I have a rough version of a new song called “What You Want”. Well, it is called that now because I put lyrics to it from an earlier Lyric Post.
This is a tune using an old Yamaha drum machine I recently became caretaker of. I set up a nice but simple drum pattern using my Alesis MIDI drum pad and recording again in Studio One 5 by Presonus. I am using the internal sounds in Studio One 5 to play the bass guitar parts, triggered by an M-Audio MIDI keyboard I got with the drum machine and some other cool toys.
After the beat was down and feeling a bit more fun to play with, I added the two guitar parts using my Ibanez electric guitar. I recorded two tracks but instead of hooking up my amplifier and all my pedals, I plugged straight into the mixingboard so it would go direct-out to my computer input.
I used one of the many plug-ins included with Studio One 5 to add effects to the guitar. The built in guitar tuner plug-in is also really handy and I like the way it operates. So no need to connect to a tuner after each practice take. Each guitar track used the same plug-in but set to different guitar effects.
I am working on adding vocals but for now here is “What You Want”.
This shuffle will take a while to get used to. Really, there is no groove here. No comedic relief either, but I do like the strangeness of it. How about that for an intro?!!
The recording was simple and there is a lot of open space in this one that makes most listeners a little uncomfortable. I played my Ibanez 6 string electric guitar and used effects from my PC after the recording to get the delay and chorus effects. I created the MIDI drums to match the odd beat in the guitar strums. After laying down a simple bass guitar track using computer plug-ins and the song is almost done.
Sonar Track Panel Wave and MIDI files that generate sounds from computer programs called plug-ins
I mentioned experimenting with an on-line jamming program. It became the clipboard for a few guitar sections I created while waiting for one thing or another to work. I titled each as verse, bridge, chorus, etc. I had to give it a project name to save the clipboard and I came up with “Not Now”.
I used those short pieces and assembled them into a song arrangement. Once the chords and arrangement were in place I naturally started thinking of lyrics (as I have a tendency to do). The file was named Not Now so I kept it as my Cakewalk (BandLab) project name. So it becomes the theme of the lyrics. In one hour they were written. Getting them to match the odd rhythms and sparse instrumentation became a challenge. It took me a few days to come up with the melody and then practice it enough to get the rough tracks down. To all just joining; I get things down to rough tracks and then write another song, poetry, lyric or instrumental. When I was young I hoped some band would do my songs correctly in a studio. I am not young now.
Here is a rough mix of “Not Now”. I used a Martin Acoustic/Electric guitar for the guitar track. Using my MIDI keyboard I pulled up a plug-in for drum sounds. I imported the original noodling guitar parts I did from the clipboard but they were not recorded to a metronome or drum pattern. I listened and figured out the tempo of the segments and set Cakewalk to match. That way I could listen to the short guitar segments as I created the basic drum parts and arranged all the segments in order. I pulled up a bass guitar sound and played the MIDI keyboard to generate the bass line.
Next, I Muted the original guitar tracks and recorded a new track to replace it. The song seemed to cry out for strings but that is usually just me. I like good sounding strings in various styles of music.
I use two monitors as there is a lot of information to keep ‘track’ of even for a small project.This is the Piano Roll view. Each color represents different instruments. The lower group triggers drum sounds.
I gave a link to BandLab above. Full disclaimer this is not a commercial and I do not get paid for anything I do here. However….. if you are interested I used to pay hundreds of dollars every year or so to keep this great recording program updated. They now offer the program and all updates for FREE. No kidding.
I hope you enjoy “Not Now”. Each time I listen to it I like it more. Again, this is just me as each new song I write becomes my newest favorite.
Thank you for your continued friendship. The story of friends and talented musicians, artists of all kinds was fun in the telling. Followers will know the names and projects I have been thrilled to be involved with. Sacrifices. Heart break. Overwhelming joy.
I have told the story but I also have my archives to share. I started recording with a reel-to-reel tape deck when I was 14. I recorded everything. Everyone. Everywhere (once I had portable recorders lol!)
The medium has changed many times over. Some of the video, for example, was amazing on a small tube television. It just does not stand up to the quality of large screens with high resolution. I did not include the ancient videos on this post because it just looks bad/old.
For some reason I did not take a lot of photographs in this time frame. Unfortunately, I do not have any pictures of the lead vocalist in this recording….. Shoeless Shawn was not with The Chase long before we stopped playing out. So I collected more recent pictures I had taken of group shots of friends, family and fans we have known over the years.
With a little free time on my hands, I have been going through my archives. This is an old recording from my Nakamichi stereo cassette player! I think it is straight off the board. I did not run sound for this recording. Our friend Dave Houston was at the helm.
Everyone stay healthy, and with social distancing, stay at home, grab a drink, and put up your feet. Press play and listen to some live music!
Early in 1996 I was introduced to a Cincinnati band called “jjaR”. I met them while they were playing at a popular club called Top Cats. I was really impressed with the band and their original songs. Annette Rogers was the lead vocalist and she commanded the room with her emotional portrayal of each song. The band was intense and dynamic.
March 13th, 1996 we started recording in my home studio. They were troopers. I have a small space for recording with no isolation rooms for drums, vocals, etc. The band wanted a clean demo. They did not want a lot of processing and effects in the mix. A band after my own heart!
jjaR at MSK Studio in 1996
We did two separate sessions. The first session was mixed on March 26th, 1996. I was recording on the Alesis ADAT (Alesis Digital Audio Tape) machine for the first project. We only had 8 tracks to work with back then and no computer editing or effects. They were pros. They set up, got settled in and played their songs with obvious passion.
One of their tracks appeared in a collection of bands our local radio station WEBN (102.7FM) published on CD. They were featured on the second annual CD release. Deary Me Presents – Cincinnati Scene II included “Food Chain Of Love” on the 3rd track of the compilation CD. You can still find a copy or two on on-line.
Here are a few tunes from Project 1 for your enjoyment.
jjaR at MSK Studio – Food Chain Of LovejjaR at MSK Studio – Super SizejjaR at MSK Studio – Aliens jjaR at MSK Studio – Misunderstood
Last weekend I dropped in on some friends playing out. With camera in hand I caught a few minutes of “What’s Left” performing live. It reminded me how glad I am that I don’t play out any more. Performing for a live audience is fun and addictive but being my own roadie was killing me quickly! I always joked that we would play anywhere for free……. we just charge to move the equipment in and out!
This was just for fun and I appreciate the guys letting me point my camera at them for a while. I like their logo in the back.
On the 30th anniversary of our performance with NRSB at Bogart’s in Cincinnati, I want to share a vintage video of that once and only performance. All original songs by members of this incredible band. I am so glad this was captured by hand-held camera out in the audience! Thanks DR.
I posted another you-tube segment of Crash Landing playing cover tunes at a gig in Cincinnati back in 2002. This is the last segment of the 1st set. I tried to break them up into chunks so they are not huge files.
I ran a straight line out from the mixing board. Few live recordings are perfect, and over the years I tried a number of ways to get a good mix. Keep in mind I record all the time so this was not a special occasion and I don’t even think I told the band members we were recording.
I am still collecting new photos from friends and relatives and will add them to future posts. So sit down and grab your favorite beverage and listen to a great live band!
Here is the 2nd installment of my live recording of Crash Landing back in 2002. I played with them for a number of years. First as a sound guy. I knew the singer Gary Jefferson and he pulled me into the group. Gary and I go back a few years. He knows everyone and has played all over town. I have helped him with outside projects and you can hear his vocals on a lot of my original songs. Great people are hard to come by, but they will be there for you when you need.
I wish I had more video to share. I have a call out to other band members and friends to send me copies of anything they have. I have created videos for years but never really did much during this time. Again, I wish I had. Here is the next section of an evening with Crash Landing. This is still the first set and we are getting warmed up. Settling into the sound. That is the toughest thing about one-night-gigs; everything sounds so strange for the first 3 or four songs at the minimum. Depending on the sound guy/gal, this could take up to an entire first set to get comfortable.
I don’t have records of who was running sound this night. With this band I USED to run sound from the audience, then became a band member and ran sound and played/sang from out in the crowd using our own equipment! In many ways that was very cool. After a while we hired sound companies and I just don’t know who was at the board.
I hope you enjoy a night out – to hear a live band – without leaving your home. It’s like you are at the show, but you can still have one more drink and not have to drive home!
MidiMike 