I am fairly new to the blogging world, but after a few months I have learned a lot. Recently, I was amazed at the response and the thoughtfulness in the lists provided by other bloggers in the community on my Love/Hate post. Comments mentioned knowing me a little better and with so many of you posting your list I have been able to know some of you better as well. In addition to that, I thought it was actually a lot of fun. I would like to suggest another sharing of ideas. I would LOVE to have your thoughts on bands, artists and musicians that have influenced your life. I do not want to restrict this to bands per se, but to include individuals, songs, groups and bands or musicians. I will continue to post articles highlighting bands you may not be familiar with and I hope your answers will make me aware of new bands or artists out there that could be stellar, just not known to me. In fact, over the years I have depended on friends to direct me to great artists and musicians. They do my filtering for me and I get to hear or see really great performances I would never have come across on my own….. I don’t get out much LOL! If you will, please post a list of your favorite artists and maybe recommend a song from each. I am not sure about most of you, but the ‘popular’ songs and hits on a CD or album are often not the best or favorite tracks. I hope this is as much fun as the last one! All genres of music welcome.
Posts Tagged ‘#band’
Who Do You Love? – Influential musician/bands
Posted: June 29, 2015 in Opinions and ObservationsTags: #audio, #band, #creativity, #favorite, #genres, #inspiration, #itunes, #love, #music, #musician, #performance, #performer, #personal, #singer, #song, #songwriter, #sound, #writer
Live Sound Reinforcement Series Chapter 17 – The Ins and Outs
Posted: June 22, 2015 in Live Sound Reinforcement Series, music technology, technologyTags: # mixer, #atari, #audio, #band, #bass, #create, #demo, #digital, #drummer, #drums, #effects, #guitar, #keyboard, #Liveband, #livesoundreinforement, #microphone, #Midi, #midimike, #mixingboard, #monitors, #motivation, #music, #musician, #performance, #performer, #performers, #piano, #recording, #recordingstudio, #retro, #reverb, #runningsound, #signal, #singer, #song, #songwriter, #sound, #Soundengineer, #soundman, #speakers, #stage, #studio, #studioengineer, #synthesizer, #tech, #tips, #vocalist, #vocals, #Yamaha
Most of the connectors used for outputs will be 1/4″ male jacks. These can be for ‘grounded’ (three-wire) or two-wire cables. To make this part confusing, the cables can be made or changed with adapters to almost any connector type. For long distances we prefer grounded or three conductor-wire cables as the third wire is used to take common signals from the other two wires, and ‘dump them to ground’. Common signals would be interference and noise as the plus and negative wires are carrying the signal from the board. The result is good signal with low noise introduced. Guitar and keyboard cables typically go shorter distances and typically have a higher or stronger output signal than a microphone for example. The cables in the snake will use three wire grounded shielded cables even if they are 1/4″ male connectors.
So we might expect to have an XLR connector for the Main Outs to the Main House power amps, but this is not a guarantee. If 1/4″ jacks are provided it is recommended to use grounded three wire cables.
Most cables will provide a male connector on one end and a similar but female connector on the other end. Male connectors are often used to connect to In-Puts and Female connectors are often used to connect to the Out-Put. The male connector of the microphone cable connects to the mixing board In-Put and on the other end the female connector will connect to the microphone out. Generally speaking there is little advantage plugging an in to an in or an out to another out. I like to state the obvious LOL!
The mixing board will give us a Main Left and Right out, and probably a Mono Main Out. These will be connected to the Main or House power amps. During an event, the amps are usually turned all the way up and the House volume is ultimately controlled by the Main L-R faders on the mixing board. This is why it is important to turn the Master Volume Faders on the mixing board all the way down whenever connecting or disconnecting equipment or making dramatic changes.
Depending on the board size and configuration you may also have a 1/4″ Direct-Out for many if not all input channels. (this is REALLY cool for recording and a lot of other creative uses…) These can be really handy for independent channel recording, triggers, audio effects and alternate mixes to name a few. Basically connect these to external recorder, processor or triggering gear as needed. I will give some examples as the series expands to other main topics. You will also have a number of Sends that are used for a variety of tasks and have different names, but with a few configuration details are for the most part the same thing. Effect Sends, Monitor Sends, Auxiliary Sends, Sub Sends are splitters; they split the signal – keeping the one going to the House or recorder – and allowing you to send a lot or a little of that signal to the Send of your choice using the Send knob. As in the Monitor amps and House amps, the volume knob will ultimately be used to send the proper signal level to the external (and internal) devices or effects. If you ‘send’ this to a digital delay, it may also have its own input and out put level knobs.
You may also have a two-track input and/or out put. This is for playing stereo audio devices and for a straight stereo record out option. Handy to listen to practice tapes, intermission music, PA system tests and other performance related media.
Reels of Tape Lyrics
Posted: June 19, 2015 in MUSIC, My TunesTags: #12string, #acoustic, #audio, #band, #cdbaby, #create, #creative, #creativity, #demo, #dreams, #guitar, #harmony, #inspiration, #inspire, #itunes, #journey, #life, #love, #lyrics, #microphone, #midimike, #motivation, #music, #musician, #observation, #performance, #performer, #performers, #personal, #poetry, #recording, #recordingstudio, #retro, #runningsound, #singer, #song, #songwriter, #sound, #Soundengineer, #stage, #story, #studio, #studioengineer, #vocalist, #vocals, #writer
“Reels of Tape” (c) 1982 MSK
Reels of tape feel no pain
Watch the movie over again.
Life pours past the flags unfurled
Crack the crystal paralyzed world.
CHORUS: I’ve been told if you live in the future,
You’ll be who you wanna be.
But I ain’t moving to San Francisco
‘Til it drops into the sea.
Careful surgeons with knives of rust
Open wounds of crimson lust.
Forget today and tomorrow.
Leave this song behind, and all it’s sorrow.
CHORUS: I’ve been told if you live in the future,
You’ll be who you wanna be.
But I ain’t moving to San Francisco
‘Til it drops into the sea.
First things first, but think about it twice.
Follow those who take their own advice.
Wasn’t trying any other time.
I’d walk away mumbling a Few Shattered Lines.
CHORUS: I’ve been told if you live in the future,
You’ll be who you wanna be.
But I ain’t moving to San Francisco
‘Til it drops into the sea.
Reels of tape feel no pain
Watch the movie over again.
Life pours past the flags unfurled
Crack the crystal paralyzed world.
https://itunes.apple.com/us/album/dark-energy/id962943592
This is one of the original acoustic tunes that’s featured on my new album “Dark Energy.” You can find it on ITunes or CD Baby under Michael S. Kennedy.
Reels of Tape – A Few Shattered Lines
Posted: June 17, 2015 in MUSIC, My TunesTags: #12string, #acoustic, #atari, #audio, #band, #cdbaby, #create, #creative, #creativity, #demo, #dreams, #guitar, #harmony, #inspiration, #inspire, #itunes, #journey, #life, #love, #lyrics, #microphone, #midimike, #motivation, #music, #musicequiptment, #musician, #observation, #performance, #performer, #performers, #personal, #poetry, #recording, #recordingstudio, #Reel, #retro, #reverb, #runningsound, #singer, #song, #songwriter, #sound, #Soundengineer, #soundman, #speakers, #story, #studio, #studioengineer, #vocalist, #vocals, #writer
As I continue to dig into past songs it is easy to see one problem I have; I am not good at naming my songs. Sometimes I go for the punch line, but the punch line is not even a line in the song! Sometimes I try to highlight one phrase, but ignoring conventional songwriting wisdom, I do not use a phrase over and over in the chorus and call that the title. So here is another example where the names have changed over the years. Originally the title was “A Few Shattered Lines“. I was reading a letter from a friend of mine at college and I pulled some of his phrases into the lyrics. Below are the results.
Reels of Tape has a deep meaning for me. I spent a lot of years recording on reel to reel tape decks. I still have my original 4 track TEAC machine. The lyrics are more abstract than other songs I have written and for some reason I can still slip back to those times when I hear this song. I am using my Ovation Balladeer 12 string guitar as my standard writing/recording instrument over the years, and I just love the tone and the progression of the chords. The twelve strings just sound so full, and when using open tuning, it can make the chords sparkle. The other quick observation: I don’t get rid of equipment I buy…… I keep it forever!
The lyrics seem to create images that expand beyond the words. Familiar topics can do that sometimes when looked at with a different point of view or even a change in mood. I love – Life pours past the flags unfurled, Crack the crystal paralyzed world – and other parts, but I could not really tell you why. Another phrase that sticks with me is – Forget today and tomorrow, leave this song behind, and all it’s sorrow. a lot of my lyrics have a rather dark perspective. But behind them all is a sense of hope and a promise that things will get better and improve. I am one of the most optimistic people I know!
https://itunes.apple.com/us/album/dark-energy/id962943592
Recording as an acoustic tune, I use one track for the vocals (unless there is a harmony track) and I use another track for the ‘line out’ from the acoustic/electric guitar, and then I use another track for a microphone placed in front of the 12 string (even here, it is important to place the microphone at the ‘sweet spot’ to get the best tone. Placing a microphone in front of anything without testing will more often disappoint rather than delight. As in other posts, I have had better success if I literally stick my head up to the instrument and move back and forth until I get the best sound. Doing this while playing the instrument is not practical, so I place the microphone, record, listen and compare it to other tracks that use a different microphone position. Once you have the best of the best, you can be pretty safe using it again. Live situations with full bands and instrumentation is a challenge and I still try to stick my face in there to get an idea what that instrument sounds like but also if it is close to other instruments, speakers, or unwanted noise makers. Most vocalists will stand in front of the microphone, but even in this case if they lean or tilt one way or the other it can dramatically affect the final tone or sound. Much of this is tied to the proximity effect and we will get into that later. For the most part I will pan the 12 string guitar line out to hard Left and the microphone for the 12 string hard Right. Vocals go in the center, unless you have more than one vocalist or lead singer. I use very few processors like compressors, gates, limiters, and the like. As long as you start with a solid tone a bit of EQ if needed, bring in some light reverb or delay and the mix is done.
The Human Voice is an Amazing Instrument!
Posted: June 15, 2015 in Opinions and ObservationsTags: #12string, #audio, #band, #create, #creative, #creativity, #guitar, #harmonies, #harmony, #inspiration, #inspire, #Instrument, #life, #love, #lyrics, #melody, #midimike, #motivation, #music, #musician, #observation, #performance, #performer, #performers, #performing arts, #personal, #piano, #recording, #singer, #song, #songwriter, #sound, #soundman, #stage, #story, #vocalist, #vocals, #voice, #writer
When I was listening to music in my early years, it seemed very natural for me to sing along with the songs I like or new tunes I heard. I did not realize until years later that what I was doing was harmonizing with the melody, rather than duplicating it. This was probably my first gateway into music creation. I seemed to have a knack for developing harmonies. Rhythms and timing also came to me without me understanding what I was doing. Some people play sports, some are good at math, and some are builders. I just seemed to feel comfortable with music. My mother was in theater, radio and music and I have already blamed her for a lot of exposure to performing arts while I was growing up, so I will continue to do so!
The human voice is an amazing instrument. There is nothing like it. I know that I am not a powerful vocalist – I simply do not have the pipes it must take, but fortunately that did not stop my love for singing. As I sang along more and more, I got better at finding the notes that would enhance or decorate the melody line. I never tried to over power them, but to add to them. Sometimes a song only needs a phrase or two highlighted by harmonies or echoing the melody. Other tunes seemed to inspire harmonies throughout the song. Eventually I would hear the melody in my head and sing along creating harmonies. I could not begin to tell you how to create each note while singing… there are no manuals for this. There are lessons to be learned and great teachers or vocal instructors, but the basics are not easily put into words.
When it comes to instruments, there is a certain amount of knowledge and practice involved in understanding where the right notes are and hitting them at the right time. Just knowing the right ones to play are not enough as you have to know when and when not to play them. I bring this up because a lot of musicians talk about jam sessions or getting together and without a lot of details, start playing new themes and using ideas from other musicians to create and have fun. My point here is that I was never that comfortable simply bringing my instrument and jamming with others. I do feel comfortable with harmonies and if asked to add percussion or drums, I could fit in. But for me playing guitar, keys, bass, flute, sax, etc. without practicing and knowing what I was doing ahead of time is difficult. Many of the musicians I worked with were absolutely great at this. They were great at bouncing musical ideas off other players and coming up with gorgeous textures, themes and tonal landscapes. I have a few early examples of jams and creative sessions I would like to offer here from time to time.
Music’s Universal Language – Mathematics!
Posted: June 8, 2015 in Music TheoryTags: #12string, #audio, #band, #bass, #cdbaby, #creative, #creativity, #drummer, #drums, #guitar, #itunes, #keyboard, #language, #logical, #major scale, #math, #mathmatics, #memorize, #midimike, #music, #music theory, #musician, #pandora, #performance, #performer, #personal, #piano, #recording, #recordingstudio, #runningsound, #scale, #sing, #singer, #song, #songwriter, #sound, #Soundengineer, #soundman, #spotify, #vocalist, #vocals
Once we simplify the 12 notes and we are now able to find any Major scale very quickly (if you only did the exercise to find the other Major scales a few times you would see this is really easy….) and we can continue to explore the Major scales for other Keys. This is the foundation of the musical theory pyramid. It is important to understand how we get to the Safe Seven. No, you do not have to memorize every note in every scale, although ultimately that will help a lot. For now, try digging in and go over the Major scale for each of the 12 notes a few times. As you play the new Major scales, sing (or hum!) the Do Re Me song along with the notes you are playing. (tip for the day; as you hum each scale from the new starting note, you are changing keys!)
When we look back at the Safe Seven article, I showed a simple connection that I will repeat here:
C D E F G A B C
1 2 3 4 5 6 7 1
There is a lot of math in music and music theory. But instead of confusing things and making you change from your creative hat to your thinking hat, I find the math connection actually simplifies the confusion. It allows me to see the connection the various notes have. Personally, I HEAR and FEEL music more than I THINK it through. I have friends that can convert and spit out scales, keys and modes as easily as some of us use Pandora, Spotify or I-Tunes to change a song. I am really amazed at their skills, but that is something I am not all that good at. But you will see how easy it is to understand the art and the science by following these posts.
If we look at the Safe Seven for each Major scale, we can make an easy conversion (or universal language) for describing note or chord progressions for ANY Major key. I know, I keep on harping on the Major scales, but the others will be really easy once we have this understood and comfortable with the Mystery of the 12 and the Safe Seven, so let’s keep going. For those of you new to this blog, I have no formal training and I am self taught. I can assure you I am no genius. If I can get this, so can you. I just hope to make it a bit easier for you if you are just diving in or curious about how this fits together.
Knowing now that we call the first note the Root, and the same note higher or lower on the keyboard are called Octaves, we will begin a simple conversion; Root = 1. Each note in the Safe Seven can be represented this way by assigning it a value of 1-7. We just assigned Root = 1, so moving up is easy. In the example above, C is the Root so C = 1 and continuing the scale, D = 2, E = 3, F = 4, G = 5, A = 6, B = 7 and the octave is again the Root or 1. Each Major scale can be represented the same way. Use the Whole, Whole, Half, Whole, Whole, Whole, Half system to find the Safe Seven and then assign each to their corresponding number and we can stop talking about note names! As we get more into chord structure and progressions, this will also come into perspective. But let’s not get stretched too far. Play with these exercises a few times a day and we will build our solid musical foundation quickly. I will also go into the names of the notes as they change keys and this can be confusing to many until you see the method to the madness.
Appreciation and Perspective From “The Touch”
Posted: June 5, 2015 in projects, VideoTags: # mixer, #atari, #audio, #band, #bass, #Cassette, #creative, #demo, #digital, #drummer, #drums, #effects, #guitar, #keyboard, #livesoundreinforement, #microphone, #Midi, #midimike, #mixingboard, #monitors, #music, #musicequiptment, #musician, #performance, #performer, #personal, #perspective, #piano, #recording, #recordingstudio, #retro, #runningsound, #singer, #song, #songwriter, #sound, #Soundengineer, #soundman, #studio, #studioengineer, #synthesizer, #tech, #technology, #vcr, #video, #videographer, #vocalist, #vocals, #Yamaha
I want to give you an idea of perspective on some of the articles I have posted and will continue to post going forward. This is the first video I have posted and while it is rather BORING, it is so informative at the same time. I guess I have recorded original tunes since the very late 1960’s. I recorded everything. I deleted a lot! But I recorded everything I could. I experimented and adjusted and re-did and failed a few more times than I succeeded in the early days to be sure! I also got into photography and then into video recording. I practiced the mundane over and over until I got the exposure right, then with video until I could zoom and focus manually. I joined the photography club in high school and learned to develop and enlarge my own pictures – something I thought was close to magic back in the day!
I shared earlier that I used (and still own!!!) what I think was the first personal computer to come out with built in MIDI ports – The Atari ST! I used a software program back then to record the MIDI tracks and I could generate SMPTE time code and send a signal from the Atari to sync it up with recording machines (I had the Yamaha 4 track CASSETTE recorder during most of this). When I talk about old technologies and how we used to record songs (or develop pictures…) It is hard for some to understand the challenges we had and the lo-fi quality of the final mix or product.
I want to use this video as an example of many things I refer to in this blog. In this video, you will see what I saw when looking at the Atari computer monitor when I was playing or recording tracks. Keep in mind this is all MIDI equipment available years ago. The song I posted earlier will now be stripped of all guitars, vocals, effects and additional live sounds you heard on the full mix. As you watch the video you will hear the sequences being played back live into the VCR input. I took the monitor video out and connected to video in of the video recorder so this is a straight feed for both. In the recording software, each “instrument” has a separate track. Drums are all on one track with additional percussion sounds on different tracks, and as a reminder, each note (as triggered from my DX7 keyboard) represented a different drum/percussion sound coming from a drum machine. You can hear the metronome from the Atari ticking away in the back ground as it is set to record. As each track plays you can see the musical notes light up depending on the intensity of the track information. You can also see the tempo of the song, the names of the tracks and the measures and beats as they click by.
The main piano sound is probably familiar to many of you even if you are quite young. It is the classic Piano Tine sound from the Yamaha DX7 synthesizers. This video should also give you a sense of quality and resolution available at the time. It might be difficult to hear the difference in song recording quality today, but we are all familiar with video resolution and HD cameras and large screen TV and computer standards available now. Just think how this applied to the audio quality back then and then play some really old songs you grew up listening to. It gives a better appreciation and perspective for some of the classic songs that seem to live forever.
Music Hits Me Deeply
Posted: June 3, 2015 in Opinions and Observations, ReviewsTags: #audio, #band, #bands, #bizarre, #Buffalo Springield, #civil rights, #creative, #digital, #family, #genres, #harmony, #influences, #inspiration, #inspire, #lyrics, #midimike, #music, #musician, #observation, #performance, #performer, #performers, #personal, #retro, #singer, #song, #Song review, #songs, #songwriter, #sound, #story, #unusual, #vocalist, #vocals
I have been influenced by so many individuals, bands, groups and performers over the years it is quite amazing. I was never stuck in a particular style of music. I am not a fan of opera or deep country music or blues, for that matter (I know, that will not go over well with some of you! HA!) as I lean to the other side toward open and interpretive styles. There are a bunch of names we all know and can pretty much agree on if you listen to rock, pop, jazz, R&B, country, etc. But I have almost always been drawn toward the unusual but talented; the bizarre and clever; off axis dead on target! I love bands with great vocals and harmonies. Some of my favorites are quite popular now! Household names sometimes, but many are just now getting recognition and others never gained much of a following…… I know what at least one feels like, LOL.
After growing up listening to the music of my parents and older brother and sister, I enjoyed groups out at the time. No need to go over ancient influences here. But as I was growing more and more music-aware, there were bands I really enjoyed – not just a song or two, but everything they would release. The Beatles, The Who, The Rolling Stones, Pink Floyd, Genesis, Procol Harum, Gentle Giant, Yes, King Crimson, Steely Dan, The Police, Chic Corea, Herbie Hancock, Frank Zappa, Simon and Garfunkel, Coltrane, Dizzy Gillespie and others before and after them just kept getting better and better.
Today I love a lot of music, but there are very few bands or artists I love most of what they do. For most it is hit and miss. Other groups are fairly consistent. Just no one I go out of my way to hear every song. Just me getting old, so no need to panic.
If you will, let me show you what has affected me growing up and songs from groups I consider the best of the best. I will probably get to your favorite groups to, but there are just so many over the years. As this is not a reflection of history, I will again avoid attempts to be chronologically accurate. Buffalo Springfield was one that managed to send me a message, and it helps to remember the times and the events surrounding some of these songs and those that lead to their hit “For What It’s Worth”.
Bassics – Adding Textures
Posted: May 29, 2015 in MUSIC, music technology, My TunesTags: # mixer, #atari, #audio, #band, #bass, #bass guitar, #cdbaby, #creative, #demo, #digital, #drums, #equipment, #genres, #guitar, #inspire, #Instrumental, #itunes, #keyboard, #microphone, #Midi, #midimike, #mixingboard, #monitors, #music, #musicequiptment, #musician, #performance, #performer, #recording, #recordingstudio, #song, #songwriter, #sound, #Soundengineer, #soundman, #speakers, #studio, #studioengineer, #synthesizer, #tech, #Yamaha
For me, sequencing is fun and very versatile. I am not the kind of keyboard player that can jump in on any song and just start jamming. I do better if I can take my time and learn, practice, and improve before practicing with a full band. A lot of this might be from the lack of confidence in the early days, but in reality I find myself a jack of all trades and master of none. If I had spent more time on any one instrument, I might have gotten pretty good. Fortunately – or unfortunately, I have always been interested in so many different things that my chops were not the best. As a percussionist, I was able to hear what I wanted, but did not play drum kits so my feet and hands were always locked in perfect step! Sequencing gave me the ability to lay down rough performances on the keyboard (and remember I use the keyboard keys to ‘trigger’ the drum sounds, so I am still playing keys). Once recorded using MIDI – again I am not recording the sounds but the physical action and movements, I could enter the Edit Mode on the sequencer and make corrections to timing, notes, durations etc. until the piece felt good to me. For the drums, the standard practice is to use the Quantizing feature (I can go into this later as well for future posts) to make sure all beats were perfectly ‘on the grid’. I have used drum machines and sequencers since they first came out. The sounds are great but too often the result of overusing the quantize feature makes the drum tracks sound mechanical – unmoving – and even impossible for a real drummer. I preferred to leave a little slop here and there. I want emotion in my songs, not perfection.
In “Bassics”, I just enjoyed the new sounds I had and played with this Bass Guitar patch and came up with the basic groove. I like adding textures and unusual percussion/FX sounds to keep the songs flowing and changing. Available sounds are so much better now, but I still enjoy bringing out these old tunes.
MIDIMike
MidiMike 