s songs will!

Then in a later post I can bring in the recorded demo tracks.   I like the lyrics for the most part and I love the idea behind the song, but it is not there yet.  Maybe after a pint or two of Guinness and some suggestions from you I can finish this song.  And of course, that could be a topic in and of itself.  We hear phrases like “final mix”.  Some people say there is no such thing.  Others say you just have to stop at some point and let it go.   Much of this may depend on your final goal.  Are you a singer/songwriter trying to get a break and some air-time?  Are you shopping for places your band can perform your unique style?   Do you want to have a clean demo to send to your favorite artist?  Is this a sound-track for video/YouTube?  Do you make sound effects for games?

We can always say make it as good as possible but that is very subjective.  Hire 50 sound engineers and you will get 45 different mixes (there are always people that look over your shoulder!)  Tip for today;  it takes a really long time to fix it in the mix even if you know what you are doing.  It is much easier and preferred to get the great sound first, and then record it properly (using gain staging and other procedures mentioned earlier).  When you record a great sound it will sound great.  As a sound guy for a local band I would get compliments on the sound (House from the audience but almost always monitors from the band).  I thank them and tell them the band sounds great, I just let everyone hear them.

“A Part of Me”                                                                   © 08-2000  MSK

American Indians gave me my soul,

A spiritual guide for all living things.

Each man’s fate is his to control

Peace with Nature, the warrior sings.

A Part of Me belongs to all of Them

From the Germans strength was my first lesson.

Trial and precision as you master these.

Pride that’s passed down from son to son.

Built in each hand crafted Masterpiece.

Oriental neighbors have shown me the light

Truth, Balance, Eternal harmony.

The beauty of patience and delight

Traditions deep within history.

A Part of Me belongs to all of them.

I’m proud to be an American.

Sisters and brothers from every shore,

That’s what makes us Americans.

Part of Me belongs to all of Them

From the Irish I inherit my pride

I stand my ground and I will speak my mind.

I will honor the lands and the tide,

And I’ll never leave a neighbor behind.

My English side embraced nobility.

Dry humor in the face of foes

Hardy enough to capture the seas.

Portraits legends and heroes.

African Americans forced to become

A torn people of two nations.

Tribal tales and melodic rhythm

Passed onto the next generation.

The French helped me understand

Style and grace can be nurtured like wine.

To believe there is no better place

Life shared with friends, bread and wine.

A Part of Me belongs to all of them.

I’m proud to be an American.

Sisters and brothers from every shore,

That’s what makes us Americans.

Part of Me belongs to all of Them

Year after year

They want to raise their children here.

Because sweat blood and tears

Can amount to something here.

There’s a lot of people in my life

A part of Me belongs to all of Them.

Your song may be different and that’s OK.

Sing it with your fellow American.

This is a good time to walk around a little if you can. If you have a helper that can baby sit the board for a while, slowly walk around the venue.  Listen to the various instruments as you walk to different sections and notice how each area sounds as you pass in and out of range of the main speaker clusters. Listen again for areas that ‘drop out’, especially in the main audience areas.  Talk to the host.  Make adjustments and respond to their suggestions.  Interact with the audience if you are good at that sort of thing.

Bring all that listening back to the sound board.

What adjustments can you make to improve the house mix?  Is a player sounding great when you are right in front of the stage but fades quickly if you are back further or at the bar?  Does the kick drum or one of the vocalists sound muddy and hard to hear clearly.  Listen to each instrument again.  Use the headphones and solo tracks do they sound muddy in the headphones too?  If so, you might need to change the EQ settings or other audio processors, change microphone location, REPLACE the microphone cable!, put rings on the drum heads to stop heads from long ugly tones, hey, there is a lot of stuff that goes into making the band or performance sound good.

It can go wrong.  I have gone up to drummers during sound check to ask them if they have any objections if I tune the drum heads for them before the gig.  Far too many drummers don’t know how to do this and far too many more don’t know that you even can.  If the kit is out of tune and generates all sorts of random harmonics and overtones, there is no way to get it to sound ‘awesome’.  It can sound loud and it can sound full, but it will never sound good.

I have probably upset a few performers as well by asking that they tune their instruments before we start playing.  One of the benefits of also being a musician in a number of bands is I can tell when something is out of tune.  I don’t think I can get drunk enough that playing out of tune is a good thing, but there obviously are a few out there.  If they cannot tell the difference that is worse than being too drunk, but we all sound and play better when everyone is in tune.  Some bass players can’t tell any more so you have to politely step in once in a while.

In a large club in front of a packed audience, the lead vocalist roared into the microphone, ” I ain’t got shit in the monitors, sound guy,  I got nuthin’ up hear at all…”.

I responded with a simple but effective test that I could do from way out in the audience.  I reached up to the main faders and yanked them down completely before he got to the “…… sound guy,  I got nuthin’ up hear at all…” part.

So he ended up with the band now reduced to stage volume.  As he was saying …’sound guy …’  He was booming through the on stage monitors at an amazing decibel level.  He apologized to me and the audience when I turned the mains back on and we rocked out the rest of the night.  The house was loud enough that he could hear them more than the mains and he was not used to that feeling.  That the sound guy would not have the vocals loud enough in the main mix and he would need to hear the monitors really loud on stage.  He ended up really happy with the mix and did not have to scream all night over the band stage volume.  Keeping things solid can include a number of unexpected challenges that are better met head-on, but these business relationships should also be kept friendly and cooperative.

Have spare cables for everything, even if the sound system does not use it.  Power cables for devices and amps.  Adapters for audio cables.  Tape, markers and paper.  I bring guitar cables and a few spare mic cables everywhere.  Batteries.  Small hand tools.  Power outlet tester.  Flashlights.   Drum head tuning keys.  Zip ties, the list could go on but session after session, someone will need those things for the show to go on and you will be the champion pro.  You gain cooperation and trust for the next gig.  Win win.

We all know the saying about weak links.  When you have so many components – each connected with cables and software and processors, it can take a while to troubleshoot the system when you have a failure.  Yes failure.  If you are the sound guy or gal and things don’t work or it sounds bad, YOU are the failure!  There are basic steps you can take and I can describe them in a generic way, but that type of advice will not apply to every system out there.  No two clubs or sound companies have the same sound equipment.  The best advice is to keep the number of links in any chain as low as possible.  The more links, the more of them that could be or eventually become weak.  It is not always practical to have a spare of every component, but finding local music and sound stores open in your area is getting tougher.  If taken care of properly though, most professional PA equipment available today will last a long time.  More on “Maintenance and Tips” in a future SLR series.

Performing with other musicians requires a deeper channel of communication than normal language. When creating in this environment, every nuance has a meaning.  Every motif can create musical ripples.  Sometimes, two thoughts are better than one.  Co-writing can take a piece further than you would have thought possible on your own.  Try it.  You might like what comes out of it.  Over the years I have worked with a group of songwriters.  Each writer diving in to show off the latest and greatest.  While in one of those small traveling bands from hotel to hotel, I was playing in Corpus Christie TX.  We played a lot of different music for three people, and one of us did not play any instruments.  We wanted to come up with something with a bit more country flavor, and the lead guitarist was working on some soft ballad type chords during practice.  I told him I had written some lyrics that might fit.  I had finally given myself the title of songwriter as you know, so a while back I challenged myself to write a country song.  I had something specific in mind.

I write a lot of songs.  I write a lot of lyrics that never become songs (not yet anyway).  I write a lot of poems that may never become lyrics.  I write a number of songs and I might not even have a recording of it, even though I love to archive and preserve original performances.  Some songs I write for others and do not have a real interest in recording myself.  Maybe because I already have a good idea of what the song is supposed to sound like when a real performer/band records it.  I am not putting myself down here.  I simply do not have the talent or resources of famous stars.  You might laugh, but when I was writing the lyrics below, I wrote them as a duet for some famous country music stars at the time;  Kenny Rodgers and Dolly Parton!

I have only one recording of this song and I will share it with you, Kenny and Dolly you too if you’re listening!  I am singing the male part on this recording.  Not sure if this was ready before we moved on from Corpus Christie to another hotel, but it fell together quickly with the ballad chords at practice, so we performed it live to the more country leaning southern audience.  We were surprised that it went over so well and people in the hotel/audience that were regulars, were singing the words after a few nights in town.  So, I will probably never record this song.  It has always been a distant dream to one day hear others recording this as their own.    I have already heard in my mind what it sounds like with them performing, but this live two-track recording is not too bad for a working representation.

While this is not the first song I wrote I will use the same lyrics, the same instruments, the same arrangement, the same studio and recording gear to show how differently the same words can be interpreted. In this case the only difference is going from a male lead vocalist to a female lead vocalist…… but the outcome is totally different. No, I am not the lead vocalist, so that will have to wait a little longer. I am playing my favorite 12 string acoustic/electric guitar and a rhythm electric track. Writing lyrics is a powerful tool. Maybe because they can be interpreted in various ways.

Now the only change is the lead vocalist. The song has added controversy if you will, and maybe the subject has more acceptance now than in the past, but it changes how the lyrics are interpreted. All Night Long took me about fifteen or twenty minutes to write. I wanted a simple R&R theme. Most of my songs are not main stream. I do not pretend to be commercial. The other reason I wanted to introduce you to this song now is because it is not like any of the others I have written. Throughout my life I have searched out unusual artists and creative ideas. Art, poetry, sound engineering, acting, I have been drawn to and inspired by some amazing people. So this is more cookie-cutter. Predictable song with the usual topic and repeating lyrics. I still have fun with it!

As I was practicing my wife did a mic check to set levels and she started singing the song. I thought immediately that was IT! It totally changed the song’s meaning. So changing the vocalist in effect took it off main stream and cookie-cutter. The subject material was not so acceptable back then……..

I entered a few of my recent songs into a local radio band contest. Too much to go into now, but at this point, my wife had never really performed in front of an audience. She is a bit shy in that area. It was a total shock when one of the songs we submitted was played on the air and a runner in the contest and another song I submitted for another friend of mine was selected to a battle of the bands in a large venue to compete for title and prizes. We were jazzed…..

But there was one little detail missing; He did not have a band! His song was picked and we (we, because it was my bright idea to enter his song into the contest!) were to compete against other bands in less than three weeks from the day we were notified. We worked in the same music store at the time and we quickly merged members from three different local bands. Each band would bring 2-3 songs to be added to the set list. We had to play for about an hour! That is how All Night Long was performed for the first time; live, to a packed house. My wife will have to give you her thoughts of that evening. I cannot do it justice. All Night Long is added to the set list and we all agree that my wife should sing…… She is terrified. We practice for two weeks learning the other band’s songs…

On stage now and good crowd. We knew they were not here to see us, because until two weeks ago, there was no US! We also figured there was no way to win, but we were going to go up there slamming. We set up and play the first songs on the list. When it is time to start All Night Long, my wife….. A little bit nervous to say the least, walks up to me and says, “if nothing comes out of my mouth, START SINGING!”.

She did great and it was a blast. I will encourage all of you to push the comfort zone a little. Be prepared to take advantage of the feedback and be ready to change and adapt. Work with other artists you appreciate. Encourage them to adapt if needed and support them when they do. My friend would never have submitted a song on his own and he even had me pick out which songs to enter. My wife’s big ambition was not to sing in front of a crowd, but we all remember that event to this day. Fortunately, a friend of ours was in the audience with one of those hand-held video recorders and got the whole thing. WE didn’t win, but they knew who we were… we were NRSB!

You can check out the rest of the album at http://www.cdbaby.com/cd/perigee

As the Live Sound Reinforcement Series (LSR) continues, I would like to share some of the events that allowed or inspired what I refer to as captured creativity.  Let’s address a couple things now; the most amazing show/event with powerful and talented performers has little meaning if no one is in the audience.  The performers will feel great and energized, but if there literally is no audience (even in the form of recordings),  it will be lost.  The other obvious reality check is no matter how talented and smart you are – or think you are – will NOT make you loved and famous.  Touching on my daughter’s gracious note to me, some of the most talented musicians out there we will never hear.  You will not find them in a search and no one will point you in their direction.   But they just keep on creating.  Soloists, artists, groups and garage bands.

I know that thrill.  I understand the communication link that HAS to happen when you perform with someone.  I first got that thrill in my preteens when I put some of my brother’s poetry to music.  In truth, I exaggerate; I played on bongos and sang a rough melody line with his poetry still intact for the most part.  I would get another type of thrill when I began to write lyrics and finally a bunch of ideas became a song. 

We also knew right away that I was not the best singer out there.  I never really excelled while playing various instruments but over the years I got pretty good at a few of them.   But at least I was a songwriter and I knew I had a powerful tool.   I love to teach by sharing.  Or is it the other way around?