Posts Tagged ‘#studio’

As we moved the song “My Heart is Silent” forward, I wanted to give you an update in the process.  New chord structure keeping some of the vibe from the first version and new vocals and you can see how quickly songs can change from the original concept.  The last version had a female vocalist and this time we hear from a friend of Mack.  His name is Carlos and he has a smooth ballad vocal style. Again, this is the first vocal attempt to give us an idea how the song feels with a male vocalist and more of a structured feel to the verses. 

 We decided to go with a spoken intro for the first verse.  I like the way it opens the song and allows us to build the vocals as the song progresses.  Oddly enough, a lot of the lyrics went back to the original as the song structure fit the words a bit easier.  We also considered doing a male-female duet.  No final decision yet and we are still thinking about back-up vocals to enhance some of the lines from each verse to drive the end of the song as it builds up.   

 I added MIDI string parts after the piano intro.  The drum parts and bass guitar are also all MIDI generated coming from the computer.  I added a low-key rhythm guitar part during the chorus and later verses.  Once we have the vocal parts finalized we may add other instruments as the song progresses toward the end.   

 So what do you think?  Male vocalist, female or duet?   

 What other instruments do you ‘hear’ in the final version?  Saxophone?   Brass? Orchestral?  Lead guitar? 

 Do you like the spoken opening verse rather than jumping straight into the melody? 

 Here is the latest rough mix of “My Heart Is Silent”. 

A Song in the Making Part III

A Song in the Making Part II

A Song in the Making

As Part II of this series I will post the rough version of the heart of the musical components starting with the Piano and basic arrangement of the new song, “My Heart Is Silent”.  © 2016. Click here to read Part I. 

For the Piano we are using an 88 wood weighted keyboard controller.  It is an older Yamaha KX88.  As you will remember from the MIDI series posted earlier (LINK) the KX88 makes no sound at all.  While it has the play and feel of a real piano, it sits on a keyboard stand and I use the MIDI OUT to connect through a router I have straight to the computer.  In future posts I will go into more detail on how the sounds are generated and what I am using to get each sound. We recorded a few passes and because this is MIDI, I had the ability to move pieces around as we focused in on the arrangement.

The piano player listened to a glorified ‘click track’ I created with a MIDI drum controller from my Alesis Control Pad.   It has 8 assignable trigger pads and a cymbal trigger that can be set to trigger sounds from any MIDI device, but again I am going straight to the computer and using internal sounds for the drum parts.  This way we can record the piano part with the correct tempo even though there are no other instruments recorded yet.  This also makes editing easier if everything fits within the measures.  When we rearranged the sections I  ‘cut and paste’ parts from one place to another just the way you would with a Word document.  This makes life much easier for the recording engineer (yours truly).  If this was recorded with a microphone and without the click track it would be awkward to work with.

The KX88 also has sustain and volume controller pedals attached, so to the piano player it acts and feels quite natural.  Mack E. is my partner in creating this new song.  He read the lyrics I wrote to “My Heart Is Silent” and asked if he could take them home and work on the music.  This is a theme he has had in his personal arsenal for a while.  He played a bit with the tune and came up with a melody for the lyrics.  We worked on the arrangement until we were happy with it and here is the rough version of the piano chords.  We will add other instruments and vocals later but for now we have a good foundation for the song so we can build support instruments to fill out the song.

 

There were a string of original tunes in the early 1980’s.  Some you have heard here already.   These were very profound times in a lot of ways.  Real work worlds.  Kids.  Relationships.  Marriage. Responsibilities.  Debt.

This song was not written in one or two sessions.  It took quite a long time to make this fit together.  I Often find snippets in other writings and combine with others to make a full song.  This is one that I may have done that with as there are so many different topics and observations.  Part of my challenge in writing songs people can relate to is being able to state the obvious in a clever, funny or different way.   So I would think of these ‘one liners’ and write them down.   Some were my normal trite stuff, but a few were well said and became part of these lyrics.

I like to play a few different ‘voicings’ or positions on the 12 string and take advantage of open strings or cool octaves when I can.  (it also reduces the hand-cramps you get when holding down all those strings!!)  In some chord changes you can play the same chord in different positions back-to-back and it sounds like you are playing different chords.  The guitar part is sparse and melodic.   It sets the mood during the intro.  Allowing the intro chords to ring out with a slow rhythm lets the 12 string shine all the more.  The lyrics paint a pretty good picture of life experiences I had during that time.

Don’t think you can’t help out my  friend.  Because we try, we control the end!

For another look into the times, Lack of Concern is a gem in a time capsule.  These were good times.  I was still working at the music store.  Playing with toys, buying a few here and there and energy I can only imagine looking back, LOL!   It was a period where a lot of music was written and performed.  Lots of projects.  Learning as much as we could.  Showing it to others!  That was the fun part.

The words in a number of my songs are important to me.  In the same way I have been told that aromas and fragrances can help recall a specific event in the past, lyrics do for me.  They are a portal that allows a connection to create itself again.  With that memory brought to the surface I can recall many of the events that inspired thoughts that somehow managed to become poems or lyrics.  I surround myself mentally in the time.

“Tease me with the truth, baby, don’t tempt me with a lie” is one that puts me back at that time, in that mood.  This song contains a number of those portals.  This song asks the basic question; … ‘do you know what you are doing and still do it, or are you completely unaware of what you are doing?”.  I just love the upbeat arrangement in this song.  For this song I had the Yamaha DX7S, their updated model and a drum machine.  My wife Ellen and I do the vocals. I play acoustic rhythm guitar parts and Shawn my buddy! comes over to play the lead and decorative guitar parts.  I just let him run wild during the entire song and pick the gems to accent parts of the song.   This may be the only time I have recorded this song.  It is also one I rarely play out, but I think it is catchy in its own way.

I guess I never really came up with a name for this tune.  Sometimes I will write lyrics and give it a working title.  I do the same thing with musical pieces I am working on before there are dedicated lyrics assigned to the tune.  As I continue to work on a piece, the name often changes when chords are matched with a set of lyrics.  On rare occasion it happens at the same time, and that process is a little different – and easier!  This is one of those weird situations where I never got to either, and this has always been referred to by the date…..  March of 1990.

March in this case also has a double meaning.  It is the pull away from the Winter season where I live.  The steady movement of new life.  The pace of growth that cannot be stopped. The instrumental tries to match that drive and frantic pace of the season.   Driving rhythms, collage of melodies, bouncing themes – and then to dynamics and a reflection of what is now past.  Then back to driving growth.  That is what I think about as I listen to this tune.  Even now, heading to Winter, I feel that March pushing forward.

Back to the Atari 1040 ST, I am sequencing all parts for this tune.  I believe I added a new tone module from EMU called the Proteus 1.  This was an amazing machine and I have not found anything as good and simple to use as the Proteus series.  It was really cool for two major reasons in my opinion.  1) the sounds were just awesome for the time and there were lots of sounds on board.  2) the operating software used was just made for MIDI geeks like me.  It was very simple and allowed the Proteus 1 to create splits, layers and zones, but it easily allowed you to access all 16 MIDI channels at the same time.  I could write a few articles on this alone, but for now it meant you could assign a different sound to any or all of the 16 channels independently.  As described in the MIDI series, this was great because you could use channel 1 for piano, channel 2 for organ sounds, channel 3 for strings, channel 4 for brass or orchestra sounds, 5 for flutes, 6 for sound effects, 7 for guitar sounds, 8 for solo instruments, 9 for the bass guitar sound, 10 for the standard drum channel and still have channels left over.  Playing out in bands and in the studio with this was just a dream.

 

 

MIDIMike

Thinking about a recent post where we shared our first concert experiences, I was reminded about my first concert to see The Grateful Dead. I was fairly young and the environment was overwhelming and exciting.

We used to play one of their songs called “Mr. Charlie”. The Grateful Dead are off beat by nature and this is one of their songs most people have not heard.  I recorded this cover song a couple years ago and decided to pull it out of the ‘deep-freeze’ and post it for the fun of it.

When I was in cover bands, we were pretty much forced to play main stream or currently airing songs.  I would suggest the unknown songs often but understood when we played only a few.  This one never got the approval either, but the core group used to warm up on this one and I just like the flavor of the song.

Credits to The Grateful Dead.  This is my Ovation 12 String guitar and I do a little harmony.  Hope you have a little fun with this as well.

“Rainy Day”            

Cruisin’ down the avenue

Raining in the lightning.

Listening to the radio

Cruisin’ in the darkness.

           Peddle down, let’s burn this town

           Fire from my tires.

           Reflections in my rear view mirror,

           I will find tomorrow.

Comin’ down the avenue

Raining and the lightning.

Reflections in my rear view mirror

I will find tomorrow.

Go for ride real late at night

Rain comin’ down like it usually does.

So I turn the radio to the right

Playin’ the same songs as the other night.

So I slammed the door and I left for good

Now you find me driving in your neighborhood.

Don’t explain it to me, it’s well understood

Everything you do for me is for my own good.

           Turn ‘round the corner I’m still losing my mind

           So I punched it down and left it all behind.

           Tryin’ not to cry I push it all back

           Racing fast to nowhere on a one way track.

           No colors at all, just the burning headlights

           And the crackling of lightning tearing into the night.

           People ask me what I do at night

           I tell them only one thing makes me feel all right.

           It makes me feel all right.

Lyrics by Michael & Ellen Kennedy

Music by Michael Kennedy

(c) 1986

Like many songs or projects do, this song combines a number of events in my life with observations I make as an observer on the planet Earth.  I was outside and looked up in the sky one afternoon for no real reason and noticed there was a bright full moon.  I know they happen, it just seemed unusual and weird.  Do werewolves come out on a full moon In the Middle of the Day? I digress.  So I thought that is weird, and how would most people notice there was a full moon? When you’re looking up from the ground.  I worked in a call center for a number of years.  Some of those years get boiled down into a verse or two.  It expresses frustration with the extreme customer and how difficult it can be to ‘act professionally’ when under duress.  But there is also recognition of the people I have worked with.  It feels natural.  We work as a team with no agenda.  I have worked with some great teams of people, some very smart and some very dedicated and some very efficient.  All working together and helping each other. If only we could get big business and politicians to work like that.  On this song I programmed the drums and played bass guitar behind the 12 string and vocals. It was just a quick little ditty about work.  I like the arrangement of the song and it has a few twists to it.  It is fun to play and I hope you enjoy!

In the Middle of the Day

Muscle machine; glorified drama queen,

Held together by something in between.

There’s a full moon in the middle of the day,

Sometimes you just can’t get out of the way.

All the crazies, calling you on the phone

Never get the time to be on your own.

There’s a full moon in the middle of the day

Tell ‘em the Truth; Lies, they won’t believe you anyway.

But it feels natural like this

Everything works the way it’s supposed to be.

Know it with every kiss:
I’ll take care of you, if you‘ll take care of me.

It’s one thing, until you turn around

That’s when you notice, looking up from the ground.

There’s a full moon, in the middle of the day,

Gets to where black and white blurs into gray.

The dumb ones really get on your nerves,

And This One thinks everyone’s here just to serve.

There’s a full moon, in the middle of the day,

Don’t you ever wish you could say what you want to say?

It feels natural like this

Watch out for each other, learn from what you see.

Know it with every kiss

I’ll take care of you, will you share your life with me.

*It feels natural like this.  It feels natural like this….

There’s a Full Moon in the Middle of the Day,

There’s a Full Moon in the Middle of the Day

It may take a few times through listening to this one.  A number of my songs might seem quite alien at first.  I hope you let them grow on you.  (OK, that sounded kinda creepy LOL!) This is a textured song where I did all the sequencing and drum programming.  There are no guitars on this song.  Most of this is Atari days using the Proteus 1 tone generator an the RX 15 drum machine.  I also use sounds straight from the keyboard(s) I use as controllers.   In this case it is the Korg Trinity V3.  Other than the vocals, everything is recorded via MIDI and plays back live sounds from the keyboards and tone generators (along with effects and other goodies).   From start to finish this is a dark piece.  Sparse percussion with a rolling sequenced bass line.  You have heard my wife before on “All Night Long” and “What I do at Night” and this is another one of her gems.  The intro and break vocals are from Phyllis Ann, who toured with The Personal Touch and sang on “The Touch” and “Our Bodies Move.”   As the song begins I try to use multiple melody lines in various instrument voicings to lay the chordal structure.  Plucky guitar sounds come from the Korg.  Slow trance – lulling you closer.   Then the message; “Who’s Following You?”.  But the subject quickly settles on the main issue; death.  Too many of us are waiting for that dream.

“It’s Easy to Die” (@) MSK 1990

I wonder, I wonder who

Who, is following you.

It’s easy to die

You just close your eyes.

And then once the dream begins

It will never end. My friend.

Don’t put up a fight

Just follow the light.

It’s not too hard

And once the dream begins

It will never end.

Chorus:

It’s easy to turn

Your life into lies. My friend

And once the dream begins

It will never end.

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I have shared a number of experiences that have been about loss. Unfortunately, when you get older, you have more experiences watching the achievements of a life’s work and loves dissolve.  There are many types of loss and a personal friend of mine has been going through a very difficult time.  I just needed to share my experience and thoughts. Over these posts I have often mentioned working at local music stores and the benefit of knowing some awesome people. One of the friends I worked with for years and formed a great partnership “co-owning” the music store with all those years ago has had a devastating loss. As social media is …. he found out from friend’s texts and e-mails that while he was traveling, his house burnt down. His job is demanding and a lot of people depend on him to be there. He could not get home and as we all need to do from time to time; he had to rely on his friends and family (many times they are the same thing).  He is still away and has not seen his home other than on the news and through social media.

I would like to let you know that we have successfully completed the ‘search and rescue’ mission.  We got anything we could out of the building during the days of rain with holes in the roof.  It was a scramble with trusted friends.  We hauled ass and a bunch of other things.  Some musical instruments are damaged beyond use or repair and some have hope of restoration or managed to remain untouched by the whole thing!   He is a musician and like me has an insatiable love for art, music, friendship and making the world better than it would be without us in it.  This has got to be devastating.  For me, carrying out each old and precious instrument or piece of gear,  had a deep impact.  Others worked on his art and personal belongings.  I have heard their stories and all have a deep sense of loss.  No one was hurt.  Many things can be replaced.  But as the fire and then the water took their toll, a lot of his life’s work did dissolve.

We are working now on cleaning and saving as much as we can.   As my daughter Alisa, who runs my blog, practically grew up in the music store and all my friends, she has known John Van Eaton almost her entire life.  She is creating a positive use of social media and spreading the word through this and other avenues.  We will have a number of benefits to raise money and support to help him work through this until he is able to come home and the resources he will need once he returns.  I will post more info as details come in and thank you – fellow bloggers – for letting me share this with you.  The sharing allows healing.

 For more details or to contribute to his fund, see below.  MIDIMike