Posts Tagged ‘#12string’

Back with the morbid themes. A how to guide when the end of your life is here. A lesson from the wise and experienced. Dyeing is the easiest part. Once you are gone though, your story can be told by others. So be kind!

I remember writing this when I was at work managing the call center at CMI. Everyone joked you could tell when it was a full moon – even in an underground bunker – just by listening to the calls we would get. People are just nuts sometimes and many times it is predictable. You can talk plainly and truthfully and make sense and they act as if you are torturing their grandparents or something. So coming back to work from lunch I notice there is a full moon.

I don’t remember a time when these lyrics and the music were separate. It has always been a slow groovin’ piece I usually played when no one was around and I was just jamming. Learning how to play sing with more power, but controlled. I must like juxtaposition and odd perspective observations but the thought that someone would give you their love that you would give it back. It can be taken both ways. Is giving their love back in addition to yours or does the word ‘but’ in the Chorus mean it is a rejection and you are refusing their love or a meaningless phrase? You can be the decider on that one.

Another set of lyrics that started out more of a poem. Stating the obvious again, it appeared to me many people search for the perfect one overlook the very person they are seeking. Even in 1981 I knew how easy it was to underestimate the importance of relationships and great friends. We will all find out eventually that we were just a bit too late. The commercials of the day are responsible for the rest of the lyrics and I am not sure if they mean anything at all, but I like the idea of a glass of tears.

From a broken relationship and the ensuing emptiness reflections are not easy. You can’t forget and remembering is overwhelming. A realization that you don’t have to wait, but what you want will easily pass you by. And from that day on you will know your loss. I remember adding the line about the train because our bass player in the Merchants of Death said he really liked to watch trains. So there you go!

Wow, this is an old one! As a younger man I am beginning to imagine the life of a musician and entertainer. But my stage is in an empty arena. Family building with no money and less time takes its toll. Spread thin, sacrifices required, you know, the usual stuff kids deal with. Time to redirect and focus my life to move forward. Learn from mistakes and turn painful lessons to good use.

When we decided to be Personal Touch

As mentioned in the first post of this series, we played original songs in each set. Here is the only recording I am aware of for the song “For Those Who Wait”. We were touring in Corpus Christie Texas and I met with Ric in the afternoon to do a little practice and system fine-tuning. After we were settled he said, ‘hey, whip out the lyrics you are working on. I have a few chords I want to try. We worked for about half an hour going through his chords and arranging them into a song.

In very short time I came up with the melody and we were able to finish the song enough that we performed it later in the tour. I programmed the Yamaha RX7 Drum machine to fit the arrangement. Ann and I sang the lead vocals and Ric did everything else. In the picture above you can see the two silver discs on the lower section of Ric’s guitar. While playing guitar, he would touch one of the silver pads to make a cymbal crash sound from his drum machine and the other one triggered a pre-programmed drum fill pattern for each time he hit the pad. He also kicked bass pedals and triggered string or piano sounds. Pretty amazing when two out of three are just singing to get all that sound.

For “Those Who Wait” by Ric Ahlers and Michael S Kennedy

This is easily the best song I have co-written. Years ago I posted lyrics and said that I wrote this duo for existing country stars at the time. It was my hope to have Dolly Parton and Kenny Rogers do this song. I think it would have blown the charts for the time. But who knows. I think we sounded pretty good.

My first touring band was a trio called Personal Touch

I know I haven’t been posting things for a while, but actually I have been pretty busy. During the Covid lock down I was fortunate to get my writing partners and band mates from The Merchants of Death on-line for Internet jamming. In a while I will post some tunes we recorded live from different cities.

I have also been working with a great friend of mine to re-mix and master a 16 track live recording of the band Euphoria. Those familiar with my blog know that I also played in Euphoria, but I am not in the band at this time. Clint Garcia is the keyboard guru for the band, and when he took a break for a few years, I filled in for him.

When not jamming or mixing I often return to my archive. My recording obsession started around 1970 or so and I have been working for a while reviving very old recordings. I am currently working on my cassette collection. I found the original live recording of Personal Touch performing including what I think is the best song I have ever written. See the lyric post here: https://midimike.com/2015/03/05/per-request-lyric-to-our-bodies-move/ While I have always struggled with naming my songs, this is either called “For Those Who Wait” or “Our Bodies Move”, depending on what I was doing at the time.

We perform a bunch of familiar cover tunes and throw in originals somewhere in each set. I have a few songs from the live Personal Touch recording I will post over the following weeks. This was recorded as I mentioned using a stereo cassette deck running straight off the mixing board. We have no sound tech, so I do the mix from the stage. We ran our sound in stereo even playing live, so I just took the main outs and recorded. Back then I used my home stereo speakers for the monitors and we all fit in a single van to travel. Ahhhhh. The good old times!

Ric Ahlers was my brother-in-law and talked me into buying and learning a synthesizer and an electric piano so we could form a duo. Ric played guitar, sang, and also controlled bass pedals and a drum machine. ( I detailed in an earlier post that he has triggers attached to his guitar so he can make a cymbal crash or a drum roll). I played my 12 string Ovation guitar for some songs, sang and played keyboards for the rest. I also programmed a 2nd drum machine to play a number of songs and could be used to add tom fills or crashes on the spot. Ann Ellis joined the band as our vocalist and soon we hit the road.

Vintage cassette recording of my band Personal Touch performing live

It is a lot of work but we met great people and had a good time playing our songs and doing cover tunes with a personal touch. I think there is a date in here somewhere, so I will try to find it and give you an idea how long ago this was. Enjoy.

Thinking about a recent post where we shared our first concert experiences, I was reminded about my first concert to see The Grateful Dead. I was fairly young and the environment was overwhelming and exciting.

We used to play one of their songs called “Mr. Charlie”. The Grateful Dead are off beat by nature and this is one of their songs most people have not heard.  I recorded this cover song a couple years ago and decided to pull it out of the ‘deep-freeze’ and post it for the fun of it.

When I was in cover bands, we were pretty much forced to play main stream or currently airing songs.  I would suggest the unknown songs often but understood when we played only a few.  This one never got the approval either, but the core group used to warm up on this one and I just like the flavor of the song.

Credits to The Grateful Dead.  This is my Ovation 12 String guitar and I do a little harmony.  Hope you have a little fun with this as well.

Thank you, thank you, thank you! For the next few days I’ll be offering all of my blog friends a free download of my song Miracles In Your Hand off of my upcoming EP, “Before The Chase.” I have been struggling to find a proper way to thank you all for your support and encouragement over the past year. I was very close to throwing in the towel, but I started this blog and thanks to all of you and your kind words, I’ve been motivated to keep pushing forward.  As I watch this year’s calendar fill with major events and milestones, there are usually small celebrations here and there.  At each one I am not only surprised at the positive response and friendships created, but also by the amazing amount of talent and creativity this community produces.  Please stop by and add this original song (Click here – Miracles in Your Hand) to your personal libraries as part of my continued appreciation for all you have done to support and spread my works.

After a break-up some of these lyrics just poured out.  Seeing the same thing and coming to opposite conclusions.  Having an early exposure to poetry first, I try to keep those ideas reflected in many of the songs I write.  The chorus was an idea I had been playing with lyrically for a while and it seemed to immediately fit with the loss described in the verses.  What would you do if you held a miracle in YOUR hand?  What if that couldn’t save you?

“Miracles In Your Hand”  (c)  MSK

A reason is such a small thing,

Can’t you give me one?

Seems to me you were holding out,

Were you really just holding on?

The things we did won’t mean a thing,

The memories drift away.

The things you said hang in the air,

Like a light that will not fade.

CH:  You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.

When the answers seem so distant,

Questions lose their fun.

You thought that I was shutting up,

I was really just shutting down.

It’s time we found the meaning,

In the games we have made.

And a reason makes the difference,

When the last trick must be played.

CH:   You’re alive one day with miracles in your hand,

Then you’re heading for a wall, drivin’ fast as you can.

I settled down uneasy, I’m just waiting for tomorrow to come.