It’s like The Give And Take of breathing: We need to do it all of the time. You don’t have to look for hidden meanings: Not every poem ends in a rhyme.
Some like coffee, but I prefer tea; A glass of cool, clean water. Want a drink, they have Coke or Pepsi. That’s something I can’t give my daughter.
It’s The Give And Take of everything That puts the pendulum to swing. The Give And Take of everything As each winter turns into spring.
The sun beats down on us all day long; The moon enjoys hiding from its light. Sometimes we want to join in on the song; But screaming all at once isn’t right.
The way I hold you, how you hold me. Give you all I have, you are all I need. Never take advantage, help each other be free. Creating our garden, planting new seed.
I recently added vocals to the instrumental “It Only Takes One‘. This is just a fun song in my opinion. It has a toe-tapping beat with a fast pace to it. I like the simple chord changes and the way it just sticks in your head after you have heard it a few times.
I sent this to my band mates from ‘The Merchants’. We may have a real version at some point in the future. This version is just me and my toys lol.
I have been preoccupied lately with family and life style challenges, though I have still managed to be productive. It is just difficult for me to put things together in a post. Hopefully in the future I will catch you all up, and visit my amazing followers again. I hope you are all having a great New Year.
I know it has been a while since I have posted much, but in reality I have been pretty busy. I have a lot to catch up on, but for now I want to share a new song with you. I wrote the lyrics to “Trap” a while ago and now have music for it. The lyrics have changed a bit so I will include an updated lyric sheet as well.
I have a vocalist coming in to redo the melody track to replace mine, and I will keep my harmony track. Soon another friend will send me bass guitar tracks, but for now, here is “Trap”.
When you think you are making the right decision Everybody you connect with is on your side. Well, buckle up your seat belts and hold on to your cap You don’t know it, but you just walked into a trap.
A trap you can’t get out of. X2 A trap you couldn’t see. A trap of your own making. Trapped for all eternity.
Still struggling and squirming trying to believe Yellin’ ‘I don’t understand’, makes you look like a fool. All bundled up nice with a box, bow and pretty wrap However you say it, you’re stuck in a trap. Lashing out at anyone that comes even close. You keep pushing yourself further and further away.
Suddenly you hear a loud and powerful snap Now you know it, you just walked into a trap.
When you think you are making the right decision Everybody you connect with is on your side. Well, buckle up your seat belts and hold on to your cap You don’t know it, you just walked into a trap.
It seems like you are making your own choices Everything’s going down just like you planned. The box is smashed and you’re hanging from a strap However you play it, you’re stuck in a trap. Suddenly you hear a loud and powerful snap Now you know it, you just walked into a trap.
As mentioned in the first post of this series, we played original songs in each set. Here is the only recording I am aware of for the song “For Those Who Wait”. We were touring in Corpus Christie Texas and I met with Ric in the afternoon to do a little practice and system fine-tuning. After we were settled he said, ‘hey, whip out the lyrics you are working on. I have a few chords I want to try. We worked for about half an hour going through his chords and arranging them into a song.
In very short time I came up with the melody and we were able to finish the song enough that we performed it later in the tour. I programmed the Yamaha RX7 Drum machine to fit the arrangement. Ann and I sang the lead vocals and Ric did everything else. In the picture above you can see the two silver discs on the lower section of Ric’s guitar. While playing guitar, he would touch one of the silver pads to make a cymbal crash sound from his drum machine and the other one triggered a pre-programmed drum fill pattern for each time he hit the pad. He also kicked bass pedals and triggered string or piano sounds. Pretty amazing when two out of three are just singing to get all that sound.
For “Those Who Wait” by Ric Ahlers and Michael S Kennedy
This is easily the best song I have co-written. Years ago I posted lyrics and said that I wrote this duo for existing country stars at the time. It was my hope to have Dolly Parton and Kenny Rogers do this song. I think it would have blown the charts for the time. But who knows. I think we sounded pretty good.
A much younger me (on the right) performing with Personal Touch
Continuing the 1st set Personal Touch gets creative with some cover tunes. I always tried to do something a bit different or fun, sometimes bordering on irreverent, with my harmonies or stage comments. For only three of us on stage we kept the music and the entertainment going. This was more of a country music fan setting so we played to the crowd a bit.
I had only been playing piano for about three months before we started booking local gigs. I owned my Arp Odyssey for a long time and used it for bass sounds and effects on my original recordings, but it only played two notes at a time! Then I purchased the new Yamaha DX7 programmable synthesizer. It was that purchase that started my musical career as a sound engineer and performer. Because I taught myself how to program the DX7, I was hired at a local musical instrument store. It is the little decisions that have the biggest impact.
In fact, the EV microphones we are using I won as a music prize from the old Swallen’s Department store where I purchased the Arp Odyssey. They had a local music contest and I entered a song called “Red On Your Blue Suede Shoes“. Yes, a picture is worth a thousand words.
My first touring band was a trio called Personal Touch
I know I haven’t been posting things for a while, but actually I have been pretty busy. During the Covid lock down I was fortunate to get my writing partners and band mates from The Merchants of Death on-line for Internet jamming. In a while I will post some tunes we recorded live from different cities.
I have also been working with a great friend of mine to re-mix and master a 16 track live recording of the band Euphoria. Those familiar with my blog know that I also played in Euphoria, but I am not in the band at this time. Clint Garcia is the keyboard guru for the band, and when he took a break for a few years, I filled in for him.
When not jamming or mixing I often return to my archive. My recording obsession started around 1970 or so and I have been working for a while reviving very old recordings. I am currently working on my cassette collection. I found the original live recording of Personal Touch performing including what I think is the best song I have ever written. See the lyric post here: https://midimike.com/2015/03/05/per-request-lyric-to-our-bodies-move/ While I have always struggled with naming my songs, this is either called “For Those Who Wait” or “Our Bodies Move”, depending on what I was doing at the time.
We perform a bunch of familiar cover tunes and throw in originals somewhere in each set. I have a few songs from the live Personal Touch recording I will post over the following weeks. This was recorded as I mentioned using a stereo cassette deck running straight off the mixing board. We have no sound tech, so I do the mix from the stage. We ran our sound in stereo even playing live, so I just took the main outs and recorded. Back then I used my home stereo speakers for the monitors and we all fit in a single van to travel. Ahhhhh. The good old times!
Ric Ahlers was my brother-in-law and talked me into buying and learning a synthesizer and an electric piano so we could form a duo. Ric played guitar, sang, and also controlled bass pedals and a drum machine. (I detailed in an earlier post that he has triggers attached to his guitar so he can make a cymbal crash or a drum roll). I played my 12 string Ovation guitar for some songs, sang and played keyboards for the rest. I also programmed a 2nd drum machine to play a number of songs and could be used to add tom fills or crashes on the spot. Ann Ellis joined the band as our vocalist and soon we hit the road.
Vintage cassette recording of my band Personal Touch performing live
It is a lot of work but we met great people and had a good time playing our songs and doing cover tunes with a personal touch. I think there is a date in here somewhere, so I will try to find it and give you an idea how long ago this was. Enjoy.
My 6th CD, “The Eye of the Storm” has been released through CD Baby. I am closer to 70 years old than not, so I do not use Spottify, iTunes, Deezer and the rest. If you use these services you will probably know how to search for an artist. Look for the above title or Michael S Kennedy to make the search easier! Looking forward to 2021!
After smoothing out the timing and lyrics to match the mood I was after for this new song, I wrote a melody that seems to fit pretty well.
I squeezed some of the lyrics as I mentioned and cleaned up the instrumental glitches (a technical term for anything that isn’t right) and added a few parts to the instrumental verison I posted earlier.
Minor changes go on for a long time in the final tracking stage. A lot of it will not be used at all and some will be low in volume so as not to hear distinctly. But similar to color splashes added to the face in a painting, it can really bring out the rest of the ‘image’.
MidiMike 