Posts Tagged ‘#life’

LOVE/HATE Challenge

I’ve been nominated to complete this challenge by several of you and after some convincing from my daughter, I’ve decided to give it a go. Instead of nominating 10 more bloggers, I would like to ask you all to post your favorite things in the comments so I can get to know you better.

I want to take this moment to thank all of you again for your very kind and encouraging comments. I have truly enjoyed reading your blogs and getting to know you better. Thank you for being a part of my journey.

Here it goes…

Love:

  1. Writing and recording music
  2. Biking
  3. Photography
  4. Nature – in all it’s glory and mystery
  5. Family and friends
  6. Reading great books, poetry, stories
  7. Creative music – artists and performers
  8. Teaching and helping others
  9. Science, education, discovery and truth
  10. Finding solutions to difficult problems.

Hate:

  • Wasting natural resources
  • Thinking that money makes you special
  • Personal and corporate greed
  • Things that should, but do not work
  • Violence
  • Thieves, scammers and swindlers
  • Demanding people
  • Bigots
  • Liars
  • Corporate and government politics

I have been busy lately and responses have been a little slow lately.  Work and projects are always taking up too much time, but it’s always the unexpected that throws you out of whack. While we had history, the recent reports of my mother-in-law’s health continued to decline recently.  She was 93, so we knew there would not be a lot of time left.  The death of family member or loved one is never easy.  As we get older, we travel this path more and more as those we grew up with grew old too.  There are very few friends and same generation family left if you live past 90.  Those alive probably no longer travel easily.

Her request was to have her ashes spread in the river in the same location her late husband’s ashes were released.

My daughter, Alisa, takes care of this blog for me and she lost her grandmother.  All the kids called my mother-in-law Nannan.  Shortly after midnight on Memorial Day 2015, Nannan did not hold on any longer.  This Memorial Day was for her.

The sound board or audio mixer represents the hub in most audio mixing and mastering functions.  everything connects to the board.  Even the lighting system will use channels in the snake to connect from stage to console.  Things get plugged into and things get plugged out of the mixer as needed.  Today’s mixers are blue tooth USB WiFi fire-wired and light-piped together and will connect to an amazing array of devices.  So far we have focused on what gets plugged to the Inputs of the sound board.  There are a number of connection possibilities for the Outputs as well. We have already discussed some of them earlier, so this can be brief as you already know a lot of this in general.

On most sound boards you have a number of analog-out options.  In earlier discussions we talked about XLR and 1/4″ cables and connectors.  These will continue to be the main ones used for outputs.  On the front or face of most mixing boards you will see a stereo headphone out.  It will usually have its own volume knob and probably a selector to pick the options to Monitor including Stereo Out, Solo, Effects Sends, Effects Returns, Sub or Groups, Auxiliary Returns, and other options.  On the back or the top of the mixing board you will see the panel for Out-put connections in different sections.  There are some rules to determine what type of Audio Cable is used and whether it is a male end or female end and whether it has two connectors or three (or more).

In the early days of mixing boards, microphones and keyboards, it was important which brand you purchased.  If you wanted to get ‘that sound’ you had to have this mixing board channel strip or that particular keyboard.  Later on the computer industry similarly shot through their early days and you had the Macintosh or the Windows PC.  If you were brought up with one you could not be talked into the other.  Most modern equipment from PC’s to Automobiles can do everything.  They all have similar platforms and emulators.  There is style and quality as there always will be, but you can get software mixing programs and microphone/guitar emulator plugins that will make your audio tracks sound like anything you want —-THEY CAN EVEN MAKE YOU SOUND LIKE YOU ARE SINGING IN TUNE!!

So if you like Pepsi, no problem.  Want Coke?  Press this button……  More comfortable using a Mac?  Go for it.

All it takes is cash, a thorough understanding of what all the terms mean and a good idea where all the buttons are?!!?

Enjoy!

“QUIET NIGHTS” (c) 1976 MSK

INTRO: Quiet Nights, I sit without lights,

Then what I play, accompanies me.

Accompanies me.

I’m a man of refined habits,

But not refined too much.

I’m searching for the spirit

While I find the touch.

Locked inside no prison

But can not call your name.

Outside your rock tree garden

Where silent lovers came.

Mourning come and shed no tears

For those they should have saved

While rocks beneath the water

Become tombstones for the grave.

INTRO: Quiet Nights, I sit without lights,

Then what I play, accompanies me.

https://itunes.apple.com/us/album/dark-energy/id962943592

Much of my early years I had tons of energy.  Like most people my age, I got up early and stayed up through the evening.  Unlike most, I got a bit extreme with this and as I started working I seemed to be able to handle the after hour and evening shifts quite well.   Staying awake for 24 to 48 hours at a time was almost normal.  I obviously was not!  As most of the household was quiet and recharging their internal batteries, I would pull out my 12 string guitar.  In the very late and dark hours, I would reflect on the day(s) past and go over experiences I or friends had.  The fullness of the 12 strings (when I could afford to replace the old strings with new ones…) for me is just an amazingly soothing and inspiring environment.  The guitar noodling started to reflect a mood and the experiences would turn into words, phrases or thoughts that I would repeat and refine until they started to gel into lyrics.

I would use this method over and over.  Alone at night, lights out and everyone quiet or sleeping.  Even now, decades later, this is still my favorite time to reflect and create.  If you can, find your own time and environment that you can settle into quickly.  If you cannot find the time – MAKE it.  It does not have to be hours at a time.  Rarely do we write a masterpiece or complete a painting or poem in an hour or so.  The important thing is to set aside time – even little bits – and noodle, sketch, sing, or even think.  Build your stage for creativity and perform there as often as you can.  The masterpieces will create themselves…

Quiet Nights – An original tune I wrote based on this idea.

https://itunes.apple.com/us/album/dark-energy/id962943592

I have been very fortunate over the years in a number of ways.  As I look back on my history and the events I have been involved in, this rule became obvious to me.  I have always performed or created music with people that are much better than I am.  I did not do this by design, it just seemed to happen over and over.  One of my favorite bands I have been involved with for many years is Euphoria.  Think of all the adjectives you know to describe excellence and you can use them all for the members of the band.  They invited me to run sound for them and that is how I got the nerve to be a sound guy.  As they played out and I ran sound and helped with musical toys as a music store manager, we became great friends and shared a real passion for great music.  When the keyboard player decided to work on other projects, they found out I played keyboards and asked me if I wanted to take his place.  I cannot tell you how much courage it took to say yes.  I had never really played out before and we were into progressive rock and really complicated songs – many you heard clips from the studio demo posted earlier.

I knew I was not ready for prime time, but I got my keyboard gear together – practiced on my own every spare minute I had and forced myself to show up for practice.  I had big shoes to fill.  To their credit each of the band members were extremely patient!  The knew it would take me some time to get to their level.  Some songs on our set list were replaced with songs that had less emphasis on the keyboard until I could get my chops up to speed.  Some we had to drop altogether.  But they all worked with me and did not make me feel like I was slowing them down or not up to par.  Had it not been for their great attitude and flexibility, I may have thrown in the towel and called it quits before it got started.

The only better piece of advice in this area I think is just as important is to always play with great people!  Band life can be hard work, physically challenging and demanding and at the same time can be disastrous

Oceans of Oil” (@) MSK 1989

You go through life,

And I don’t complain.

Good things die

The rest stays the same.

Politics and money

Garbage is king.

The Liberty Bell

Doesn’t even ring.

Oceans of Oil, tinsel stars

Clouds are dark – the air is sick.

Swarms of people like killer bees

Mother Earth is on her knees.

You believe what you feel is right

And now you are going to make a fight.

You have no idea what we’re going through

If it’s your choice, nothing else will do.

Oceans of Oil, tinsel stars

Clouds are dark – the air is thick.

Swirling with pain and lost emotion

Mother Earth may soon need that abortion.

You believe that what you feel is right.

Clouds are dark.

https://itunes.apple.com/us/album/retrograde/id962542260

As someone who truly loves the outdoors and nature (for a city guy!) I sometimes think there is no end to the way we have devastated the natural resources we were blessed with.  Environmental tragedy after another, corporate greed and individual apathy seem to be everywhere at once.  This is a disturbing and dark look (from my perspective) at what we are doing to our planet.

The music is rich with textures and soundscapes.   One of the tricks I used was on the sound of the ‘toms’ as they repeat, the tuning changes and gets lower and lower.  This is a simple MIDI trick.  there are ways of doing this that can take a bit of time and planning, but what I did was very simple.  As in the past, I use the keyboard to trigger the drum sounds when recording drum tracks.  I recorded the simple beat with the tom sound.  Then when I played it back, I started recording on the same track and used the keyboard ‘pitch bend’ stick to slowly lower the pitch as it played.  That took about two seconds and once that was done during playback the drum toms would sound like they were being de-tuned in real time.  Depending on how quickly the stick was moved, you could change the rate of pitch change.

My wife sings the melody and I add some vocal phrases and back up.  To get her vocals to punch through the mix even though her vocals are smooth, I took a direct out (really it was an insert cable and we will get into that later) and fed her vocals into one channel of a stereo compressor/limiter to compress or ‘squash’ the levels, then I took the out put and ran it into the other (stereo side) side and used the limiter function.  This allowed me to get a good signal by lowering the hot portions of the vocal track, and then pump it up to the point that the limiter would stop extreme levels from getting past a threshold point I set.  I got a very clean vocal signal and smoothed out the peaks and valleys of the volume levels, allowing me to turn up the over all volume in the mix without distortion.

Recently I was asked in comments (The Observer) if a song I posted was recorded at home or in a studio.  I replied but thought I might expand on that a bit and also introduce another version of “The Pleasure Tax”.  As my brother and I got older we kept writing poems that were now almost always designed to be lyrics.  We got better.  Instead of playing the bongos, I played the toy organ I mentioned and everything else from there.  Here is where I get to also blame my parents again.  For Christmas we all got cool toys, but many of mine seemed to be music makers; recorders, tiny piano ‘tinkley’ toys, little ukuleles and eventually guitars with plastic strings and a drum set that was made for a three year old, but you get the point.  So we got better and we played instruments and my brother started playing guitar as well.  We had more toys to create music so when we wanted to record them (I was probably fourteen or fifteen by the time recording was a possibility) we wanted to add the various instruments and record them all together.

Through the years, we met other musicians and became great friend – or as I seem to recall – we met great friends that were also musicians.  Eventually there was a central core of serious song writers.  Sometimes there would be around eight or ten core writing members.  It would seem there was a competition going (and there always was!) to write the coolest or most clever or the most groovy song.  And we would have friends that would stop by and jam once in a while or would write lyrics and were willing to turn them over to a group of people that would fit them , with force if necessary, with a musical arrangement, melody line and harmonies.

The rambling link to all this is when we often played a collection of each other’s songs, we more than likely played with different performers supporting a few core members.   Those were exciting days!  One time you would sing the song and the lead vocalist was not there.  So you let an ‘orbiting member’ do the vocal melody and you sing the harmony part.  Most of us played instruments and sang – especially if we wrote the song as you can guess – so if the lead vocalist also played guitar, we filled in as a ‘core member’.   On one visit or jam session you performed and sang your song all by yourself to the group.  In other visits you were surrounded by full instrumentation and a choir of vocalists!  So here is an example of all that tied into a version of this song by a full band I toured with.  You heard us play live to an audience in Texas when we played the original song “Our Bodies Move” posted earlier.  We also played other original songs and snuck them into our sets.  One of them was “The Pleasure Tax”.  We called ourselves The Personal Touch.  Ric and I were a duo and when we decided to add a female vocalist as recommended by a booking agency they decided to sign us up for out of state gigs.  We got some studio time when signing up and we performed some original tunes and some cover stuff…. done The Personal Touch way.  “TPT” by TPT!

So this is rare original song of mine that was recorded in an actual studio.    We are a trio and there was a studio drummer.   Everything else is The Personal Touch with a very new vocalist.

SCN_0001

Having written songs with my older brother from the beginning, I often bounce ideas at him to see what comes back.  I remember (and take all of this with a grain of salt as I am not the best at chronology or details!) going up to him and saying something like… “I have this idea for a song and not sure where it goes, but I keep thinking get out of here leave me alone take it away, and that they want to charge us for anything.  Soon they will sell us air and water”.  Below is the result.  I called it The Pleasure Tax, and it is more relative today.  And yes, they do sell us air and water now!

I am very picky about tuning and tones used.  Putting new strings on your guitar was sometimes a luxury.  When I finally did it is like turning on a light bulb in a dim room.  Yes, you could see before but now you can even read!  Music can be like that.  Things are not inspiring or do not sound very good and you change the strings (or reed, drum head, pads) and BAM!  You want to go out and play it hard!

The tax is still out there, so be careful when you want to relax.?

https://itunes.apple.com/us/album/dark-energy/id962943592

“THE PLEASURE TAX”  © 1981

Music by Michael S Kennedy          Lyrics by Michael S and Charles D Kennedy

Intro:

Take it away………… The Pleasure Tax  4x

Verse 1

Take it out, or take it home.

Take it back, it hasn’t grown

Take it away or leave it alone.

Say what you want, or hang up the phone.

Chorus

Put new strings on your damn guitar.

Make it simple, but play it hard.

He says he likes it I don’t know why.

We don’t understand but we’ll give it a try.

Verse 2

Hit the road or face the facts.

There’s something that your system lacks.

The very next time you go to relax,

You’ll go down from the Pleasure Tax