Much of my early years I had tons of energy. Like most people my age, I got up early and stayed up through the evening. Unlike most, I got a bit extreme with this and as I started working I seemed to be able to handle the after hour and evening shifts quite well. Staying awake for 24 to 48 hours at a time was almost normal. I obviously was not! As most of the household was quiet and recharging their internal batteries, I would pull out my 12 string guitar. In the very late and dark hours, I would reflect on the day(s) past and go over experiences I or friends had. The fullness of the 12 strings (when I could afford to replace the old strings with new ones…) for me is just an amazingly soothing and inspiring environment. The guitar noodling started to reflect a mood and the experiences would turn into words, phrases or thoughts that I would repeat and refine until they started to gel into lyrics.
I would use this method over and over. Alone at night, lights out and everyone quiet or sleeping. Even now, decades later, this is still my favorite time to reflect and create. If you can, find your own time and environment that you can settle into quickly. If you cannot find the time – MAKE it. It does not have to be hours at a time. Rarely do we write a masterpiece or complete a painting or poem in an hour or so. The important thing is to set aside time – even little bits – and noodle, sketch, sing, or even think. Build your stage for creativity and perform there as often as you can. The masterpieces will create themselves…
Quiet Nights – An original tune I wrote based on this idea.
I have been very fortunate over the years in a number of ways. As I look back on my history and the events I have been involved in, this rule became obvious to me. I have always performed or created music with people that are much better than I am. I did not do this by design, it just seemed to happen over and over. One of my favorite bands I have been involved with for many years is Euphoria. Think of all the adjectives you know to describe excellence and you can use them all for the members of the band. They invited me to run sound for them and that is how I got the nerve to be a sound guy. As they played out and I ran sound and helped with musical toys as a music store manager, we became great friends and shared a real passion for great music. When the keyboard player decided to work on other projects, they found out I played keyboards and asked me if I wanted to take his place. I cannot tell you how much courage it took to say yes. I had never really played out before and we were into progressive rock and really complicated songs – many you heard clips from the studio demo posted earlier.
I knew I was not ready for prime time, but I got my keyboard gear together – practiced on my own every spare minute I had and forced myself to show up for practice. I had big shoes to fill. To their credit each of the band members were extremely patient! The knew it would take me some time to get to their level. Some songs on our set list were replaced with songs that had less emphasis on the keyboard until I could get my chops up to speed. Some we had to drop altogether. But they all worked with me and did not make me feel like I was slowing them down or not up to par. Had it not been for their great attitude and flexibility, I may have thrown in the towel and called it quits before it got started.
The only better piece of advice in this area I think is just as important is to always play with great people! Band life can be hard work, physically challenging and demanding and at the same time can be disastrous
As someone who truly loves the outdoors and nature (for a city guy!) I sometimes think there is no end to the way we have devastated the natural resources we were blessed with. Environmental tragedy after another, corporate greed and individual apathy seem to be everywhere at once. This is a disturbing and dark look (from my perspective) at what we are doing to our planet.
The music is rich with textures and soundscapes. One of the tricks I used was on the sound of the ‘toms’ as they repeat, the tuning changes and gets lower and lower. This is a simple MIDI trick. there are ways of doing this that can take a bit of time and planning, but what I did was very simple. As in the past, I use the keyboard to trigger the drum sounds when recording drum tracks. I recorded the simple beat with the tom sound. Then when I played it back, I started recording on the same track and used the keyboard ‘pitch bend’ stick to slowly lower the pitch as it played. That took about two seconds and once that was done during playback the drum toms would sound like they were being de-tuned in real time. Depending on how quickly the stick was moved, you could change the rate of pitch change.
My wife sings the melody and I add some vocal phrases and back up. To get her vocals to punch through the mix even though her vocals are smooth, I took a direct out (really it was an insert cable and we will get into that later) and fed her vocals into one channel of a stereo compressor/limiter to compress or ‘squash’ the levels, then I took the out put and ran it into the other (stereo side) side and used the limiter function. This allowed me to get a good signal by lowering the hot portions of the vocal track, and then pump it up to the point that the limiter would stop extreme levels from getting past a threshold point I set. I got a very clean vocal signal and smoothed out the peaks and valleys of the volume levels, allowing me to turn up the over all volume in the mix without distortion.
Recently I was asked in comments (The Observer) if a song I posted was recorded at home or in a studio. I replied but thought I might expand on that a bit and also introduce another version of “The Pleasure Tax”. As my brother and I got older we kept writing poems that were now almost always designed to be lyrics. We got better. Instead of playing the bongos, I played the toy organ I mentioned and everything else from there. Here is where I get to also blame my parents again. For Christmas we all got cool toys, but many of mine seemed to be music makers; recorders, tiny piano ‘tinkley’ toys, little ukuleles and eventually guitars with plastic strings and a drum set that was made for a three year old, but you get the point. So we got better and we played instruments and my brother started playing guitar as well. We had more toys to create music so when we wanted to record them (I was probably fourteen or fifteen by the time recording was a possibility) we wanted to add the various instruments and record them all together.
Through the years, we met other musicians and became great friend – or as I seem to recall – we met great friends that were also musicians. Eventually there was a central core of serious song writers. Sometimes there would be around eight or ten core writing members. It would seem there was a competition going (and there always was!) to write the coolest or most clever or the most groovy song. And we would have friends that would stop by and jam once in a while or would write lyrics and were willing to turn them over to a group of people that would fit them , with force if necessary, with a musical arrangement, melody line and harmonies.
The rambling link to all this is when we often played a collection of each other’s songs, we more than likely played with different performers supporting a few core members. Those were exciting days! One time you would sing the song and the lead vocalist was not there. So you let an ‘orbiting member’ do the vocal melody and you sing the harmony part. Most of us played instruments and sang – especially if we wrote the song as you can guess – so if the lead vocalist also played guitar, we filled in as a ‘core member’. On one visit or jam session you performed and sang your song all by yourself to the group. In other visits you were surrounded by full instrumentation and a choir of vocalists! So here is an example of all that tied into a version of this song by a full band I toured with. You heard us play live to an audience in Texas when we played the original song “Our Bodies Move” posted earlier. We also played other original songs and snuck them into our sets. One of them was “The Pleasure Tax”. We called ourselves The Personal Touch. Ric and I were a duo and when we decided to add a female vocalist as recommended by a booking agency they decided to sign us up for out of state gigs. We got some studio time when signing up and we performed some original tunes and some cover stuff…. done The Personal Touch way. “TPT” by TPT!
So this is rare original song of mine that was recorded in an actual studio. We are a trio and there was a studio drummer. Everything else is The Personal Touch with a very new vocalist.
Having written songs with my older brother from the beginning, I often bounce ideas at him to see what comes back. I remember (and take all of this with a grain of salt as I am not the best at chronology or details!) going up to him and saying something like… “I have this idea for a song and not sure where it goes, but I keep thinking get out of here leave me alone take it away, and that they want to charge us for anything. Soon they will sell us air and water”. Below is the result. I called it The Pleasure Tax, and it is more relative today. And yes, they do sell us air and water now!
I am very picky about tuning and tones used. Putting new strings on your guitar was sometimes a luxury. When I finally did it is like turning on a light bulb in a dim room. Yes, you could see before but now you can even read! Music can be like that. Things are not inspiring or do not sound very good and you change the strings (or reed, drum head, pads) and BAM! You want to go out and play it hard!
The tax is still out there, so be careful when you want to relax.?
We all try to rationalize situations we are not sure of. We attempt to explain why things happen – or things that happen to us. We try to understand the world around us. When I worked at the instrument music store, I rationalized that I got the job because I was a previous customer and that I could program and understand the new digital MIDI keyboards hitting the market. Very quickly (months, I believe) I was given my own satellite store to manage. I opened three more chain stores in a few short years. In reality, I probably bought more in equipment than I got paid to work there! Almost kidding, but I understood a lot of the toys and had played with a bunch of them, but to get a room full of toys all day long and then get paid to learn all I could about them, well, I won’t get into religion here but that was heaven on Earth. I would have done it for free. And do you know how I rationalized being a SALES MAN? (I am pretty anti-establishment from way back………..) I tried to listen to where the customer was coming from and what they needed. From there I would teach them what I knew about gear that would help get them to the next level. Everyone needs to get to the next level. That is what I am doing today. It is what you are doing right now.
And sometimes we need to explain to ourselves why. Why do I need to buy that new toy? Why do they like me? Why does the sun always shine where I am? Why aren’t things working as I planned. Why don’t they understand me? What did I do right or wrong? This has bugged me all my life and I hope it does not get to you. Working in the music store(s) I sold gear to a lot of bands. Some people were regulars. Always something needed, some new gear. One of the bands told me that their sound man was on vacation and they needed someone to run sound for them. It SEEEEEEMED logical to ask me, I knew about the mixing boards and PA systems. But I had never run sound before ( truth in advertising alert – – – I did run sound for one other band prior to this but that is a funny story I wanted to share with you later. So I did it once before ….. technically …….) What would you do? These are good customers and by now good friends too. If I run sound and really suck, the friendship and the work relationships are out the window. I let them know I do not have a lot of experience but if they don’t have anyone else I would be glad to help. They decide to go with me for the vacation gigs. I run through the checklist a thousand times in my head. I set the stage and house equipment up methodically, I run through the gain staging like riding a bike, I get the monitors working and run CD audio through the mains to test them. Time to start. Big crowd. Lots of people and friends. As you can imagine I am rapidly cycling through excitement, concern, confusion, fear, panic, and jazzed up one after the other. The band starts playing and they are soooooo good I just relax. I think even I can make these guys sound good! I was lucky. From what I remember the event was fine.
Their sound man decided to move onto other things and when he came back from vacation I was asked to take his place. Again I had to rationalize; well, they only like me cause I can get them a deal at the store. Well, they like me because I can set up the equipment pretty fast. Well, it went over well because they are really tight and have great equipment. You have probably done that a bunch of times as well. It was hard for me to accept all the way down to the point of knowing that they noticed and appreciated the mix. Their fans did too but most importantly, so did the band wives! Never forget the power of the spouse! So now for the first time, I am involved with a real band. I am the regular sound guy. The Band understands the power of the PA, and they determine that the sound guy gets equal cut…… as if he is as important to the overall sound as the individual band members were. Amazing concept and it worked so well over the years. I could not rationalize my way out of deserving that one; we worked as a team and the band always sounded great.
All this from knowing how to program a digital keyboard.
In another acoustic song of mine, you can tell that I was clearly influenced by my surroundings. In another career a long time ago in a galaxy….. never mind, but it was a long time ago I was working for a company that had a huge manufacturing plant in the middle of absolutely nowhere. I am teasing a little, but there was nothing around for miles that stayed up later than the cows in the fields all around. I was not used to that and I was going a little crazy in a bored sort of way, as I rented a place to stay until I got settled in the new job and town.
I have heard people talk about watching the grass grow but I had no idea they meant it literally. So there are fields and corn. More fields and soy. Other fields with potatoes. Cows and other live stock and then more corn. I was interested to find out that some farmers hedge their bets a little and not plant everything right away. Farmers in the next field over were planting late potatoes. I couldn’t resist. It sounded so ‘like me’. I often feel like a late potato. (Sagittarius – figured that one out already did you?) Can’t keep up. Everyone is ahead of you. Get knocked down but you still help those in need. Excited by the simple beauty of life all around. You might feel like a Late Potato too.
As demonstrated in the past, I have shared my compositions and songs with friends and family. When asked by a blogger (and now a good friend) in a comment on my blog if my songs were available on i-Tunes, I replied that I believed they are but have not checked. I know this sounds strange and it is! Of the number of things I have learned and accomplished over the decades, I have not learned how (or desired…..) to promote my own work. That is one of the reasons why my daughter had to give me a big KICK to start this blog and get my songs out there.
It appears I need another big KICK! I placed my songs on CD Baby as I am an independent songwriter/performer and I do not have the backing of a major label (Yet???!!). Thank all of you for checking out this blog and for comments I truly feel are precious and thoughtful. Many of you are encouraging and supportive and I very much appreciate it. I want to help others understand the music environment and cut to the root of many systems or procedures we use that seem too mysterious or challenging to beginners.
I did check and I want to make sure you know that my songs (individually and as CD’s) are available on i-Tunes, and they can be found in streaming services like Pandora, Spotify, X-box and many other channels. If plans go well I will also be releasing more songs this year and early 2016. My daughter posted the i-Tunes links on the midimike blog recently, and I wanted to let you know if you are not familiar with CD Baby that the songs are available in other channels. Deep down, maybe everyone wants to be a famous rock star, but I simply want to create original music, help others do the same and share them with people that are as passionate about life as I am.
MidiMike 